Adicionar um enredo no seu idiomaA corrupt cop blackmails former burglar Bernice, forcing her into her most ambitious job yet: a dentist hires her to break into her ex-husband's house and steal back her jewelry. But when th... Ler tudoA corrupt cop blackmails former burglar Bernice, forcing her into her most ambitious job yet: a dentist hires her to break into her ex-husband's house and steal back her jewelry. But when the ex is murdered, Bernice is the only suspect.A corrupt cop blackmails former burglar Bernice, forcing her into her most ambitious job yet: a dentist hires her to break into her ex-husband's house and steal back her jewelry. But when the ex is murdered, Bernice is the only suspect.
- Direção
- Roteiristas
- Artistas
Avaliações em destaque
One of BURGLAR's biggest strengths is that it hits the ground running. Whoopi is great in the opening scenes, disguised as a fat-bottomed ol' lady ripping off a small piece of a rich man's riches. This sets the stage nicely for what promises to be a fast-paced blend of comedy, action, and snappy dialog. The film continues at a surprisingly entertaining level as our thieving hero, owing 25 G's to keep the lid on past misdeeds, agrees to snatch back some jewelry for a bitter ex-wife. Only things go terribly wrong when her target is murdered before she can make a clean getaway. Now she's the chief suspect and, just as O.J. once famously pledged, must find the real killer.
Unfortunately, it's at this point, when our expectations are highest, that BURGLAR begins to fall apart. The film grows progressively (and unnecessarily) lewd and at times downright dreary (particularly the out-of-place climax). Though there are a couple of laughs, much of the humor is so painfully unfunny you almost cringe. Performance wise, Whoopi is at the top of her game. But hard ass/cutie pie act -- punching men in the groin one minute and making wisecracks the next --never really works. Spastic comic Bobcat Goldthwait is as zany as ever as her best pal, but no one seemed to realize that his is an act meant to be taken in much smaller doses than this.
BURGLAR would have worked much better as a straight action thriller. Its insistence on trying to be humorous is what hurts it the most. Of course under no circumstances would this be a classic. But at the end of it all, you get the sense BURGLAR could have been more than it was.
There was a time in Whoopi Goldberg's career where they constantly tired to use her smart mouth and streetwise appearance to make her into a female Eddie Murphy. This film appears to be another attempt to use her streetwise wit to good effect. The plot is some form of murder mystery with Bernie being framed and hunted by the police while she tries to catch the real killer. It's nothing we haven't seen before but it's just not very well done here. I struggled to care about the people that Bernie was chasing because I didn't know who they were partly because the film didn't really explain as most of them are red herrings in preparation for the `twist' at the end.
In terms of tension the film is lacking and as a result I never really got into it. On top of this it's main selling point, the smart comedy, is seriously missing. There was one maybe two good lines in it and none of those was delivered by Whoopi. In fact you could be mistaken for thinking this film wasn't a comedy as there are so very few laughs in it. The whole thing feels very dated I imagine that even when it was released in the cinema people must have looked at it and gone `whoa, that's soooo eighties'!
Whoopi is poorly used and is sold short by a very ordinary script, but she does have a good support cast to help her out. Sadly they are all sold short as well. Goldthwait is the only one who is allowed to do anything amusing, Goodman, Warren, Bailey, and Handy are all pretty much window dressing so badly are they used.
Overall this film is one from a series of films aiming for the same effect (see Fatal Beauty, Jumpin Jack Flash etc) but here the film totally fails to make good on any of it's assets. The plot is boring and overly convoluted given that we all know it'll turn out to be the least likely main character in the film, and the comedy (usually OK in even average Whoopi films like this) is AWOL. A pretty horrid way to waste 90 minutes unrelentingly dull.
Bailey lets Bernie onto a high stakes heist. Dr. Cynthia Sheldrake (Leslie Anne Warren) is a dentist. Her patients are mostly illegal immigrants, so they pay in cash. With the cash, she and her husband bought some pretty expensive jewels, totaling somewhere around a hundred thousand or more. When they split up, Sheldrake's husband kept the jewels at his place and she wants them back. That's where Bernie comes into the picture. One last heist to make enough money to square with Bailey and in the end, get out of the business for good. It seems easy enough. That is, until Sheldrake's husband is murdered while Bernie was hiding out in the closet. And now, she's the prime suspect. But Bernie, a smart cookie that she is, isn't about to go down without a fight. And, she seems to be the only really intent on serving the murder and prove her innocence. And it isn't going to be easy.
Burglar isn't a whole lot of comedy as much as it is a murder mystery. Of course, with Whoopie Goldberg in the lead, you can expect a load of funny antics as Bernie sweet talks her way through the story with the help of her slurring spastic friend, Carl (Bobcat Goldwaith) who has some pretty funny moments himself, especially during the interrogation scene with John Goodman. Also, there's a pretty good chase scene as the cops chase Bernie through the wild hilly asphalt of San Fransico, with some of the chase done with camera views from the bumpers. But the movie, like I said before, is largely a murder mystery.
Unfortunately, the audience may start losing interest towards the end, as Bernie seems to have her end of the mystery solved. The movie puts on the brakes once she reports her findings to the wife Sheldrake and everyone drags their feet around deciding what to do then. By then, any suspense of Bernie's snooping around, is turned into a totally dull bit of scenes followed by a pretty lame conclusion. So, I'd say the movie was decent at least up to the end.
Você sabia?
- CuriosidadesThe plot is loosely based on Lawrence Block's Burglar novels, with major changes to two principal characters. Bernard "Bernie" Rhodenbarr, a white male bookstore owner/burglar, became Bernice "Bernie" Rhodenbarr. Gay dog groomer Carolyn Kaiser, Bernie's best friend, became straight dog groomer Carl Heller.
- Erros de gravaçãoElizabeth Ruscio is credited twice at the end of the movie. Moments after her character is displayed with the actress' name credited in a caption, as is done with all the other major characters, Ruscio is again credited under "Also Starring," at the beginning of the rolling credits.
- Citações
Vincent 'Knobby' DiCarno: What'll it be?
Carl Hefler: [walking up to the bar] Package delivery.
Vincent 'Knobby' DiCarno: For who?
Carl Hefler: It just says "Mayday".
Vincent 'Knobby' DiCarno: Here I'll take it.
Carl Hefler: Ya gotta sign for it.
[passing a clipboard]
Vincent 'Knobby' DiCarno: [signs and returns clipboard]
Carl Hefler: [reading signature] Kay-no-bee... K-noby! Is that like in Star Wars?
Vincent 'Knobby' DiCarno: No idiot, it's "Knobby".
Carl Hefler: Oh! it's... so it's like a nickname.
Vincent 'Knobby' DiCarno: Yes, I think maybe it's something like that.
[knocking on his bald head]
Carl Hefler: Well I'm gonna need your full name, please.
Vincent 'Knobby' DiCarno: Sorry...
Carl Hefler: Come on, it's the regulations.
Vincent 'Knobby' DiCarno: Hey fuck you, okay?
Carl Hefler: Fuck you? Thank you very much! I come here to give you a fuckin' package and you decide to blow me shit?
[getting more irate]
Carl Hefler: Like-like-like-like-like-like-like you're my idea of a dream come true - takin' shit from a dildo with ears?
[shouting]
Carl Hefler: You know when I was like five I said, "Dad, Dad! Can I get a job where random fuckin' shitheads blow me crap all day?" I'm gonna break you in fuckin' half and use your head as a ballpoint!
[grabs Knobby by the shirt]
Carl Hefler: Now sign the goddamn thing!
- Trilhas sonorasTime Out for the Burglar
Performed by The Jacksons
Produced by Bernard Edwards and The Jacksons
Written by Jackie Jackson, Randy Jackson, Pamela Phillips Oland and The Distance
Courtesy of Epic Records
[end credits song, also plays during the roof jumping scene]
Principais escolhas
- How long is Burglar?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 12.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 16.337.355
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.509.754
- 22 de mar. de 1987
- Faturamento bruto mundial
- US$ 16.337.355
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1