Uma mulher descobre o corpo recém-ressuscitado e parcialmente formado de seu cunhado e amante. Ela começa a matar para revitalizar seu corpo e que ele possa escapar dos seres demoníacos que ... Ler tudoUma mulher descobre o corpo recém-ressuscitado e parcialmente formado de seu cunhado e amante. Ela começa a matar para revitalizar seu corpo e que ele possa escapar dos seres demoníacos que o perseguem depois de escapar do submundo deles.Uma mulher descobre o corpo recém-ressuscitado e parcialmente formado de seu cunhado e amante. Ela começa a matar para revitalizar seu corpo e que ele possa escapar dos seres demoníacos que o perseguem depois de escapar do submundo deles.
- Prêmios
- 2 vitórias e 6 indicações no total
- 1st Victim
- (as Antony Allen)
Avaliações em destaque
The acting is good throughout the film and praise must go to everyone. The characters were very interesting characters from the humans right up to the cenobites.
There was a lot of gore in this movie and it was quite sick at times-not a film to watch if you're eating.
The storyline of the film is a very intriguing one and very original indeed.
But those cenobites didn't half scare me particularly when that pinhead said, "We will tear your soul apart!" Then again, that is what a good horror is all about-scaring the you know what out of it's audience.
If you're looking for a quality horror movie of the 80's then check this one out. Just don't be surprised if it sends you hair grey.
Frank Cotton (Sean Chapman) is as immoral and perverted a scumbag as you could hope to find in the English speaking world. Ever alert to the potential for some new thrill (sexual or otherwise) Frank comes by a small carved wooden cube that just happens to be (in the right hands) a gateway to Hell. Not your normal run of the mill pit of hot sulphur fumes presided over by a horned Lucifer wielding his time-honored pitchfork, but a most unpleasant parallel dimension, home of the wickedly inventive Pinhead and his cenobite cohorts. As the series worked its way onwards, Pinhead (Bradley) became a retro cult hero much like Freddy Kreuger and was given increased screen-time!
Frank ends up paying the ultimate price in his search for new pleasures and to his everlasting discomfort, inevitably discovers the real meaning of the film's tag-line "He'll tear your soul apart." This leaves Frank's ex well and truly home-alone and she takes up with his wimpy brother Larry, crawlingly played by Andrew Robinson.
Things might have worked out for Julia (Higgins) and daughter Kirsty (Ashley Laurence) had not Larry cut his hand badly and the blood run beneath the floorboards where Frank's decimated but undead corpse responds dramatically well to the corpuscled cocktail! Frank's gory resurrection is actually one of the film's highlights, aided and abetted as it is by a superb musical score from Christopher Young!
Frank of course is a little miffed over Julia's dalliance with his brother and persuades her to bring him an assembly line of fresh meat to ensure his complexion is brought up to scratch. The demise of the first victim especially is quite shocking horror and on its own would have earned the film its "R" certificate.
Without giving anything else away, it is left to daughter Kirsty to combat both Frank, her socially distasteful step-mother and Pinhead. It is the ultimate learning curve you might say. One hell of a lot goes wrong before it starts getting any better. Frank's second whirl on the block is distinctly gruesome. Kirsty who under normal circumstances would be left a gibbering idiot, survives to take on the sequel and a further appearance by her awesomely repulsive stepmother!
You want horror? you want originality? you like blood on tap? you need HELLRAISER!
For all the above though, Barker's CANDYMAN was still better!
Nearing the 90's, horror films started to go down hill. In 1991 and 1996, we got two really good thriller horrors, being "SCREAM" and "Silence of the Lambs". This film however, was the last of it's kind to give us some good late 80's slasher craze which was still born and still very fresh with horror freaks.
I won't go into the plot because I believe everyone should have seen Hellraiser by now, if not, well GO SEE IT! All I can say is that the concepts of the box is terrific. A new way to kill a slashing demon is always a terrific and creative concept and it works really well in this one. I also love the soundtrack suite which is haunting beautiful and dramatic in parts. The actors are superb and their characters are believable.
Doug Bradley as Pinhead is the best and he knows how to give us a creepy killer which cannot be stopped. I dunno why in "Revelations" they got a different actor to play him. Doug is Pinhead, end of story.
I also like the way the death scenes and plot are shown. The director takes it a little step at a time while as most directors just go full on with the violence and exploit everything. Clive actually took his time to tell the story and that's what made most of the ending sequences and starting deaths so intense. It all left us to the core suspense.
Also, the 1987 film is the only Hellraiser film I have really liked. I've also seen part 3, 4 and 6. 3 was OK, 4 was dodgy and 6 sucked. The thing about the first film was that it had a dramatic fantasy to it, while being realistic, people were dying for real. The other Hellraiser films I have seen since then haven't really had the same impact but instead really try to rehash and be as shocking, doesn't work at all!?
My verdict on this 87 classic is a 7.5/10.
P.S: I just hope they can get this right in the remake next year.
The core of the story of the "Hellraiser" franchise revolves around a mysterious artifact - an intricate puzzle box - which is said to be able to grant people what they desire the most. But it comes with a price, a terrible, terrible price. And it is guarded by the vile Cenobites.
The warped mind of Clive Barker really came up with something wonderfully morbid and disturbing when "Hellraiser" was first unleashed upon the world. Especially the Cenobites, they are grotesque but interesting at the same time.
In the first movie Larry and his wife Julia moves into Larry's old family house. The very same house where his brother Frank tried to unlock the puzzle box and was sent to Hell. An accident causes Larry's blood to be spilled on the floor, bringing back Frank from the dead. But in his flayed and fleshless state of being, Frank needs the blood and flesh of the living in order to regenerate his own body. But no one escapes Hell that easily.
For a 1987 movie, I will say that the effects still hold their own today, having withstood the test of time. Especially the rebirth of Frank and his transformation back to fully human. And the Cenobites, lets not forget the Cenobites; they were just amazing.
With this now classic horror movie the World saw the likes of Doug Bradley like never before and he instantly became a horror legend, just as Pinhead became a horror icon.
I grew up with these horror movies along with other horror franchises, and I love them even today and make frequent visits back to them. If you are not familiar with "Hellraiser", shame on you. Then I would strongly recommend that you sit down and watch it, perhaps even do a movie marathon of the series.
It has such a magnetic quality to it. The story is different from most horror movies. It has lore and a whole world. The acting isn't good but it has such an 80's charm. The whole thing does.
The special effects...they are all practical. It looks so good. It must have took hours to get some of them looks perfect!
I can understand now why this movie has such a large following. It is just unique and has such allure.
Você sabia?
- CuriosidadesDuring an interview Doug Bradley described hell as a prison; the Cenobites are the prison guards, Pinhead is the prison warden, the puzzle box is the key to the prison cell, and the demons are the escaped inmates.
- Erros de gravação(at around 1h 4 mins) When the Engineer chases Kirsty, the trolley and crew pushing it are visible.
- Citações
Kirsty Cotton: [Kirsty, in tears] Who are you?
Lead Cenobite: Explorers, in the further regions of experience. Demons to some, angels to others.
- Versões alternativasThe UK cinema version was uncut though the 1988 New World Pictures and 1991 VCI video releases were cut by 4 seconds and removed shots of Julia's first victim pleading after the initial hammer blow and a shot of his dead bloodied face. The cut was waived for the 1998 issue.
- ConexõesEdited into Hellraiser II: Renascido das Trevas (1988)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Puerta al infierno
- Locações de filme
- 187 Dollis Hill Lane, Dollis Hill, Brent, Londres, Inglaterra, Reino Unido(55 Lodovico Street)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 14.564.027
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.453.232
- 20 de set. de 1987
- Faturamento bruto mundial
- US$ 14.579.541
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1