AVALIAÇÃO DA IMDb
4,6/10
1,1 mil
SUA AVALIAÇÃO
Quando descobre que seu pai foi assassinado por criminoso psicótico, o policial Johnny Modine resolve sair em busca de vingança. E vai às últimas conseqüências, mesmo que isso ponha em risco... Ler tudoQuando descobre que seu pai foi assassinado por criminoso psicótico, o policial Johnny Modine resolve sair em busca de vingança. E vai às últimas conseqüências, mesmo que isso ponha em risco o seu emprego e a sua vida.Quando descobre que seu pai foi assassinado por criminoso psicótico, o policial Johnny Modine resolve sair em busca de vingança. E vai às últimas conseqüências, mesmo que isso ponha em risco o seu emprego e a sua vida.
- Direção
- Roteiristas
- Artistas
Heidi Kozak Haddad
- Gang Girl
- (as Heidi Kozak)
Avaliações em destaque
After his father is slashed to death on Christmas Eve, handsome Los Angeles policeman Brad Davis (as Johnny Modine) embarks on the inevitable. While pursuing meth-addicted Jonathan Banks (as Isaac), Mr. Davis gets sexy Sharon Stone (as Kathy Connors) to show a little skin. The hero is supported by buddy Jay Acovone (as Cookie) and former glam / new wave rocker Adam Ant (as Mick) helps the villain. A flashback reveals some violent silliness triggered the plot. We get a good chase scene, with plenty of crashing. "The Godfather" writer's rarely seen daughter Dorothy Ann Puzo directed.
***** Cold Steel (12/11/87) Dorothy Ann Puzo ~ Brad Davis, Sharon Stone, Jonathan Banks, Adam Ant
***** Cold Steel (12/11/87) Dorothy Ann Puzo ~ Brad Davis, Sharon Stone, Jonathan Banks, Adam Ant
I have seen this movie and I loved it. Jonathan Banks is plain wonderful in this. He is my favorite actor and he is excellent. Sharon Stone is a terrible actress....... she is pretty but that is all she has. It's cool to see 80's Adam Ant as Jonathan's Sidekick.... wonderful special effects and overall and awesome movie.... buy it rent...... just get it.... :)
Police detective Johnny Modine (Brad Davis) gets a bad Christmas surprise. His father opens his store to Dorian "Mick" Michael Duran (Adam Ant) and gets killed by Isaac "Iceman" (Jonathan Banks). One night, Kathy Connors (Sharon Stone) shows up in the cop bar and starts talking to Johnny. As he investigates, he finds a group of men with a vendetta against him.
Once upon a time, Brad Davis was a rising star, but he never got to A-list status. In this one, he's trying very hard and maybe too hard. Everything in the movie is a little over the top and not well done. It does have some interesting side characters including Sharon Stone as the femme fatale. According to the movie posters, she is the big selling point. It also has Jonathan freaking Banks and Adam Ant. Banks is a legend and Adam Ant is a forgotten name from the 80's. The vending machine gag is not funny and they repeat it. The movie keeps trying for comedy and it rarely works. They do like their car stunts and it's fun to see all the cars flipping around in the air. This is a poor action movie, but it does have a couple of fun scenes.
Once upon a time, Brad Davis was a rising star, but he never got to A-list status. In this one, he's trying very hard and maybe too hard. Everything in the movie is a little over the top and not well done. It does have some interesting side characters including Sharon Stone as the femme fatale. According to the movie posters, she is the big selling point. It also has Jonathan freaking Banks and Adam Ant. Banks is a legend and Adam Ant is a forgotten name from the 80's. The vending machine gag is not funny and they repeat it. The movie keeps trying for comedy and it rarely works. They do like their car stunts and it's fun to see all the cars flipping around in the air. This is a poor action movie, but it does have a couple of fun scenes.
It's safe to say this isn't quite what I expected. The antagonist played by Jonathan Banks has had little time on screen even as the halfway point rolls around, except primarily for the scene of violence that kicks off the plot. Meanwhile, the film carries itself with an oddly light tone, such that there's a lot of humor sprinkled liberally throughout - more than is characteristic for any such thriller. The romantic element is even more contrived than we get from most movies, and not written very well in the first place; the protagonist and his buddy are even more free-wheeling, endangering civilians, than is true of most Hollywood cops, let alone real-life cops. And through all this, plot develops rather slowly, with only scattered beats advancing the story even heading into the last third of the runtime.
I don't think 'Cold steel' is outright bad. The cast, and Dorothy Ann Puzo's direction, are mostly fine. The crew behind the scenes put in good work, stunts and effects not least of all (though one effect employed at T-15 minutes is astoundingly weak). The writing, however, is something else altogether. The characters, dialogue, and scene writing are middling, and kind of unconvincing, and the overall tale suffers as a result. This definitely goes for the plot development, too - slow in the first two-thirds as noted, even in the last act something just feels very "off" about it. And the linchpin of the feature, the background we get early in the last act that ties all the pieces together, is maybe the flimsiest part of all, in every regard. Or is it the climax?
It feels more earnestly like a thriller than some of its brethren can claim, despite the weird levity throughout much of the runtime. Yet it's a thriller in which the writing is strangely hollow and questionable, and from one moment to the next I can't decide which aspect of the screenplay is the most troubled; it looks good on the surface, but meaningful substance is missing. 'Cold steel' is entertaining on some level, but it's the type of entertainment whereby anything will suffice to pass the time, sans active engagement - and as if to emphasize the point, the action-filled climax really should be fun, but instead it sort of Just Is.
Look, I don't hate this. But every time I think the picture is breaking even, cynicism rears its head once more. It's decent enough for a lazy day if you come across it, and perhaps most recommendable for fans of those involved. Don't go out of your way, though, because 'Cold steel' is a thriller that can't quite gel into a complete, satisfying whole.
I don't think 'Cold steel' is outright bad. The cast, and Dorothy Ann Puzo's direction, are mostly fine. The crew behind the scenes put in good work, stunts and effects not least of all (though one effect employed at T-15 minutes is astoundingly weak). The writing, however, is something else altogether. The characters, dialogue, and scene writing are middling, and kind of unconvincing, and the overall tale suffers as a result. This definitely goes for the plot development, too - slow in the first two-thirds as noted, even in the last act something just feels very "off" about it. And the linchpin of the feature, the background we get early in the last act that ties all the pieces together, is maybe the flimsiest part of all, in every regard. Or is it the climax?
It feels more earnestly like a thriller than some of its brethren can claim, despite the weird levity throughout much of the runtime. Yet it's a thriller in which the writing is strangely hollow and questionable, and from one moment to the next I can't decide which aspect of the screenplay is the most troubled; it looks good on the surface, but meaningful substance is missing. 'Cold steel' is entertaining on some level, but it's the type of entertainment whereby anything will suffice to pass the time, sans active engagement - and as if to emphasize the point, the action-filled climax really should be fun, but instead it sort of Just Is.
Look, I don't hate this. But every time I think the picture is breaking even, cynicism rears its head once more. It's decent enough for a lazy day if you come across it, and perhaps most recommendable for fans of those involved. Don't go out of your way, though, because 'Cold steel' is a thriller that can't quite gel into a complete, satisfying whole.
Brad Davis plays a cop here tracking down his fathers killer, and on occasion has various encounters with defiant vending machines. Jonathan Banks shows his versatility by giving the same dry performance were all accustomed to, despite an unusual vocal disposition. Oh, and then there's Sharon Stone,
no surprises here. Director Puzo tries to show some visual flair with gravity defying slow-motion car jump's, a la' Blues Brothers, and it comes off just as silly. The films sports cliché' locations and situations, routine acting, and the occasional twist here and there, but really, nothing ever leaves the realm of the status quo. Even the off-casting of Adam Ant couldn't help rise this mediocre entry above it's ilk.
Você sabia?
- CuriosidadesAnthony LaPaglia's movie debut.
- Erros de gravaçãoTodas as entradas contêm spoilers
- ConexõesReferenced in Força Demoníaca (1988)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Cold Steel?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 285.885
- Fim de semana de estreia nos EUA e Canadá
- US$ 137.186
- 13 de dez. de 1987
- Faturamento bruto mundial
- US$ 285.885
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente