Campo 731 - Bactérias, a Maldade Humana

Please do not watch this movie only for its gory scenes. There aren ´t that many of them and you can see similar ones regularly on Reality TV and the likes. The film´s true driving force is strong acting, good script and the veil of foulness, for the story (and even the gore scenes) are based on true facts and documents. You will certainly be disturbed, but rather for the feeling that what you´re watching really happened. Definetly recommended. 7/10

Watch Man Behind the Sun expecting something along the lines of a Chinese Ilsa movie and you might be in for a surprise: this film has none of the camp qualities to be found in most POW exploitation—it's pure cinematic harshness from start to finish with not a buxom leather-booted commandant in sight.

Set at the end of WWII, director T. F. Mous' harrowing tale centres on Camp 731, a medical centre where the Japanese attempt to perfect bacterial weapons, using Chinese prisoners as guinea pigs in their nasty experiments. Mous' objective is to reveal to the world how his people suffered at the hands of their enemy, and in this he totally succeeds; the atrocities that are depicted in Man Behind The Sun are completely sickening and disgustingly convincing.

From the moment that a woman's baby is smothered in snow by a soldier, to the depressing, downbeat finalé in which the camp is razed to the ground by a retreating Japanese army (after shooting and burning all prisoners), this unflinching portrayal of man's inhumanity to man is a total gut-wrencher and certainly not recommended viewing for the easily offended.

In this film, people are treated worse than animals and the 'experiments' they have to endure are shown in every nauseatingly graphic detail: a woman has her arms frozen and then dunked in hot water, allowing the flesh to be easily ripped from her bones; a prisoner is placed in a decompression chamber resulting in his intestines erupting from his body (a scene rumoured to use a real body, but which, according to the director, was actually achieved using special effects); a boy is tricked into being the subject of a live 'autopsy' (cast-iron stomach necessary for this bit—real autopsy footage was shot for this scene!!); and a group of prisoners are 'crucified' in a field and used for target practice by Japanese bombers.

On top of all this there are also two moments of animal cruelty that will have pet-lovers up in arms: a cat is thrown to hungry rats and is eaten alive (not sure if this was done with FX or not, but the cat doesn't look too thrilled), and a load of rats are also set on fire (now this is definitely real!!).

As you have probably gathered, Man Behind The Sun is hard going and should be watched with caution. However, it is a well made film that does what it set out do do—educate viewers about the horrors of war. It's a hard one to rate, because it is such a gruelling movie and can't really be described as entertaining, but I'll give it 8/10 for being so genuinely disturbing.

Men Behind the Sun deals with the torture of Chinese POWs by their Japanese captors: Air Squadron 731, at the latter's snow-bound concentration camp.

I've seen a lot of extreme cinema in my time: not because I'm a "gorehound" or am constantly seeking the "ultimate nasty" but because I want a film to affect me. I'm very much of the "it's just a film" school and it therefore takes a well-made, strong film in order to allow me to suspend my disbelief.

I've seen most of the so-called "nasties", including Cannibal Holocaust and some of the Guinea Pig series. I didn't find the latter terribly effective and Cannibal holocaust is a gut-munching gore fest in its uncut form but Men Behind the Sun completely eclipses it for sheer brutality.

What makes Men Behind the Sun so effective for me is the relative realism. Zombie movies don't disturb me simply because zombies are fantasy. To a lesser extent, so are cannibals. Both genres have "yuck" moments and on first viewing, Cannibal Holocaust shocked me slightly with its relentless gore. Men Behind the Sun is somehow more calculated.

Why am I making comparisons with Cannibal Holocaust? The majority of film viewers will be familiar with the so-called "video nasties" and will probably have seen some of them. Cannibal Holocaust is generally considered to be the strongest of the video nasties but Men Behind the Sun is in a different league, in my opinion. Men Behind the Sun is to Cannibal Holocaust as Cannibal Holocaust is to say, The Exorcist.

What makes Men Behind the Sun so effective is its realism: humans, not zombies, cannibals or monsters. It deals with what atrocities humans are capable of committing upon their own kind.

Guinea Pig: The Devil's Experiment is a similar study but it has all characterisation and plot stripped away, leaving just the torture. Because of this, there are no characters to engage or empathise with. Certain scenes are very graphic but without context and therefore not affecting.

Men Behind the Sun has characters and plot and most of the film is just that: a film. The torture and experiment scenes are intense sequences set within what is otherwise a normal film. And there lies the film's effectiveness: because it builds characters, we are drawn in. Because the film deals with real life, we are able to suspend our disbelief and become immersed in it.

The torture and experiment scenes in Men Behind the Sun are intense for their unstinting focus and graphic depiction of cruelty. They are disturbing but compelling; like looking at a car crash when you know you shouldn't. The imagery is so graphic and realistic that the scenes stay with you, long after viewing the film.

*** Possible spoilers ***

Even before the gory torture and experiment scenes, we witness utter inhumanity near the beginning of the film, as a mother is robbed of her baby. A Japanese officer simply takes the baby from the mother and tosses it into the snow. As the mother weeps, the officer muffles the baby's cries by kicking snow over it.

Later in the film, we see the mother tied to a wooden structure in the freezing outdoors. An officer approaches her, treading on her baby's body as he does so. Her already frost-bitten arms are doused in cold water several times, before she's taken inside. There, her arms are dipped in a solution of some kind and I shan't describe what follows. To do so would deny any potential viewer one of the biggest shocks of the film. Be prepared.

Continuing the frostbite theme, we see a Chinese man forced to place his arms into a dry ice container. They emerge frozen solid and are then hacked off by a Japanese soldier, breaking like china.

The infamous decompression chamber sequence is where the director is alleged to have used a real cadaver. I can't confirm or deny that but the scene is another shocking one: a Chinese man is placed inside the chamber and the pressure gradually reduced. Eventually, the pressure is so little that the man's colon falls out of his anus.

Another notorious scene is the live autopsy: a deaf, mute Chinese boy, whom the viewer grows to like, is tricked into lying on an operating trolley. There he is anaesthetised with ether before being dissected. Rumours abound that this scene also used a real cadaver but personally I doubt that. I am convinced from the camera cuts that this sequence is just very good special effects. Once done with the boy, the Japanese simply throw his crumpled body into a trailer before he's taken away for incineration: completely inhuman and affecting.

The sequence involving the cat is the one probably most often thought to be real. I can't be absolutely sure but I don't believe this to be the case. Rather, I believe that the cat could have been drugged and certainly think the blood to be fake. In any case, the cat being eaten alive by rats is a very disturbing scene.

*** End of spoilers ***

Overall, this is a strong piece of film-making, in every sense. The story is a worthy one and the unpleasant imagery serves to drive home the message that the film carries. These are not images that are easily erased from one's mind. This film certainly affected me.

I would recommend this film as advised viewing. I wouldn't say to anyone, "If you want to see something really nasty...", or "You have to see this film because it's really gory." Rather, I would advise watching it, with caution and preparedness for what lies within, as a good, powerful film.

This film will stay with me for a long time: savage, powerful and unforgettable

I saw this for the first time recently n got disturbed badly. I cudnt sleep or do my workout.

This movie is not supposed to be enjoyed nor shud be viewed for entertainment values. It shud be only seen for sheer enlightening.

The autopsy of an alive child made me lose hope in humanity. The gruesome experiment in the decompression chamber took away my sleep n appetite.

The most shocking aspect is why wud anyone protect a monster like Shiro Ishii. For scientific data?

Man Behind the Sun is a worthy film, and readily smeared through its association with a number of schlock "sequels".

Given that most reviewers here can't read Chinese and are measuring the film by its disgust factor, it's easy to see why "Godfrey Ho" is wrongly credited with directing it, instead of just "parts" 2 and 3. The actual director, Mou Tun-fei (aka T.F. Mous) is alive and well and living in Taiwan at last report. He is also a committed Chinese nationalist, which helps to explain the genuine, almost uncontrollable anger in this film.

The "sequels" on the other hand are money-spinners. Anyone who has seen the original should know there was no scope for a sequel set in a camp that had already been destroyed at the conclusion of WWII. At best, "part" 2 is a remake, and a cheap, shabby one at that.

The film is also careful to note significant historical elements, such as how the US government protected some of the criminals portrayed in this film, partly in order to get hold of the scientific data produced at the expense of the lives of thousands of Chinese civilians. If you read books on the matter you will also discover that the vast majority of Japanese scientists implicated in these experiments went on to enjoy successful careers in Japanese universities.

There was no Simon Wiesenthal to chase up and prosecute these individuals, despite their conspicuous presence under a lengthy US administration, and to this day the two governments prefer not to talk about this particularly vile component of Japan's wartime legacy. "Stuff happens," eh Mr Rumsfeld?