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"The Good Wife" is a film that seems to have a lot of quiet seductive power.... the story itself, which I found only minimally absorbing, is also somewhat lame and perhaps a bit goofy (Marge, a married woman, played by Rachel Ward, feels bored and unfulfilled in her rural Australian setting and first sleeps with her husband's younger brother, then begins to lust after a local barman played by Sam Neill...). However, the atmospheric setting, the scenery, the cinematography, the costumes, the characters, the enchanting background music - well, just about ALL elements of the film, are so rich and vibrant that they suck you right in, and more than make up for the rather daft story line.

Hence, "The Good Wife" is that sort of movie where you end up caring about the fates of the various players. You actually care about the denouement of the movie, because as the story unfolds, you really do start to care about the players as human beings, and you can't help but become interested in their individual destinies.

The creators of the film did an excellent job of recreating the look and feel of the time period of the story, which is set in 1939 Australia. I especially like the attention given to minute details that help to establish time and place and also give the movie a rich and full-bodied flavor. The eye-candy cinematography is just spectacular. This is easily one of the most "beautiful" movies I've ever seen. I'm glad I taped this movie off of a cable showing on TV. I will definitely be watching this one again!!

This movie has a lot of lessons in it. Its the type of film that you watch and get inspired by over and over. Simple yet majestic. Chilling. Filled with events that wont let you indifferent. If anyone knows a similar one, let me know

What a heart-rendering plot! Throughout the movie, I kept wondering if there was the faintest chance that any close-knit community under the stars harbored secrets similar to the plot...

Both brothers scruples, Marge's sexual appetite and the manner in which the town takes everything in step...

It is sickeningly-refreshing to see this small town's women enjoy their sexuality as much as they do...

To think all it takes is one male catalyst (Sam Neill's character, Neville) to turn women loose! Every guy's fantasy role...

How am I to imagine the emotional toll this movie shoot took both on Rachel Ward and Bryan Brown (married to each other)?...

Wow!

After seeing this movie, I was prompted to write and comment, once again, about the roles that husbands are afforded in almost every movie w/ a love triangle. This film offers a stark illustration of this fact. For the sake of the story, we are asked to suspend disbelief and watch as every husband portrayed in the film, is cuckolded- & offers no instance of protest, or resistance. So let me get this straight- the " GOOD WIFE" in the film, is a lustful, amoral character- who presumably destroys her marriage to pursue a worthless cad. By itself, this isn't an unbelievable tale. My pet peeve however, is how the women's spouses are portrayed, in movies of this sort. The B. Brown character not only doesn't get angry, he offers his wife to his brother, excuses her behavior w/ the barman, and willingly, immediately, and w/out reservation, offers "instant forgiveness" to his cheating wife- another predictable staple for this character. The other husband in the movie who catches his wife w/ another man, reacts the same way. In other words, every husband is weak, ineffectual & too inadequate, to show anger, towards their straying wives! No, the women are all capable of destructive actions, but the husbands?- their reaction to these actions, is reserved, measured, & minimal at best. This character is essential to filmmakers, but is so prevalent, that it's becoming a cliché' within itself! The first film that actually offers a sympathetic, strong portrayal of a betrayed man, which by the way is the usual portrayal given to betrayed wives, will be a revelation. An actual male character who doesn't whine & weakly accepts his wife's cheating. One who decides that SHE is not worthy of him- would be a first! Instead we are faced w/ the same character- gutless, weak, no balls, and willing to accept any & all humiliations, for the sake of fantasy. By no means am I one of these right-wing, "defenders of families" freaks- but it's not hard to see that the portrayal of husbands in these movies, would give one pause. What reality are these filmmakers living in- & maybe, just once, they'll join ours!

(1986) The Good Wife DRAMA

Originally called "The Umbrella Woman" in Australia, a movie that plays like one of the worst soap operas ever made, starring Rachael Ward as Marge Hills the wife of real life husband of Bryan Brown, playing as her faithful husband Sonny Hill, the time is sometime during "The Great Depression" and chops trees down as a way of getting by, along with his younger brother Sugar Hills (Steven Vidler) who eventually gains consent in hitting puberty with Sonny's wife. Eventually, she becomes selfish and gets tired living the life she's always accustomed in doing, which is the cleaning and the cooking, that she's willing to get herself humiliated by some of the townspeople just so she can be with a much wealthier sleazeball who takes pride in sleeping around with other peoples wives and his name is Neville played by Sam Neil. The movie is so bad one can know whatever happens if s/he were to use the fast forward button while playing since the dialogue is so uninspiring and emotionally draining. Oh yeah, although the movie is given the "R" rating on my commercial copy, it's only given that rating because of it's subject matter since their is no nudity nor any offensive language, at least as far as I know anyway.