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You'd have to dig a bit to discover that Man On Fire with Denzel Washington is actually a remake, or rather another version of a book that's out there somewhere, but there is indeed film from 87' bearing the same title and basic plot outline, albeit with a heavy dose of melodrama. Swap out Denzel and Chris Walken for Scott Glenn and Joe Pesci, Mexico City for Italy and Tony Scott's neo-punk visual aesthetic for a more stone-faced, straightforward approach and you'll have some idea. It's a passable film, but instantly pales with any comparison to Scott's outing, which is a masterpiece and one of the best films of the century. Glenn is Creasy, a mopey ex CIA soldier who gets a job from buddy Pesci protecting a wealthy businessman (Jonathan Pryce) and his family, mostly driving their precocious young daughter (Jade Malle) around. The two are rocky at first, begin to bond, she's kidnaped and Creasy wages war on the criminals who took her with an arsenal of firepower provided by Pesci. At ninety minutes it's a little too short for any of this to be developed properly, or proportionately so to other elements, but it works well enough. The strongest bits are the early scenes where they make friends, brought to life by Glenn's warm smile and Malle's emotional curiosity. The final act of revenge feels oddly rushed, awkward and too overblown to justify the lack of action we get, it should have been more hot blooded and sustained. It's still a decent piece though, with the distinct cast doing fine work, especially Pesci who is volatile and unpredictable, almost stealing the film from Glenn. Nothing compared to Scott's version, but worth a look.

When most people today hear the title "Man on Fire", they probably think right away of the 2004 film starring Denzel Washington and Dakota Fanning. Unbeknownst to many of them is that film is in fact a remake of a gritty, disturbing, and above all, unusual European film of the same title. The 1987 version of "Man on Fire" is probably a film that I would have to consider schlock. From the looks of it, it's budget was fairly decent for it has good acting, good effects, and good sound design. But the reason why it falls under the category of schlock is because of its very unusual and sometimes, inferior styles. This is a film that will meet viewers halfway. Some people will enjoy it just for what it is. And the other half will simply despise it.

For me, "Man on Fire" was in deed unusual and strange and definitely not the most creative film ever made. But while that is true in my personal opinion, there is another factor that I cannot deny. And that is the factor that while the film was a bit shoddy, it was highly entertaining and in a way, a bit more complex and more compelling than the 2004 remake. It has some gorgeous scenery, absolutely wonderful acting, a fairly decent screenplay, and other things that I simply find attractive in a motion picture. Scott Glenn was absolutely flawless as Creasy and he pulled off the character as being mysterious, cold, and unusual. He wasn't quite the tough guy as Denzel Washington was in the remake. To be honest, I wanted him to be tougher, but it kind of worked out. Jade Malle, an actress who unfortunately did not do much acting after this debut, was fairly good as Sam. Yes, she wasn't the best child actress in the world and not a patch when compared to Dakota Fanning, but I found her to a fairly decent addition to the cast. And Joe Pesci, while definitely one of the unusual aspects of the film, pulled off a fairly good performance as well.

Action sequences in "Man on Fire" were fairly decent. Many of them were flawed, but they were, for the most part, thrilling. There was one part that I personally felt did not work out. When one of the bad guys gets shot in the stomach, he just kind of stands there until he finally starts to slowly fall over. The camera doesn't change angles or anything like that to create a more distressful feeling. But other than that, the gunfights and action sequences were intense, gritty, and bloody. And the gore here is used at a controlled level. And what I will always remember about this film was that unlike the 2004 version, there was a scene here that just made me jump.

So what doesn't work in "Man on Fire"? Basically, it's just a few aspects of the film's style. Some parts of the film I think could have used a few more takes. The scene where Creasy finds the first of the kidnappers probably could have been done differently, for I found it to be too disturbing and uncomfortable. And like I said, there are some wonderfully talented actors and actresses in this film. Jade Malle's parents were portrayed wonderfully, unfortunately, their characters are what I would call stick figures. Just in the background, so that you know they're there. The ending for the film is a mysterious one of the highest order. For a while, it doesn't make any sense. And I think the explanation of the ending just depends on an individual viewer's point of view. Maybe that's what the director intended.

The original 1987 "Man on Fire" is not the kind of film for everybody. Some aspects of it are inferior to the 2004 remake, but other aspects exceed well above it. Personally, I might prefer this version for its colorful acting, its not-so-gangster style, Scott Glenn's wonderful performance, the great music score, and just the great thrills of a 1980s European thriller.

Not being fan of director Tony Scott's 2004 remake starring Denzel Washington and Dakota Fanning, it however did get my attention that this novel adaptation was also attempted in the late 80s in a very European style. Not as easy to get a hold off, but it turned out to be a solidly atypical, if unspectacular, lean revenge thriller with a striking performance by Scott Glenn in the central role as former CIA agent turned bodyguard Mr. Creasy. It's the cast that makes this one work (where can you get Joe Pesci doing what he does best; getting angry; yelling profanity, breaking radios and singing "Johnny Be Goode"), outside some methodically stylish directorial touches (like the opening slow motion intro) and stunning Italian backdrops and decors. The music score is atmospherically edgy and always complements the on-screen action with the cinematography fluidly projecting the details.

The pacing is rather stodgy, as it does take awhile before it builds up some momentum (soon after the ransom kidnapping by some terrorists), there it crackles along (Creasy gaining health and then going on the warpath finding those involved to only dispatch them) until reaching its abrupt, if confused climax. However the final frame really does paint a beautifully haunting picture, which does leave it open. While grimy and mean when it does explode (effectively staged too), it might be too short-lived, as it could have up the ante on numerous occasions (despite one bloody shoot-out and a brutal beat-up scene). Instead it's rather understated - more so moodily brooding in its activities (and Glenn's husky narration), as it's quite a lyrical character drama, spending a lot time developing upon the relationship of the young girl and her bodyguard. While not particularly deep, still it feels genuine in the thoughtful bonding and the transformations. Glenn's wearily lamenting, but hardy performance balances out nicely to Jade Malle's wholesomely bright turn. Danny Aiello shows up as one of the kidnappers. Also the cast features Brooke Adams (who we don't see too much of) and a little role for Jonathan Pryce.

I watched this after seeing the 2004 remake and was quite surprised by how good this one is. Scott Glenn gives a suitably haunted and melancholic performance, despite his dorky 80s wardrobe; no man can look cool with puffy shoulder pads like Joan Crawford and his coat-sleeves pushed up past his elbows. Jade Malle has just the right combination of loneliness and intelligence as the kidnap victim. Joe Pesci has a great weapons prep scene (opening a crate of handguns he says gleefully, "I ran into some old friends of ours. Do you recognize any of these guys?") but he isn't really given much to do. The violence is quick and dirty. The director, Elie Chouraqui, directs in a style that recalls Brian DePalma when he was at his peak.The ending is open to interpretation. Perfect. All in all I would say this version of Man on Fire is definitely worth seeing.

Seems to me that the reason why this movie isn't liked and known any better is because the world was not really ready yet for a this sort of action movie, at the time. It's more the sort of action-thriller we are accustomed to of seeing now days, with a better- and more slow build up to it. So the movie was actually ahead of its time and I could understand Tony Scott's interest in this movie and why he decided to make a remake of it, back in 2004.

It's definitely not an usual revenge flick. It seems more focused on its characters and drama really but this of course is not necessarily a bad thing. It actually makes this movie a pretty refreshing and original one within its genre. And having said that, it's not like the movie is all drama. It of course is still being filled with plenty of straightforward action, in its second.

And you would think that this is when the movie becomes truly good and interesting. However in this case I have to say I liked the first half, so its drama and buildup, better than the second, more action filled, one. I just liked the story and far slower pace of the movie its first half way better. It was a genuinely good movie, while its action part comes across as far more standard and the story suddenly got pushed to the background. Besides, director Élie Chouraqui was obviously far more at ease with telling a story than at handling the action really. It's still good and fun enough action all but it just still feels like the second half of the movie is doing a good job at destroying what the first half of the movie had been building up. In that regard this movie is totally the opposite of its remake, in which the second half and all of its action parts were its highlights.

With its pacing and buildup this definitely feels more like a foreign movie, which is not all that surprising really, considering that it had a French director at the helm. But this approach is actually what makes the movie work out as something special and refreshing. I however don't think simply just everybody will be able to appreciate this approach. especially of course when you are expecting a more straightforward action flick.

And for such a low key movie, it definitely has a great cast in it. Scott Glenn, Joe Pesci, Jonathan Pryce, all in one movie, that's pretty awesome! And there are all really right at place within this movie as well. Scott Glenn is a great leading man to have, when the main character is supposed to be a grumpy, tough guy, with his heart still at the right place.

Maybe it's only just a half successful movie but it's still really worth giving a go!

7/10

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