Bom Dia, Vietnã

Despite being a fan of Robin Williams' unique brand of scattershot, stream-of-consciousness comedy, I had never seen "Good Morning, Vietnam" all the way through. While I am glad to have finally checked that off my watch list, I do have to say that it underwhelmed me a bit, especially when it comes to any historical or cultural significance outside of its leading man.

For a very basic overview, "Good Morning, Vietnam" tells the story of Adrian Cronauer (Williams), an Army Radio DJ assigned to a Vietnam station in 1965. While his non-conformist attitude ruffles the feathers of the higher-ups--especially Lt. Hauk (Bruno Kirby)--he quickly inspires fellow soldiers in every corner of the conflict.

There is absolutely no doubt or denying that "Good Morning, Vietnam" sees Williams at perhaps the peak of his comedic zenith. Every single scene of him DJ-ing the station will have you laughing out loud. His fast-talking, reference-alluding style is so unique that it's sort of a one-of-a-kind experience. Personally, I very much consider this entire film to be little more than a showcase for his talents.

Which leads me to the unfortunate part of this experience for me: aside from Williams, I really didn't get much else out of "Good Morning, Vietnam". While it is pretty clear what the writers and director Barry Levinson are trying to accomplish character-wise, it all seems a bit cloying, predictable, and sometimes even a bit cartoonish. The Army is inflexible, Williams is the fly in the ointment, and we all bemoan the pointlessness of the whole ordeal. Maybe this all hit a little closer to home in 1987, but watching in 2020 it felt a bit overcooked in terms of stereotypes.

Overall, though, the sheer presence of Williams makes this a very watchable film, albeit perhaps a bit overrated from a historical perspective. Come for Williams, but your mileage may vary regarding the other material here.

Robbin Williams gives the performance of his life, in this funny, yet politically motivated movie, on the no (official) news or miss-information given out (to the troops) at the time of the most controversial conflict of the modern era. A strong supporting cast, including a young Forrest Whitaker are a bonus but the overall story is a bit thin and the love interest (for me) is not fully developed.

GOOD MORNING, VIETNAM / (1987) ***1/2 (out of four)

By Blake French:

Robin Williams is about as good as they come at doing stand up comedy, and in "Good Morning, Vietnam" director Berry Levinson gives him everything he needs to make the film go above and beyond the average satire. From his outgoing sense of humor, to his aggressive personality, and dozens of vocal effects, he portrays his character with interactive zest. Who can resist the awakening voice of Williams on the radio yelling "Good Morning Vietnam." This is a film that conquers the test of time.

"Good Morning, Vietnam" tells the story of a lively disc jockey who gets a job on Armed Forced Radio during the Vietnam War. Robin Williams is the fast-talking Adrian Cronauer, and who better to play the part than he. Although this character is one-dimensional (we are never informed on his background, marital status, where he comes from, what he did before we meet), as the movie continues he gradually begins to change into a deeper, more meaningful person.

The story moves along smoothly; the narrative through-line is consistent as each scene relates to the next. Although little momentum or suspense can be noticed, the film does have several underlining themes, often viewed upon in a Stanley Kubrick style: sarcastic and uncompromising. We see how much a little humor and jazz can greatly enlighten the hard-core atmosphere of the military during Vietnam, and how it can thoroughly confuse the bleeding heart officials.

The film hangs by the skin of its teeth for active conflict tension. Beyond people objecting to the actions of Williams' character, there is just not a lot of tension within the story, and at some points my interest wandered. "Good Morning, Vietnam" is merely a portrait of Robin Williams releasing his perennial comedy, and unfortunately that does happen to get old quite quickly; the majority of an audience can only watch the humor for so long until it becomes old and somewhat stale.

"Good Morning, Vietnam" is definitely not a flawless film, but we do empathize for the main character, the scenes effectively capture the attitude and mood during the war, and the dialogue and writing feel accurate and involving. Barry Levinson has directed a marvelous comedy, one that is not all about making us laugh, but also makes us think.

It finally hit me when I watched Good Morning Vietnam what this film reminded me of. It was the famous Preston Sturges classic, Sullivan's Travels which coincidentally as it turns out is one of my favorite films.

Both the real life Adrian Cronauer and Joel McCrea's fictional John L. Sullivan have to come to the same realization, that what they do matters a great deal. In Sullivan's Travels it's to the movie going public in general, in the case of Cronauer it's to the GIs in Vietnam stuck in a war where no one could ever know who the enemy was. A few laughs from a comic genius was necessary to get them through the day in their very cockeyed world.

Adrian Cronauer was a real life person, but if he didn't bear a resemblance to Robin Williams, he should have. One of the great comic masters of any era in entertainment, Robin Williams is given full range for his zany sense of humor to work its magic with Cronauer. He's ably abetted and assisted by the other staff members of Armed Forces Radio Forest Whitaker and Robert Wuhl. Bruno Kirby is great as the clueless lieutenant in charge and so is J.T. Walsh who represents the limits of the military mind as the sergeant major out to get Williams by hook or very dirty crook.

Williams himself doesn't understand the complexities of the Vietnam situation. That fact is brought home to him graphically when he's betrayed by his own innate decency.

Next to Williams my favorite in the cast is Noble Willingham who plays the general who has overall charge of Armed Forces Radio there. He's a tough, but compassionate military man, the exact opposite of J.T. Walsh whom he has to reign in.

Good Morning Vietnam is a frank portrayal of a war experience told with humor and irony through the eyes of Robin Williams.

Preston Sturges would have absolutely adored this film.

Good Morning, Vietnam (1987)

A lighthearted but deadly serious anti-war film, actually. This is of course a Robin Williams movie so that it is his schtick, brilliant and inspired, that makes it soar. The best of it, including the famous riff when he first gets on the air as the new Saigon DJ, is hilarious and breathtaking. There is a plot, sort of, as he goes through a rise and fall at the military radio station, but it's more about his shining moments behind the microphone than anything else.

The "else" in this movie is, however, most of the movie. That is, Williams has a serious role as an offbeat renegade in a chaotic world surrounded by a range of sensible and very insensible officers and colleagues. At the most extreme, when we see a Vietnamese village firebombed while Louis Armstrong sings "It's a Wonderful World," the sentiment is so cloying it makes you cry, and you're not sure why because you know it's just over the top manipulation. Likewise when Williams is caught in a traffic jam with other military vehicles and he warms up the soldiers by humanizing everyone and making them feel like they really should be back home. Which they should be, as we know in retrospect.

So the movie has another side that's kind of sentimental and simplistic, whatever its good pacifist intentions. Williams is a decent actor—I'm not one of those who thinks he's brilliant outside of his funny roles—and so it holds up pretty well. But the plot line keeps the movie from really finding pathos, or comedy, or warmth, or tragedy of a dramatic kind, in the scenes outside the radio station. And I think that's what it intended.

For those who don't know, it's worth adding that the main character, Adrian Cronauer, was a real person, and still is—he's a staunch Republican (Williams was not, to be sure) and an innovator in radio in Vietnam. He also co-wrote the screenplay, I assume working on the scenes that he would know best rather than the larger saccharine plot aspects. A great story, and the real Cronauer deserves credit for inspiring it, and helping it along. He was, along with most of us, "Godsmacked" when he heard the news of Williams's death.