Royal Space Force: The Wings of Honneamise

Do not listen to anybody bagging this movie, they do not have the experience with anime to appreciate it. Wings of Honeamise is a pinnacle in Japanese animation, it took anime to it's popularity. It made anime known.

The only way I can describe how this film makes me feel is to compare it to a child watching My Neighbor Totoro. It is animation but not quite what you see everyday. It has a plot but it has subtle and even hidden depth.

To me this film is so good that it ceases to be "just anime" to become film art in the truest sense: it conjures up an imaginary world and makes it real, people have troubles and tribulations and we identify with them, everything comes to conclusion and we are changed by it and for the better.

For people think this is just sunday network cartoons two hours long I recommend watching this alongside Apollo 13 and/or Forrest Gump and try to find the analogies, you'll be surprised.

Honneamise no tsubasa is one of the most experimental animated features I have ever seen. It had some amazingly detailed and beautiful visual designs, deep concept and storyline, unique scenes that had never been done before, and so much more. Gainax had done a tremendous amount of research for this title, as a result they succeeded in virtually creating a new world, complete with its own culture, costumes, architecture, tradition, religion, rituals, etc. The character animation may lag at certain points and the film's pacing may feel a little bit too slow from time to time, but they are just minor gripes if you consider the overall greatness of the film. The Anime also contains some wonderful scenes that are practically some of animation's most glorious moments. It has the best ending I have ever seen in an animated feature, in fact, the last 20 minutes of the film are amazing beyond words. You have to see this film yourself , and definitely see it more than once. This is the anime not just for animation fans, but everyone who likes great and grandiose space opera in line of 2001: Space Odyssey

Wings of Honneamise is what you'd call a work of "higher" science fiction; just like the fantasy genre is divided into swords-and-sorcery books (such as the Dragonlance series or the crap David Eddings writes - sorry, couldn't help myself) and more mature writings, such as A Wizard of Earthsea by Ursula Le-Guin and the works of Lord Dunsany and J.R.R. Tolkien, so the SF genre can be divided into "higher" and "lower" SF. Lower SF consists of large ships, big lasers, mechas, and is epitomized in the works of Edward "Doc" Smith, George Lucas's Star Wars trilogy and most animes out there. Higher science fiction, in my eyes, ,means Philip K. Dick, Stanislaw Ulam, and Wings of Honneamise, or WOH for short.

WOH focuses on man's first attempt to launch a manned satellite into orbit around the earth; only it's not our earth, but rather a similar parallel world. The space program is ridiculed by almost everybody, including the main hero, until he meets a religious young woman who changes his mind. We follow the hero's training for the program and watch as he slowly matures from the apathetic dropout he begins out as.

This movie is about a lot of things: war, religion, politics, courage, friendship and more. It's much more than a "man goes to space" sort of film, like "Apollo 13" (starring Tom Hanks) is.

The depth and realism of this movie is astounding. During one scene where there's an explosion and water flies everyway, you can notice a rainbow in the background, which fades as the water scatters. The world is highly detailed and even the physics is correct (I always suspend belief when watching SF movies, but this one does a good job of getting the science right, as opposed to almost every other movie).

The weakest part of this movie is the music. It's well written but poorly executed in parts - it's always embarrassing to hear 1987 synthesizers attempt to mimic orchestral instruments. Ugh.

Regarding the rape scene, which seems to upset so many people: this can be understood based on her faith. Blaming Shirotsugh would on the part of Requinni (I hope the name is spelled that way) be admitting that even as he goes to the stars man is imperfect, an admission she is not willing to make. So instead she decides to take the blame on herself. The scene is unrealistic perhaps in today's PC America, but Requinni is anything but today's PC America. Whether or not it suits the tastes of the viewer - that's another question.

The planet's first space explorers just happen to be from a land engaged in a border war. This naturally lends urgency to any mission of peaceful exploration, and this is the central message of the film: that we should strive to achieve the impossible, rather than wasting our efforts and squandering our lives bickering with our neighbors. Mankind's future is among the stars.

With its grand sweeping cityscapes and pastoral vistas to tempt the eye and its exciting race against time story of hard working rocket builders struggling to finish their creation before their construction facility is overrun by an invading army, this movie is great fun, marvelous to look at, just a joy to watch.