Hamburger Hill

Unfairly forgotten and left in the slipstream of critical darlings Platoon and Full Metal Jacket, Hamburger Hill can proudly fly its own worthwhile flag. There's nothing preachy or political here, director John Irvin and writer James Carabatsos approach the subject with a refreshing humane honesty, making us viewers privy to the American soldiers mindset as they cope with life in Vietnam before an assault on some turd pile strategic hill, a battle that the survivors of that particular bloody conflict would call Hamburger Hill.

No matter what one feels about the war, the politics of such etc, the fact that quite often Vietnam films zoom in on the misdemeanours and egotistical sides of the American presence in Vietnam, tends to detract from the bravery of men and boys who were doing the job their government decreed they should do. Hamburger Hill addresses this, proudly so. Pace is deliberate and literate, building up to the assault on Hill 937, with little slices of kinetic action inserted along the way to tantalise and torment in equal measure.

Not all the acting is smart, there's a cast of up and coming thesps on show that features some who have gone on to be "name" actors, while others that were out of their depth subsequently found a level more befitting their abilities. Yet this is also a cunning tactic in the film's favour, no stars needed here, young adult actors without baggage or headlines kind of feels appropriate for this portrayal of soldiers in an alien world, many of whom would lay their shattered bodies down in the mud at Hamburger Hill. 8/10

In the mid-to-late '80s, America finally came to terms with the Vietnam War, exorcising their demons via popular culture. On TV, we had Vietnam veterans The A-Team coming to the rescue of the needy. On the radio, Paul Hardcastle told us that the average age was 'n-n-n-n-nineteen', while Stan Ridgeway recounted the story of an awfully big marine. In the cinemas, Chuck Norris was Missing In Action, Rambo asked 'Do we get to win this time?', Tom Cruise was Born on the Fourth of July, Robin Williams was screeching 'Good Morning', Michael J. Fox suffered the Casualties of War, and Kubrick's jacket was of the full metal variety. Oliver Stone's Vietnam film Platoon even cleaned up at the Oscars, winning four awards, including Best Picture.

It's understandable that Hamburger Hill, with its cast of relative unknowns and second-tier director, didn't receive quite as much attention as the aforementioned heavy-hitters, but if you're serious about war movies, don't let the lack of any big names put you off: the film is just as worthy of praise as Platoon, if not more-so, the green cast only adding to the film's already palpable authenticity. Shot in the thick jungles and even thicker mud of the Phillipines, the film tells of one of the most costly battles of the Vietnam War, the fight for Hill 937 in the Ashau Valley, known to grunts as Hamburger Hill. Director John Irvin's aim is to capture the horrors of war in all their bloody detail, and the sense of realism he achieves is remarkable: when his characters die, they don't throw their arms up in slow motion to the strains of Adagio for Strings… they do so in a sudden welter of gore, hammering home the notion that war is hell.

By the end of Hamburger Hill, the viewer is left as emotionally drained as its surviving characters are physically exhausted.

Many excellent Vietnam films, in an attempt to present their own interpretation of America's darkest hour, ask many political questions vital to the war: "What were we fighting for?" "Was this worth it?" "When does morality take over?" "When does the fighting stop?"

On the other hand, "Hamburger Hill" doesn't need to state any such questions. Rather, it presents the viewer with the scenario-- a group of men trying to advance on a hill-- and allows him to come to his own conclusions. It is a wonderful display of characters from all walks of life, and how hard times brought them together. Some want to be there, others don't, but they call all make the same statement: When it comes to their determination to get on top of that hill and advance upon the enemy, all of those political questions "don't mean nothin'."

This is probably the best Vietman film as far as visuals go. The actions sequences are raw and gory, and the locations are incredibly depressing-- setting the perfect stage for a war movie. Combined with excellent performances by everyone involved, this is certainly an underrated film that presents a clear picture of what the war truly might have been like.

***1/2 out of ****

I was an infantryman in the field in Vietnam. There are only 2 Vietnam movies that are even close to real - this one and Apocalypse Now, and they are both as close as a movie can get.

Hamburger Hill gets it right in many ways, the banter among the grunts, the fatalism mixed with the desire to survive a vicious war, the emotional stress of seeing your fellow GI's become casualties. The GI jargon used in the writing is the most authentic in any movie about that war. But most of all it depicts the incredible, to me mystical, bravery which drives any man into terrible battle in any war, on any side. This movie is an unpretentious marvel.

As for Apocalypse Now, it gets it right in a very different way. Everything in that movie actually happened in Vietnam, crazy as each scene may be to one who wasn't there. Take it scene by scene. Believe everything you see. (Except, of course, the whole Col. Kurtz - private army - assassination theme, which was out of the book about war in South Africa. It made a great hook for this movie, but no U. S. Army senior officer ever went off the deep end like that.)

This is an excellent depiction of the insanity that was the war in Viet Nam. My view as a naval officer during a scenic tour of the Mekong near the Cambodian border and the Vietnamese city of Chau Phu, permitted me to be a witness to many, many occasions involving the wholesale abuse of humans by humans. The strain on mind, body and soul takes years (if ever) to repair and this film captures it. There are brief glimpses of this agony in some of the other films mentioned here in the reviews, e.g., Apocalypse Now, Full Metal Jacket and Platoon. Each of these films have merit but are deeply flawed. Apocalypse Now is steeped in moral allegory to the expense of an accurate portrayal of the war; Full Metal Jacket is only 2/3 completed; Platoon becomes a Levi-Straussian moral tale with an arch villain and virtuous hero-- the latter heinously slain by the former with revenge exacted by the weary sojourner on the odyssey. OK. What do we have here with Hamburger Hill? A story? Heroic acts? Action? Not really. What we have is the horror and insanity of war. The film ends on the same pointless note as it began. But, you know what? Reading through the detractors of this film who touted the other potential three and slammed this one, I would not hesitate to bet they were never there. I could glance at the reviews and pick out the vets-- not just on the basis of whether they liked this film or not but of how they reacted to it. I know and know damn well. I too was there, brothers. See this film. It's well produced, directed and the cast is damn good. Check it out.