A Coletora de Impostos

The plot of A Taxing Woman is interesting/enthralling, regardless of the production date or language of the film. Watching tax evasion cases unfold is surprisingly interesting, presented in a manner that shows the more human side of government organizations. (OK, if not the 'human side', at least you get to see what it's like on the inside.) From a cultural perspective, a 1980s Tokyo is also interesting, with shots of the cityscape, pachinko parlors, love hotels, etc.

One last comment: There is nudity in this film, but It adds to the story of the film, justifying why some of the characters do what they do.

What a movie the japanese killed it , the music is unfortable and real life moments Another great film from Itami satirizing an aspect of modern Japanese society, this time, tax cheats.

My Ratings 9/10

This film from director Juzo Itami, who also directed the excellent "The Funeral" is about Ryoko Itakura, a cute freckle faced bowl haircut style tax investigator. She tries innovative ways to separate people from their hidden earnings, which is, after all, her job. Nobuko Miyamoto, who plays Ryoko, is great, always looking like the only important thing is the job. When she gets promoted to Tax Inspector her job with her new colleagues is to investigate developer Hideko Gondo, played extremely well by Tsutomu Yamazaki, to find out how he is cheating on his taxes. Gondo is, of course, shrewd about hiding his money, so you're left to wonder whether they will succeed. This is essentially a comedy, with a little drama and a bit of erotica (not involving Ms. Miyamoto's character), and it does have some heart. It falls short of "The Funeral" in that the character development, aside from Ryoko and Gondo, is a little weaker. But, for its subject, it is never boring and it is entertaining. I'm sure these people in Japan are as zealous as they seem in this film. Enjoy, its well worth your time.

This film will probably take many of the viewers by surprise. Apparently the tax system and the art of cheating on your taxes in Japan is something most Westerners might be surprised to see. Sure, MOST cultures have some people who try to avoid taxes--this is pretty much a given. But the lengths to which they go in Japan and the lengths the tax investigators go to catch them is truly amazing and makes this film so unusual.

The tax cheat in the film, Mr. Gondo, is a complex and unusual man. In some ways, he's a slimy man with little to like--owning a string of "love motels" (i.e., hotels where prostitutes go with their clients or couples commit adultery) and mistreating his mistresses pretty badly. But, oddly, through the course of the film, the viewer and the tax lady come to like him or at least recognize he isn't all bad. This is important because otherwise, the film would have been far less interesting. Also, the many, many, many bizarre ways of hiding cash and bank accounts was truly bizarre--with hidden rooms and account information hidden practically EVERYWHERE! The lady tax investigator, Ryoko Itakura, is amazing as well--sort of like a superhero with amazing deductive powers. She is both tenacious and brilliant but also obsessed to the point where she doesn't appear to have much purpose in life but her job. Again, this made for a fascinating woman, as later you saw bits and pieces of her life that led you to believe she is a real person with real likes and dislikes--and even a liking for Gondo.

All in all, this is one of the more unusual films I have seen--with a plot that is so unusual and a style that make it a standout film.

She's rather memorable, this taxing woman. She has a face like a China doll all grown up with freckles around her eyes and a mat of thick dark hair on her head as though cut with the aid of a vegetable bowl. She is Nobuko Miyamoto, wife of the late and lamented director Juzo Itami, and a comedic star worthy of 'Saturday Night Live' in its better days. She plays Ryoke Hakura, tireless tax inspector hot on the trail of shady tax dodger Hideki Gondo, played with rakish self-indulgence by Tsutomi Yamazaki. Itami blends situation comedy with some soap opera angst (Japanese and American) to which he adds some ersatz action/adventure shtick (the chase scene near the end with Hakura legging it after Gondo's teenage son, comes to mind) seasoned with a touch of the traditional theater and a little zesty porn, well mixed.

The result is interesting and a little jarring.

I was most affected by the atmosphere of this strange and original comedy. I found myself looking at the backdrops and the sets and into the faces of all those very neat Japanese bureaucrats as I followed Ryoko Hakura's tireless pursuit of the missing yen. All that paper work and all those numbers! Interesting were the attitudes and presumptions of the characters in terms of sexuality and social status. We can see that in the modern Japan a woman must navigate her way carefully through the sea of men, while a man must achieve financial success to command respect. And yet there lingers still the flavor and the swagger of the samurai as seen in the scene where Gondo cuts his finger to write a bank account number in blood.

Aside from getting a little soapy at the end, this is fine flick, sly and amusing.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)