Adicionar um enredo no seu idiomaModels working for a nude magazine are being killed gruesomely. The murderer stages and photographs the victims' corpses, submitting the images for publication.Models working for a nude magazine are being killed gruesomely. The murderer stages and photographs the victims' corpses, submitting the images for publication.Models working for a nude magazine are being killed gruesomely. The murderer stages and photographs the victims' corpses, submitting the images for publication.
- Direção
- Roteiristas
- Artistas
- Kim
- (as Katrine Michelsen)
- Dottore
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Characters in this Italian giallo are upscale, high-class people and the costumes and sets reflect that elegance. There's not as much suspense here as in other giallos. But one sequence that is suspenseful takes place inside a large clothing store full of mannequins. Having discovered a just-murdered person, the trapped Gloria searches for a way out, only to hear a weird voice from somewhere in the building: "Now it's your turn Gloria; you can't escape." About midway through the plot, there's a scene wherein the killer's motive is described through dialogue and visuals. But the clue is wonderfully subtle.
Cinematography gives us sharp, vibrant colors. But when someone is about to be murdered, we see that person from the killer's POV, at which time the sharp colors morph into color-saturated hues of blue or orange. And the intended victim wears an ugly mask, presumably to represent the ugliness of the killer's thought processes.
Near the end, at the reveal, the killer looks very different from the killer's previous persona of normality. A look of insanity, or madness, appears on that person's face, possibly the result of overacting. I was quite surprised as to who the killer was. Reviewing the plot, I determined that it was highly improbable, but I could not find any overt plot holes.
I could have wished for more suspense. And the acting leaves a lot to be desired. But "Delirium" is worth watching for the nudity, as well as for that clothing store sequence and surprise ending.
And what could possibly be their reason for slicing up such fine looking ladies? Lamberto Bava seems to know what audiences like - and this is shown by the way that Grandi's breasts are shown often. I have no problem with this; and I doubt anyone else with a will to see this film will either. The Giallo is a sub-genre soaked in sleaze, and Bava does a good job of implementing that style into this film by way of lots of nudity, and some graphic murders. The murders are a big part of any Giallo - and this one features the likes of murder by pitchfork, and the (apparently) famous bee murder scene! Really, the murders aren't the best ever seen in a Giallo; but they do the job. The acting is typically trashy, and it's always obvious how Serena Grandi won her role (clue: it wasn't acting talent). The cast is made up of unknowns (Giallo standard), with the exception of Daria Nicoladi. Dario Argento's frequent collaborator lights up the support cast, and gives the film an extra little bit of cult class. Lamberto Bava's films are often rated poorly by critics (both professional and amateur), but as usual; Delirium isn't all that bad. No masterpiece; but well worth seeing for the Giallo fan.
The lighting and camera work are exemplary. Certainly if Lambertos' father Mario had seen this one, he likely would have been proud. There is also some effective suspense at times. Simon Boswell supplies a score that alternates between pounding rock 'n' roll and more conventional arrangements. (One climactic chase scene would have done better to do away with the rock score.) The screenplay by Gianfranco Clerici & Daniele Stroppa does at least succeed in keeping fans of this genre interested in determining which of the possible suspects will eventually be unmasked as the real culprit. The most original touch is when things are shown from the killers' warped perspective, and it's too bad that we don't see a little more of this throughout.
The performances are adequate enough for the material. Nothing award worthy, but entertaining. Grandi is well supported by Daria Nicolodi, Vanni Corbellini, David Brandon, Karl Zinny (who'd acted for Lamberto in "Demons", and who here plays a horny, sleazy, surly, wheelchair bound kid), and the most welcome of all, Italian cult & exploitation icon George Eastman, playing Gioias' ex fiancée, an actor. There are several very attractive female cast members and numerous breast shots for those who are interested. Veteran sex symbol Capucine appears as Gioias' bitter business rival.
If you enjoy the genre or the films of Bava Jr., this should be an agreeable hour and a half exercise in style and sleaze.
Seven out of 10.
Você sabia?
- CuriosidadesDario Argento was at one point attached but pulled out due to script changes.
- Erros de gravaçãoDuring the photo-shoot scene, the photographer snaps away with his old-style Nikon camera without a winder. Without winding the film forward between photos. Also, there are no flashlights present, and the ambient light is way too weak to produce a usable image on film.
- Citações
Tony: [directing models] Move around her, girls, and laugh!
[fake, feeble laughs from models]
Tony: That's good. Look to your left, Kim, and keep laughing, all of you!
[more feeble laughter]
Tony: Remember, you want to be possessed, Kim. Good! That's it! That's it! Keep laughing. Good! Sexier! Make it sexier! Just a few more, then we can stop.
- ConexõesFeatured in Snapshots of a Murder (2017)
Principais escolhas
- How long is Delirium?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 34 min(94 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1