A Face

Ruggero Deodato's Un Delitto poco comune aka Off Balance (1987) is an Italian thriller about a wealthy and happy pianist (Michael York) whose life turns upside down after the doctors find a very rare and lethal disease inside him. He starts to grow older very fast, having only few months to live or so and things turn even darker for him as someone starts to viciously murder those close to him. The plot follows police agent Donald Pleasance's attempts to find the killer before it's too late as well as the pianist's own efforts to return a some kind of balance to his life.

Film maker Ruggero Deodato has made one of the most challenging and important films of all time, Cannibal Holocaust (1979) which tells about rotten media violence and the animal species that consumes it. The film is notorious for its unspeakable acts of carnal violence but none of it is in vain or gratuitous which is way too much for some viewers to understand and admit as most of them can't face themselves on the screen. Deodato has also made pure exploitation trash like the 1980 La Casa sperduta nel parco aka The House at the Edge of the Park or Inferno in diretta aka Cut & Run (1985) both of which are mostly just extremely gratuitously violent but also have at least some thoughts and themes to make them more interesting than other nasty and gory Italian films of the period.

Off Balance is written by Gianfranco Clerici whose other credits include the mentioned masterpiece Cannibal Holocaust with Deodato as well as The House at the Edge of the Park but also Lucio Fulci's sadistic and misogynistic terror tale Lo Squartatore di New York aka The New York Ripper (1982) the last two of which are perfect opposites to the firstly mentioned and its subject matter. Off Balance is easily among their weakest works but, fortunately, has some brain too in addition to blood.

The film has a very promising beginning with the first murder scene taking place during the credits inter-cutting to calm scenes depicting the protagonist play piano in his concert. The film moves fastly from the beginning and the characters and their relations get introduced well too. But ultimately, after the first half or so the film loses its fire and becomes slower with plenty of talk and things that don't make too much sense, mostly involving the killer and his (absent) motives for his vicious acts. I can't name one single explanation for his acts and that is rather frustrating once one has realized that. The things that are discussed in the second part are also interesting and important but they are presented with too much contrast with the more lively first half.

The film's theme about aging and living one's life while it's offered and on hand is of course important and surprisingly well-concentrated on in the script and practically the whole last part is about this and not about the killings anymore. The film tries to make the audience understand how important it is not to let your life pass by without living it, as there may come times in the future that you start regretting it as life after all would have offered something interesting and worth living. It definitely doesn't say life or youth ends when your hair go off but it says that some things should be understood not by experience but for example by other people around us or art depicting these things.

The film works also as a pure giallo thriller as it has its moments of suspense and mystery and of course the graphic blood letting. There are few nasty murders in the film, both at the very beginning and they are definitely very "Italian like" with the huge amount of red color sprayed over the screen. The second one is very close to Dario Argento's style but serves not any other purpose than itself, unlike the great usage of similar effect in Argento's Tenebre (1982) for example. The effects are pretty good and the aging character becomes all the more tragic as we see the horrible face mutations of his in so little time. York does a believable role and never over-acts at all.

Off Balance is more promising and potential than some other films of the giallo/slasher genre and since it's Italian, it could've been so much more than it now is. Deodato and Clerici have once proved to be a very efficient couple but it seems they're ambitions are either not supported by the producers anymore or have just changed a little bit in themselves. 3/10

"Phantom of Death" is one of the lesser known Ruggero Deodato's horror/giallo entries.Michael York plays a famous pianist Robert Dominici.He has a rare disease that contributes to turning him into psychopathic killer.Donald Pleasence plays the cop who tries to track him down.The film itself is rather dull,but it offers some really bloody murder scenes.I liked especially the scene where the woman is stabbed repeatedly until she smashes through a window.The acting is okay,but there is not enough suspense for my liking.Check it out,if you are a fan of Italian horror.6 out of 10.

A female doctor is murdered by a sword. The film makes some pretense of mystery about the identity of the killer, but it doesn't really do a very good job (and the video box gives it away completely). The killer has a rare disease that causes him to rapidly age and also causes the deterioration of his mind. Thus, one murder is thought to have been done by someone of about thirty years of age, and the next by a fifty-year-old.

The murder scenes aren't bad, but the rest of the movie does drag. The killer talks a lot, and what he says isn't of much interest. He also likes to call the police inspector played by Donald Pleasance. The police are all very bad at their jobs, fatally screwing up sting operations, letting suspects go before putting them in a lineup, and so on. Overall the movie is perhaps more of a drama musing about aging and death than it is a horror movie.

Like Psycho IV two years later, this film also has a mentally ill character concerned about passing on his genes. In Psycho IV, that made sense, since Norman had more or less become "normal" through treatment. Here, it's a little more surprising that the man whose mind is supposed to be quite deteriorated is worried about it.

I saw the uncut version of this on video. Can't say it's worth looking for - hold out for a widescreen DVD, and then it might be slightly more worthwhile.

35-year old concert pianist Robert Dominici (Michael York) is stricken with a rare genetic disorder which rapidly ages him. His hair falls out, his teeth rot, he coughs up blood and starts suffering from uncontrollable "behavioral problems"--psychotic, murderous episodes. This spells a violent end for the ladies (past and present) in his life and even more unfortunate for his French fashion designer girlfriend Helene (Edwige Fenech) that she becomes pregnant with the child he doesn't want to be born. Donald Pleasence (who was probably sick to death with the typecasting) is the police inspector on the case and Mapi Galan is a knockout (even though she's taken out way too early).

Deodato is copying Argento and Bava here with flashy sets, costumes and backdrops, misty photography and some pretty gory murders, but his direction lacks suspense, the editing is choppy and the dubbing of many of the supporting players is poor. The score (by Pino Donaggio) and make-up are good, though, and the leads are solid.

It seems as though life couldn't get any better for classical pianist Robert Dominici (Michael York): not only is he an extraordinarily successful musician, and a skillful martial artist, but he also has attractive women falling at his feet, with a beautiful girlfriend, Susanna (Mapi Galán), and a doting admirer, Hélène Martell (Edwige Fenech), fighting for his attention.

In reality, things aren't so great: Robert has been diagnosed with a rare degenerative disease that rapidly ravages his body, ageing him way beyond his years, and affects his psyche, turning him into a vicious killer. Investigating the trail of bodies that Robert leaves in his wake is Inspector Datti (Donald Pleasance), who is confused by the mounting evidence that suggests a killer of ever-increasing age.

From director Ruggero Deodato, the man who gave us gory exploitation classics Jungle Holocaust, Cannibal Holocaust and The House On The Edge Of The Park, quasi-giallo Phantom of Death starts off promisingly with two murders that result in a lot of the red stuff splashing all over the screen. Unfortunately, the film soon settles into routine potboiler mode, with only one more murder (a spiked table lamp forced under the chin) and, with the identity of the killer revealed so early on, precious little in the way of mystery, thrills or suspense.

York, hidden under some pretty good old age make-up for the latter half of the film, does as well as he can with his role, but Pleasance doesn't seem to be trying as hard, giving another one of his stock detective turns that we've seen many times before in the Halloween sequels and other Italian murder/mysteries. Seasoned giallo babe Fenech is there to add some eye candy, but it is up to a couple of other Euro-lovelies to provide the obligatory nudity.

As a side note, Dominici's predicament reminded me a lot of Seth Brundle in Cronenberg's version of The Fly (1986), who suffers a similar physical and mental degeneration. Of course, Phantom of Death is nowhere near as good as Cronenberg's film.