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Amanda Peterson and Patrick Dempsey in Namorada de Aluguel (1987)

Avaliações do Metacritic

Namorada de Aluguel

36

Metascore

11 avaliações · Fornecido por Metacritic.com
  • 60
    Empire
    Empire
    Nice performances, a useful script and a dignified ending all boost this film's appeal, but it is the workable simplicity of the premise that really does it.
  • 50
    The New York TimesCaryn James
    The New York TimesCaryn James
    Can't Buy Me Love has an identity crisis that's a mirror-image of Ronald's own. He thinks he wants popularity at any price, though he's really a sincere guy. The film thinks it wants to be sincere, when all it truly wants is to be popular, just like the other kids' movies, so it sells off its originality.
  • 50
    Time Out London
    Time Out London
    The director has a feel for this shopping-with-Mummy's- plastic milieu, but the theme of peer group pressure and the almost universal human need for acceptance is compromised by a script of very Californian piety. Otherwise a slight but not unenjoyable movie.
  • 50
    Chicago TribuneDave Kehr
    Chicago TribuneDave Kehr
    Though it looks bright and the young actors have a couple of sweet moments, the picture is almost unremittingly punishing, hammering home its "be yourself" message with all the gentle persuasiveness of a Marine drill sergeant.
  • 50
    Miami Herald
    Miami Herald
    The movie isn't terribly well written, and the acting is rarely more than OK, but there's one character who brightens the screen. Seth Green plays Ronald's pain-in-the-neck kid brother Chuckie, and he's as droll as Frankie and Annette's kid in Back to the Beach. [14 Aug 1987, p.D5]
  • 40
    Washington PostRita Kempley
    Washington PostRita Kempley
    A John Hughes movie without Pretty in Pink director John Hughes, sure makes you appreciate the teens' auteur. Frankly, Steve Rash, who directs this copycat comedy, another nerd-gets-the-cheerleader romance, isn't fit to wear Hughes' hightops. Rash only tinkers with adolescent angst, without the progenitor's empathy for his audience.
  • 40
    TV Guide Magazine
    TV Guide Magazine
    The problem with Can't Buy Me Love is that too often characters do and say things teenagers wouldn't. At times this is a funny, touching film, but more often it isn't.
  • 40
    Los Angeles TimesMichael Wilmington
    Los Angeles TimesMichael Wilmington
    There's a moral to the new teen movie Can't Buy Me Love: Money can't buy popularity. But it seems to have been lost on the movie makers themselves. What are they doing here but trying to spend their way to audience approval, success and glory? The plot is another one-sentence gimmick, the jokes juvenile, the morality a sham.
  • 40
    Tampa Bay Times
    Tampa Bay Times
    Unfortunately, Can't Buy Me Love is not particularly funny. Rash is so concerned with exploring the abhorrent high school caste system - making a teen comedy with a conscience - that the story ultimately becomes leaden and pedantic. Add to this the movie's predictability at every turn, including an ever-so-tidy conclusion, and you end up with something that's little more than a nice try. [14 Aug 1987, p.3D]
  • 12
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    Can't Buy Me Love makes American teenagers look like stupid and materialistic twits. That would be all right if the movie were aware of itself and knew what it was doing - if it were a satirical comment on our society. But this movie is as naive as the day is long. It doesn't have a thought in its head and probably no notion of the corruption at its core.
  • Veja todas as 11 avaliações em Metacritic.com
  • Veja todas as avaliações externas sobre Namorada de Aluguel

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