Com a Vida em Jogo

This is one of those movies you find on the television in the wee hours of the morning. Matt Dillon does a credible job as a young man trying to break into big time gambling- craps not a skilled game like poker. Of course, he is torn between two women- one good and one rather conniving. Tommy Lee Jones plays a man who wants to break this young upstart. The action is lively and the side stories keep the movie going. The music from the 50's is a nice addition to the sound track.

The Big Town is an underrated movie. It boasts of a fantastic cast, and an interesting storyline, yet there are few who remember this movie. I suppose the screenplay and direction could have been better, yet this movie deserves more appreciation than it actually got. Matt Dillon puts in a good performance as the young shooter from a small town, trying to make it big with the 'throw of the dice'. But the man who steals the show is Tommy Lee Jones with an excellent performance as the old timer( a shooter himself) who doesn't think too kindly of the 'new kid on the block(Dillon). Diane Lane, better known for Murder at 1600, plays his wife, and Tom Skeritt and Suzy Amis are good in supporting roles. Amis, in particular, makes excellent use of her limited screen time. This movie is definitely recommended. Truly outstanding work by the entire cast.

How do you rate a movie like this, which will never be great, but realizes tolerably, pretty well, a genre shuffle? The genre we might call neo-noir, but perhaps neo-B is better. There is the various filler--jazz, night alley with gleaming wet pavement, lots of bars, a fight club, street jammed with clubs, a elevated train that sparks when the guy and the girl kiss. And neo-filler--more than one woman doing a striptease with feathers and pasties and a bit of French stuff in bed. 1987 pretending to be the 1950s--mom with a little hat coming from church, shiny suits, homely red car. Someplace pretending to be "Chicago," da Big Town. A dice game a smart guy can pretty much always win, even when it's played in many scenes.

And Matt Dillon who's really into it, skinny guy always focused, doing a fine job. A "kid" who can be older, Tintin in a strip club. But it ain't "Drugstore Cowboy."

Matt Dillon plays a hayseed crap shooter with unbeatable luck who, in late 1950s Chicago, joins a Windy City syndicate and falls hard for the femme fatale wife of an unscrupulous gambling boss. Despite some errors in casting this otherwise familiar urban crime story is, at least in presentation, a lot smarter than it may first appear. The relative youth of the two leads is fatally inconsistent with the very grown up crime and passion scenario, but director Ben Bolt wisely underplays the neo-Noir mood by refusing to rely on the trendy smoke-and-strobe-light pyrotechnics so common in modern thrillers. The gritty urban setting is instead recreated in all its cheap romantic glamour, and the script has its arcane gambling slang down pat, but the film is something of an anachronism in today's over-hyped market: a competent (if minor) drama, made thirty years too late.

This is Matt Dillon's best performance by far. This shows why everyone thinks he has such talent. But like most of his other work, this movie is dark and realistic about human nature -- in a word, truthful. All the characters have at least two levels -- the superficial level, and a deeper level which is usually darker and more warped, yet never exaggerated. This film also features a masterful performance by Tommy Lee Jones, an excellent job by Suzy Amis, and Diane Lane's most sensational, most lurid, and deepest performance ever in her depiction of a scheming strip tease queen, the ultimate femme fatale, yet a tortured little girl underneath.

The script is very good, very insightful, very restrained in its depiction of a lurid underworld of raw emotion. It dramatizes a world of sin and depravity, yet the story is at core a morality play in which decency and morality not only survive but thrive in spite of extreme temptations.

A good movie on every level.