Adicionar um enredo no seu idiomaA psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love ... Ler tudoA psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
- Prêmios
- 1 vitória e 3 indicações no total
Avaliações em destaque
The only other thing I have to say is that the score of this movie is one of the worst I've ever heard. I hadn't heard of composer James Newton Howard when I saw this, so I'm amazed he went on to respectable and (to my remembrance) perfectly well-scored films like "Pretty Woman", "My Girl", "Glengarry Glen Ross", "The Sixth Sense", and "Dinosaur".
His score in this film is so melodramatic, so overstated, so overly "hit-happy" (in the sense of hitting marks), and so cheesily realized, I'm amazed Howard wasn't relegated to scoring cheeseball B-flicks.
Robbins plays a guy who protected Foster before, but who is volunteering to go south to help the rights of blacks in the south, being inspired by Martin Luther King (this being a period drama). Foster also has a boyfriend who was crippled by Turturro when she was attacked.
Turturro has a weird gift for Foster, and there's a teacher who inexplicably gets shot by an arrow. Meanwhile, there's a pair of guys who are paid to look after two glue-sniffing. And there's a pair of cops and so on...
A strange drama with moments of comedy that don't really fit in comfortably. Seems more like an awkward play awkwardly made into a film.
This movie is split in two. Turturro, Foster and Robbins inhabit one half. Turturro is great as the disturbed rapist. The penguins are weird. The acting is good but the script meanders a bit with a lot of strange turns. The other half has four lesser known actors. The girls are funny. It's odd that it seems to float on the surface of the movie without connecting to the other half. I do find the unknown actors' story interesting especially the elevator scene. I kept wondering what that story has to do with anything. The final reveal satisfied me to some extent. I wish it could have made more connections earlier in the movie.
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
Você sabia?
- CuriosidadesWriter John Patrick Shanley said incidents in the story were based on his own experiences growing up in New York City.
- Erros de gravaçãoSet in 1964, when Linda talks on her home phone with Heinz, the phone handset is clearly seen to have a modular plug connection to its cord. The now-popular modular plugs were not introduced until much later in the 70's.
- Citações
Heinz: ...and what he is going to do tonight?
Mrs. Sabantino: He is... he is going to die.
Heinz: Thank you mama, thank you.
[He carries her in his arms, and then throws her out of the window]
- Cenas durante ou pós-créditosNearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.'
- ConexõesFeatured in Siskel & Ebert & the Movies: Breakthrough Stars of 1991 (1991)
- Trilhas sonorasIn My Life
Words and Music by John Lennon and Paul McCartney
(C) 1965 Northern Songs - used by permission
Performed by The Beatles
(P) 1965 original sound recording made by EMI Records Inc.
Principais escolhas
- How long is Five Corners?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 5 Corners
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 969.205
- Fim de semana de estreia nos EUA e Canadá
- US$ 78.602
- 24 de jan. de 1988
- Faturamento bruto mundial
- US$ 969.205