Uma mulher descobre o corpo recém-ressuscitado e parcialmente formado de seu cunhado e amante. Ela começa a matar para revitalizar seu corpo e que ele possa escapar dos seres demoníacos que ... Ler tudoUma mulher descobre o corpo recém-ressuscitado e parcialmente formado de seu cunhado e amante. Ela começa a matar para revitalizar seu corpo e que ele possa escapar dos seres demoníacos que o perseguem depois de escapar do submundo deles.Uma mulher descobre o corpo recém-ressuscitado e parcialmente formado de seu cunhado e amante. Ela começa a matar para revitalizar seu corpo e que ele possa escapar dos seres demoníacos que o perseguem depois de escapar do submundo deles.
- Prêmios
- 2 vitórias e 6 indicações no total
- 1st Victim
- (as Antony Allen)
Avaliações em destaque
Frank Cotton (Sean Chapman) is as immoral and perverted a scumbag as you could hope to find in the English speaking world. Ever alert to the potential for some new thrill (sexual or otherwise) Frank comes by a small carved wooden cube that just happens to be (in the right hands) a gateway to Hell. Not your normal run of the mill pit of hot sulphur fumes presided over by a horned Lucifer wielding his time-honored pitchfork, but a most unpleasant parallel dimension, home of the wickedly inventive Pinhead and his cenobite cohorts. As the series worked its way onwards, Pinhead (Bradley) became a retro cult hero much like Freddy Kreuger and was given increased screen-time!
Frank ends up paying the ultimate price in his search for new pleasures and to his everlasting discomfort, inevitably discovers the real meaning of the film's tag-line "He'll tear your soul apart." This leaves Frank's ex well and truly home-alone and she takes up with his wimpy brother Larry, crawlingly played by Andrew Robinson.
Things might have worked out for Julia (Higgins) and daughter Kirsty (Ashley Laurence) had not Larry cut his hand badly and the blood run beneath the floorboards where Frank's decimated but undead corpse responds dramatically well to the corpuscled cocktail! Frank's gory resurrection is actually one of the film's highlights, aided and abetted as it is by a superb musical score from Christopher Young!
Frank of course is a little miffed over Julia's dalliance with his brother and persuades her to bring him an assembly line of fresh meat to ensure his complexion is brought up to scratch. The demise of the first victim especially is quite shocking horror and on its own would have earned the film its "R" certificate.
Without giving anything else away, it is left to daughter Kirsty to combat both Frank, her socially distasteful step-mother and Pinhead. It is the ultimate learning curve you might say. One hell of a lot goes wrong before it starts getting any better. Frank's second whirl on the block is distinctly gruesome. Kirsty who under normal circumstances would be left a gibbering idiot, survives to take on the sequel and a further appearance by her awesomely repulsive stepmother!
You want horror? you want originality? you like blood on tap? you need HELLRAISER!
For all the above though, Barker's CANDYMAN was still better!
The core of the story of the "Hellraiser" franchise revolves around a mysterious artifact - an intricate puzzle box - which is said to be able to grant people what they desire the most. But it comes with a price, a terrible, terrible price. And it is guarded by the vile Cenobites.
The warped mind of Clive Barker really came up with something wonderfully morbid and disturbing when "Hellraiser" was first unleashed upon the world. Especially the Cenobites, they are grotesque but interesting at the same time.
In the first movie Larry and his wife Julia moves into Larry's old family house. The very same house where his brother Frank tried to unlock the puzzle box and was sent to Hell. An accident causes Larry's blood to be spilled on the floor, bringing back Frank from the dead. But in his flayed and fleshless state of being, Frank needs the blood and flesh of the living in order to regenerate his own body. But no one escapes Hell that easily.
For a 1987 movie, I will say that the effects still hold their own today, having withstood the test of time. Especially the rebirth of Frank and his transformation back to fully human. And the Cenobites, lets not forget the Cenobites; they were just amazing.
With this now classic horror movie the World saw the likes of Doug Bradley like never before and he instantly became a horror legend, just as Pinhead became a horror icon.
I grew up with these horror movies along with other horror franchises, and I love them even today and make frequent visits back to them. If you are not familiar with "Hellraiser", shame on you. Then I would strongly recommend that you sit down and watch it, perhaps even do a movie marathon of the series.
But even that story is being somewhat pushed to the background and it focuses more on a family, of which the wife falls madly for the the no good brother of her soon to be husband. The brother however messed with the cube and got stuck in Pinhead's hell of pain. He however managed to escape it but only in a skeleton form. He needs blood to slowly regain his body and asks the wife to kill for him. This is were most of the movie its 'horror' comes from.
The movie doesn't get its horror aspects from its normal usual scare- or gross out moments. It's more a movie that works on its atmosphere and story development. Perhaps it's also due to the restrained budget, that simply forced the film-makers to be creative with the things they had at hand. The movie is no big Hollywood production and as a matter of fact it actually is an UK movie, that still got obviously aimed toward the American market as well though, in terms of its overall style.
And even though the movie was low-budget, the movie certainly did not look that way. Also its effects such as its make-up and the effects used for the more gory parts of the movie are really great looking. The make-up of course helped to make Pinhead an horror icon-figure, though in this movie he isn't even called by the name Pinhead, which was only a name that got developed later for marketing purposes.
The movie also features a great musical score by Christopher Young, that fits the movie really well. It's one of his more memorable works.
A real original horror movie, that has grown into being a classic already.
8/10
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The writing is just remarkable. Clive Barker has given us people, humans, planted in their own desires, and determinations, and he tears them apart with fear, pain, death, destruction, and total degradation. The Cotton family are the perfect example of purity, torn to shreds by hate, lust, and anguish, and he takes great glee in showing us all the gory details.
The production is a real high! This is what the best type of films are made of. Real, gory, bloody human remains, connecting to each other in divine sequence, to create a 100% greedy man. The colors are plenty and gorgeous. The look of the blood, and the shine of the lights, and the way the actors are lit... It's just beautiful. The music of the film is brilliant. Composer Christopher Young chills the film, and drenches it with his dramatic variation of the main title, and the rest of the music contains harsh strings, brass horns, music box cues, and rhythmic cues that speed the pace up with action.
Clive Barker is such a great writer and director, and filmmaker altogether. He has given us a great thriller that crosses the line between reality and fiction, in great taste and color, literally. It's no wonder twenty years later, the film stands on it's own, aside from it's sequels, and remains an ultimate horror classic to end them all...well some of them anyway. It's not the only horror film to portray itself intellectually, and it certainly has it's gore effect to an all time high. Still, it's quite a dashing and artful film, and always a treat to watch every time.
I give this film 8 out of 10
Você sabia?
- CuriosidadesDuring an interview Doug Bradley described hell as a prison; the Cenobites are the prison guards, Pinhead is the prison warden, the puzzle box is the key to the prison cell, and the demons are the escaped inmates.
- Erros de gravação(at around 1h 4 mins) When the Engineer chases Kirsty, the trolley and crew pushing it are visible.
- Citações
Kirsty Cotton: [Kirsty, in tears] Who are you?
Lead Cenobite: Explorers, in the further regions of experience. Demons to some, angels to others.
- Versões alternativasThe UK cinema version was uncut though the 1988 New World Pictures and 1991 VCI video releases were cut by 4 seconds and removed shots of Julia's first victim pleading after the initial hammer blow and a shot of his dead bloodied face. The cut was waived for the 1998 issue.
- ConexõesEdited into Hellraiser II: Renascido das Trevas (1988)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Puerta al infierno
- Locações de filme
- 187 Dollis Hill Lane, Dollis Hill, Brent, Londres, Inglaterra, Reino Unido(55 Lodovico Street)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 14.564.027
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.453.232
- 20 de set. de 1987
- Faturamento bruto mundial
- US$ 14.579.541
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1