Nayakan

Kamal Hassan's extraordinary performance is the highlight of the film. This movie is perhaps the greatest gangster movie made in India, even though it is heavily inspired by the Al Pacino-starrer The Godfather. Kamal rightfully won the National Award for his performance. Great cast, great performances, solid direction from Mani Rathnam, great screenplay = one great movie. Highly recommended. A+.

Even though Nayagan seems like a compressed version of The Godfather series and despite the fact that a lot of the scences in the movie give you sense of deja vu(after you've watched Godfather. Nayagan is probably one of the best movies made in Tamil(and may be in any Indian language). Apart from changing the very face of movie making in India, it had send so many refreshing trends.

Nayagan is the story of a boy(Velu), who loses his father(a Trade Union leader) and runs away to Bombay, after assualting the Police who kills his father. In Bombay he is brought up by a pious Muslim fisherman. By turn of events, Velu is pulled into committing Crime(and fighting too). Velu grows into a Don and slowly the power of it takes him to a different world, where he is the command, but he slowly losses his dear ones and it finally ends with his death at an old age, with a moral message that one who lives by the sword(gun), dies by it.

Kamal had given one of his best performances in this movie, for which he rightfully won the National Award for Best Actor. The Music of Illayaraja, Photography of P C Sreeram and the Art of Thotta Tharani were other High points of the movie, not to mention the magical touch of Manirathnam, who made a permanent name for himself after making Nayagan.

A must watch movie, for anyone who hasn't seen it.

Mani Ratnam rose to fame with this superb, Godfather-inspired, crime story. Kamal Hassan, in a National Award-winning role, is the highlight of this film. WAtch out for the scene where he says "Naa adichcha nee sethuruve (You will die if I hit you)" to a police officer. Based on a real-life don, Varadarajan Mudaliar, Nayagan was praised by critics and audience alike, a rarity in India. Illayaraja's music is haunting. "Tenpaandi Cheemayile", sung by Kamal Hassan, is a classic. Photography is brilliant. Mani Ratnam is top-of-the-pops. Sign of things to come? Janakaraj as the gangster's friend is an inspired selection. This is as good as it gets for bridge cinema.

It is really difficult to express the experience of watching nayakan in words, the real life story about the transformation of a boy into a rebel and then a don, brilliantly portrayed by one of the greatest actors alive today, Kamal Hassan.

While the film draws little inspiration from "The Godfather trilogy", the emotions and trauma associated with many events , along with ilayaraja's rendition of 'thenpandi seemayile' , really does make this movie very special!, nothing to beat this one, among the best movies i have ever seen. I can rate it along with American beauty, shawshank redemption or even amelie.

"Nayagan" is akin to a rare astronomical event wherein the constellations form a perfect alignment to create a spectacular extravaganza. Mani Ratnam, Kamal Hassan & Ilayaraja weaved magic that captured the heart of audience by storm.

There cannot be a second opinion if I were to state that this role was destined for one and only Kamal Hassan. You cannot fail to notice the subtle changes in the body language, mannerism, gait and dialogue delivery that go about with the ageing process of the Sakthivelu. Starting with the rebel youth and all the way to the ageing Godfather, the natural transformation was effortlessly essayed by Kamal. Saranya, Ravi, Kartika, Nasser and Tinnu Anand leave a mark otherwise there isn't much scope for supporting star-cast.

Ilayaraja compositions were a raging hit back then. P C Sriram (cinematography) & Thota Tharani (art direction) ensured to give a distinct Mani Ratnam feel to the visuals (a spillover of "Agni Natchathiram").

Though the plot rests on the basic premise of Mario Puzo's "The Godfather", top notch writing narrating the biography of Mumbai based Tamil gangster of the 80s, Varadarajan Mudaliar stands to its own.

If "Mouna Ragam" and "Agni Natchathiram" got him noticed then "Nayagan" stamped the title of maverick to Mani Ratnam. It goes without saying that while "Nayagan" set a precedent for fellow film-makers, Mani Ratnam started the revolution in the Tamil cinema.

PS: The Hindi remake, "Dayavan" attempted by Feroz Khan and Vinod Khanna was sadly a classic case of "lost in translation".