Sinistra Passagem para o Havaí

The members of the academy have selected this film into our Hall of Fame mainly on the physical attributes of Dona Speir and Hope Marie Carlton. These two lovely ladies make a (have a) wonderful pair and their camaraderie give this film a uplifting spirit seldom seen (think Newman & Redford). Throw in the changing clothes scene of Cynthia Brimhall and the topless walk-thru by Patty Duffek and the mix is complete. This is the first entry of the Sidaris spy-action movies with this ensemble. It is also the best work by Speir and Carlton in terms of acting without the threat of costumes stealing the scene. So grab a brew and watch this piece from start to the closing credits where the nude scenes are reshown (a wonderful final tribute thanks to the genius of Andy Sidaris).

One of the worst movies ever made, gets so ridiculous i didn´t stop laughing all the way through it. If you have a sense of humor, and some time to waste, check it out, it could be an experience you won´t forget.

With Hard Ticket to Hawaii, writer/director Andy Sidaris truly laid down the template he would forever follow. It wasn't his first movie, that was Malibu Express (1985), but that one unusually had a detective narrative and male lead. Of course, it also had lots of pleasingly excessive nudity involving a selection of busty beauties. Sidaris retained that latter element but refocused the plot where the protagonists were hot female action heroines. And so with Hard Ticket to Hawaii, Sidaris created his babes, bullets and explosions sub-genre. The story has two very hot women operate an airplane cargo delivery service in Hawaii. A large, toxic snake they are delivering escapes and they get mixed up in a scheme involving criminals and a cache of diamonds. Much entertainment follows.

I've seen all the Sidaris movies and I can say with some certainty that the aforementioned first two films in his filmography are his very best. And Hard Ticket to Hawaii is definitely his ultimate classic. It has all the elements of all his other films but it has more. Like the others, it's an action flick with the great idea of predominantly featuring 80's Playmates and it also has a commendable focus on beautiful breasts, with lots of somewhat basic acting and ropey dialogue to top things off. It even features some stalwarts of future Sidaris movies such as the gorgeous trio of Dona Speir, Hope Marie Carlton and Cynthia Brimhall, plus the acting colossus that is Rodrigo Obregon. And yet, it's the extra details that we have on top of this that elevate this one into classic status.

For a start, there are just more interesting things going on. Where most Sidaris movies have pretty forgettable plot-lines, this one sticks in the mind. We have a fairly routine bad guys versus good guys set-up but running alongside this there is the plot strand about the monstrous snake made toxic by infection by cancerous rats. Its pure psychotronic nonsense of the first order of course but quite brilliantly entertaining nonsense. We also have a transvestite hit-man, a skateboarding assassin with inflatable doll, a female bodybuilder interrogator, a razor-tipped Frisbee and a finale so hilariously over-the-top, it's frankly genius. The latter involves, amongst other things, a ludicrously over-extended death scene, a snake bursting out of a toilet, a bazooka and a motorbike crashing through a wall. If you can't enjoy this I feel sorry for you. And plus points have to automatically be given to any film where two beautiful women declare that they 'do their best thinking in the hot tub'. I like too how, despite celebrating their bodies, in Sidaris movies the women are always portrayed as resourceful and kick-ass and never dumb.

This is the one truly must-see Sidaris film. It feels like he threw everything at it and just added every idea he came up with regardless of how insane it was. He never really topped it ever again but then no one else has ever made a film of this particular type any better either. One of the all-time great 80's b-movies.

You must know by now that "Hard Ticket to Hawaii" is filled with humorous violence and gorgeous women.The violence doesn't feel cruel or personal. It's more of a device for telling a real story. The Playboy models in scanty outfits are a celebration of the human form, not pornography.

My father and brother would watch this movie together. They knew the plot and lines well enough to recite them, along with the actors. The movie bled over into real life, and they would say the lines to each other when the moment felt right.

As my father descended into terminal Alzheimer's disease, this film was his one last link with reality. Watching this film would bring him out of his stupor, and he would become verbal again.

Now that Father is gone, the entire family watches this movie once a year,on Christmas Eve. We make eggnog, eat fruitcake, and wear sweaters. And cry some, too.

If you liked The Remains Of The Day, Terms Of Endearment, or Steel Magnolias... avoid this movie at all costs.

How do you begin to describe a movie with gratuitous nudity, bad acting, an implausible plot, 2-dimensional characters, and bad fight scenes? How do you describe the necessity for a mutant snake, an inflatable doll, skateboarding henchmen and razor-bladed frisbees in the same movie? Ofcourse, I COULD mention some of the greatest lines of our generation like,"Life is a bitch and then you die." Or maybe,"Just when you thought it was safe to take a pee." (I can't make that up.)

Why would I bother telling you that I searched for years to find this movie on DVD to watch over and over and over again? I dare not watch another movie in this series for fear of besmearching the good name of this gem. Please, please, please, if have the opportunity, watch it at least once.

This movie is like how Richard Gere describes the opera in Pretty Woman. Those that love it, will love it forever, and those that don't will learn to appreciate it, but it will never become a part of their soul.

Enjoi filmphiles

P.S. I take no blame for mental trauma suffered from watching this film.