A Torre do Crime

A newly built office building in Spain is plagued by a series of fatal accidents seemingly caused by a murderous presence. British legend Freddie Francis was the original director on this film, but problems led to 'Shock Waves' director, Ken Weiderhorn, taking over. Neither wound up taking credit.

Larry Cohen regular, Michael Moriarty, stars as a company man investigating the deaths and Jenny Agutter is on hand as the building's chief architect. The once ravishing Carol Lynley has a nothing part as Agutter's assistant, and Kevin McCarthy shows up briefly. The most entertaining character is that of a paranormal investigator who Moriarty contacts midway through. Theodore Bikel livens up the dull precedings with a quirky portrayal of a man so desperate to make contact with something supernatural that he winds up talking to an air conditioner at one point.

Indeed, this is a dull effort overall. With directors and a cast like that, I was expecting something much better and far less pedestrian. The story doesn't have a lot of meat to it, but that doesn't mean they couldn't have done something special with what they did have. Alas, I guess the inspiration just wasn't there this time around.

The big reveal behind the haunting is as predictable as they come, and the climax feels like it would be more at home in a 'Tales from the Crypt' episode. 'Dark Tower' isn't an unwatchable mess, but it's something you could easily skip without feeling as if you missed out.

.. But isn't!

What a confused and boring mess! Firstly, there seems no reason whatsoever for it to be set in Barcelona given the actors are all American or English!

The standard of acting on offer is quite dreadful, even Jenny Agutter sucks, big time!

Hard to believe that Freddie Francis directed this, what was he thinking?

The whole thing has a made for TV feel about it, feels really cheap.

The actual premise is good, and had it been dealt with more professionally, perhaps this would have been a decent film, but as it stands, it's not one I'd recommend at all. Doesn't even fall into the so bad it's good category.

Like most the time. Cool poster artwork (striking enough to draw you in), but a so-so feature. Oh the disappointment. However it wasn't just the cover that caught my attention, but the cast was another draw-card featuring the likes of Jenny Agutter, Michael Moriarty and Kevin McCarthy. The trio managed to bring some dependable class to something of a predictably mundane and clinical ghost story of a haunted skyscraper. The classy Agutter elegantly glows and a laid-back Moriarty has that magnetic presence that I could be entertained by a film about him painting a fence. Character actor McCarthy is a delight as a washed-up physic, even though his role in quite small.

Architect Carolyn Page heads to office for some quiet time, but instead witness the unusual death of a window cleaner being slammed against her window and then plummeting to his death. Security officer Dennis Randall looks into it thinking that it was an accident, but then the deaths continue within the building. He comes to the conclusion that there's something unnatural going on and it has somewhat to do with Carolyn. So he seeks the help from a professor of paranormal field to uncover the building's dark secret.

It's low-grade handling shows and there's a real lack of imagination in its workman-like execution, despite the presence of director Freddie Francis (who would be replaced half-way through by co-writer/producer Ken Wiederhorn --- who was behind such films as "Shock Waves" and "Return of the Living Dead Part 2"). Nonetheless the Barcelona locations are beautifully projected, the high rise building does bestow some effectively moody moments and Stacy Widelitz's music score is alarmingly eerie. The opening death is quite well done and rather creepy, but the pacing from then onwards is too sluggish concentrating on its constant mystery / investigative elements before breaking loose in its dying stages with some haunting imagery. Nothing wrong with that, but being all build-up it's not all that hard to figure out how it's going to end. There's a lot of talk and too little shocks or atmospheric tension being sustained. It felt more like an extended episode out of "Tales from the Crypt", but it did have that old-fashion, guilt-ridden, slow-burn Gothic feel that could have been better implemented. There's limited FX on show, but commendably used. The rest of the performances; Theodore Bikel hams it up as the Doctor of the physic field and there's able support by Carol Lynley and Anne Lockhart.

"Dark Tower" is a grim, but blotchy little forgotten b-grade horror offering

Dennis Randall (Michael Moriarty), a security agent with slight psychic ability, is assigned to cover a strange series of accidents in a high rise in Barcelona. All of the mishaps seem to happen around Carolyn Page (Jenny Agutter), the building's architect. Sensing he needs to bring in the big guns, Randall recruits paranormal investigator Max Gold (Theodore Bikel) and psychic Sergie (Kevin McCarthy) to battle the vengeful spirit with the building.

Skyscrapers provide great settings and were all the rage for horror films in the 80s (THE LIFT, DEMONS 2, POLTERGEIST III), but this one is the lesser of the bunch. The film had a troubled production history as it was started by Freddie Francis but he left and it was finished by Ken Wiederhorn. The final directing credit goes to one Ken Barnett. The biggest problem with the film is that it drags you from point A to B at a snail's pace, long after you have figured out the mystery. If the film is worth seeing for anything, it is the performance by Moriarty (whose name is misspelled as "Moriarity" in the opening credits). He is clearly plastered in this and often looks like he is about to crack a smile with his loud delivery. In addition to this, Moriarty also starred in A RETURN TO SALEM'S LOT, IT'S ALIVE III and THE HANOI HILTON all in the same year. Now that is impressive.

Weak film that the director disowned doesn't work despite a good cast. A skyscraper is plagued by a series of gruesome accidents and a cop is sent in to investigate. He eventually comes to conclude that the building is haunted and the ghost is responsible for all the accidents. No scares, sloppy editing, and poor effects are some of its other problems.

Rated R; Violence and Profanity.