Pra Frente, Exército de Deus

When this strange documentary begins, the viewer is left very confused because the context for what is occurring is missing. This is an odd way of doing this film, but so be it. After a while, you learn that Kenzo Okuzaki is angry--angry at the emperor and others...but why? Then, you slowly learn that it's about some atrocities that occurred in New Guinea during WWII. And, eventually you learn the story-- several Japanese soldiers were executed on trumped up charges and Okuzaki thinks it was to provide meat to the rest of the starving soldiers in his regiment! Yet, in the Japanese push to bury the past horrors of the regime, no one is sure what happened and the dogged Okuzaki is determined to track down all the surviving folks who can substantiate what happened and MAKE them talk. If that means beating the snot out of them or publicly shaming them, so be it-- as Okuzaki doesn't seem to care what might happen to him in the process! Okuzaki isn't alone in his quest, as a couple family members of the executed men accompany him. Additionally, a camera crew stands there and refuses to get involved when Okuzaki attacks folks or is attacked in turn! What's next? See the film.

This is an odd sort of film--sort of guerrilla style with Okuzaki and his friends surprising the folks that they want to question, as they just showed up and the film crew started filming! Normally, I would feel sorry for anyone who is set upon by a film crew like this, but the folks WERE war criminals! An interesting film and one that attempts to force the Japanese to finally acknowledge SOME of the WWII war crimes--so it is a very important film for fans of documentaries. But, its style is difficult to follow for some viewers, it's a bit overlong (and loses some of its punch because of this) and a prologue explaining everything would have been appreciated.

An uncomfortable but very engaging documentary, The Emperor's Naked Army Marches On (great title) follows a man named Kenzo Okuzaki who fought in WW2, deeply regrets his past, and uses extreme and confrontational methods to try and seek redemption, as well as expose higher-ups in the army who he believes committed some very confronting war crimes.

His motives start sympathetic, but as it goes on, it becomes more and more apparent that he's a deeply disturbed and often quite frightening individual. Perhaps a lot of it stems from the trauma of fighting in WW2, but it's hard to know for certain.

He makes for a very compelling central figure, and he's a big reason the film is so provocative and troubling to watch. Different viewers may feel different things of course, but I found supporting his cause but not all of his methods to make this something of an emotional/ethical roller coaster to watch.

I know it's the kind of movie that will stick with me, and I got a similar feeling from it that I got from 2012's The Act Of Killing. Each confronts difficult subject matter in a unique way, and each tells their stories and conveys themes without using voiceover narration or archive footage of the horrifying events discussed (sometimes, what you imagine is more horrifying).

I would rate this higher, but the one thing that holds it back a little is the final five minutes. There's a ton of dramatic developments that happen near the end of this story, but they're mostly conveyed in title cards right before the end credits roll, and it feels very abrupt. You still understand where Okuzaki's personal mission leads to, but you don't really feel the impact in the same way you feel the events that came before, which is a slight shame.

Other than that, this is a pretty great documentary- keeps you engaged and glued to the screen, but challenges you when it comes to the ideas and themes it presents.

This documentary tells the story of Kenzo Okusaki, a hugely out of the norm, 62 year old man from Japan, that decides to spend all of his time and energy investigating what happened to several of the soldiers in his unit that were executed and cannibalized 23 days after the war was over in New Guinea. Denied by both government and the people involved, Kenzo, 40 years after returning from New Guinea makes this into his one cause, wanting to bring justice to a concealed part of history. In doing so, he shun no means. From the opening scene, we follow Kenzo in his green wagon, beginning with conducting a public memorial service to console the victims who perished for the emperor Hirohito during the Pacific War. He continues his journey with abruptly visit people involved investigating the mysterious death of the soldiers. If they refuse to speak, Kenzo threatens to beat them up- and he means it! Violence is something he means, can be justified if the result is good. All of them tell a different story witch make it a bit hard to understand what really happened but also shows the complexity of truth and memory. In the end, Kenzo opens fire and an Ex-officers son is seriously wounded. Kenzo is arrested for attempted murder and spends the last years of his life in prison in Hiroshima. Kenzo ultimately holds the emperor Hirohito responsible for the deaths of the soldiers. However, by making people recognize the crime and bring it up to the surface, he hopes to be able to prevent war and contribute to a better future and a more responsible mankind. Regardless if he achieves justice, Kenzo's story has been told, a story that probably never would have been told, acknowledged and talked about today. That Kenzo would be a better human being than all of the rest, may in the beginning have sounded as a naively thing to say about yourself, but in the end- he may have a point.

This guy is really something. A raving mad and very dangerous man, Kenzo Okuzai spares no effort to atone for his formerly sinful and wasted life. Sometimes accompanied by the relatives of two army officers executed on false charges, Okuzai confronts the six executioners and their commanders in their homes, without notice. He demands they tell the truth, physically attacks them when they are disrespectful, and offers to call the police if the man wants. All the while, Okuzai relentlessly pursues the truth, which is probably that the murdered men went straight onto the menu.

This doco is, by turns, sickening, fascinating, compulsive .... and excrutiatingly funny. Not easy to watch, but highly recommended.

Like "Fires on the Plain," this documentary gives you the side of World War Two they left out of the John Wayne films. A Japanese war veteran is haunted by memories of fellow soldiers who were executed (and eaten!) by officers in New Guinea. Ironically, the officers used false charges that the soldiers were themselves cannibals as an excuse for executing them. The old soldier goes on a quixotic and unpopular crusade to bring the truth to light.