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6,4/10
6,8 mil
SUA AVALIAÇÃO
Um matador quer transformar sua história de vida em um livro, e para isso se aproxima de um veterano policial que se tornou escritor.Um matador quer transformar sua história de vida em um livro, e para isso se aproxima de um veterano policial que se tornou escritor.Um matador quer transformar sua história de vida em um livro, e para isso se aproxima de um veterano policial que se tornou escritor.
- Prêmios
- 2 indicações no total
Charles Tyner
- Cleve's Father
- (as Harold Tyner)
Avaliações em destaque
Best Seller is directed by John Flynn and written by Larry Cohen. It stars James Woods, Brian Dennehy and Victoria Tennant. Music is by Jay Ferguson and cinematography by Fred Murphy.
Cop Dennis Meechum (Dennehy) survives being shot during a robbery at the police evidence storage and writes a well received book about the events. Years later he's widowed, raising his daughter on his own and suffering from writers block as he tries to write another novel. Into his life comes Cleve (Woods), a mysterious man who saves Meechum's life and announces that he is a paid assassin and wishes Meechum to write a book about his work for a top name in industry......
Only in America Dennis.
It's a lovely hook is this, a cop and a killer paired together, their relationship explored via an uneasy buddy buddy formula, where the fruits of their partnership will bring very differing rewards. Along with the crackerjack turns from Dennehy (lovable burn-out) and Woods (cold-blooded calm), it's the smart screenplay from Cohen that makes Best Seller worthy of a rental at least. How it is going to pan out always keeps one interested in the tale, while there's clearly some snarky observations on America's lust for capital gain. Violence flits in and out to add some bloody pulp to proceedings, but ultimately it's the dialogue, the suspicious mood crafted by Flynn and characterisations that give the film its vitality.
Released in the same year as Lethal Weapon, it appears that Best Seller got lost in the slip-stream of that higher octane fuelled picture (in fact Dennehy gets to say the same "too old for this" line that Glover trademarked in Lethal Weapon). It's not on a par with Donner's movie, and it's far from perfect; the ending is a bit tamer than we would perhaps like and Paul Shenar's villain is a standard suit job, but there's good craft here on the page and on both sides of the camera. 7/10
Cop Dennis Meechum (Dennehy) survives being shot during a robbery at the police evidence storage and writes a well received book about the events. Years later he's widowed, raising his daughter on his own and suffering from writers block as he tries to write another novel. Into his life comes Cleve (Woods), a mysterious man who saves Meechum's life and announces that he is a paid assassin and wishes Meechum to write a book about his work for a top name in industry......
Only in America Dennis.
It's a lovely hook is this, a cop and a killer paired together, their relationship explored via an uneasy buddy buddy formula, where the fruits of their partnership will bring very differing rewards. Along with the crackerjack turns from Dennehy (lovable burn-out) and Woods (cold-blooded calm), it's the smart screenplay from Cohen that makes Best Seller worthy of a rental at least. How it is going to pan out always keeps one interested in the tale, while there's clearly some snarky observations on America's lust for capital gain. Violence flits in and out to add some bloody pulp to proceedings, but ultimately it's the dialogue, the suspicious mood crafted by Flynn and characterisations that give the film its vitality.
Released in the same year as Lethal Weapon, it appears that Best Seller got lost in the slip-stream of that higher octane fuelled picture (in fact Dennehy gets to say the same "too old for this" line that Glover trademarked in Lethal Weapon). It's not on a par with Donner's movie, and it's far from perfect; the ending is a bit tamer than we would perhaps like and Paul Shenar's villain is a standard suit job, but there's good craft here on the page and on both sides of the camera. 7/10
James Woods plays a hit man named Cleve, who contacts a successful true crime author & former cop Dennis Meechum(played by Brian Dennehy) who got his start after he was the sole survivor of a deadly holdup at the police evidence department years earlier. Cleve wants Dennis to write his life story, which he feels is most interesting, and as a way to get back at his former employer, a powerful corporation he helped build. Meechum is intrigued but also skeptical, so Cleve takes him on a tour of his past, both with his parents and also his "assignments". Dennis learns that Cleve has a deeper connection to him than he realizes, and that some powerful forces don't want this proposed book published...
Little-seen thriller is quite well done, with fine acting by the leads, and efficient direction and story. Almost goes wrong toward the end with the expected violent finale, but is still exciting enough to compensate, with the well-plotted story unfolding most effectively.
Worth catching on DVD.
Little-seen thriller is quite well done, with fine acting by the leads, and efficient direction and story. Almost goes wrong toward the end with the expected violent finale, but is still exciting enough to compensate, with the well-plotted story unfolding most effectively.
Worth catching on DVD.
People rush over themselves to praise Al Pacino and Robert De Niro so much that some other great actors who made an impact in the 1970s get overlooked. James Caan is one name that immediately springs to mind, and James Woods is another. Both have appeared in some sub-standard stuff over the years (as have Pacino and De Niro for that matter), but at their best they were/are as good as anybody working today. Twenty years ago Woods starred in one of my all time favourite movies David Cronenberg's stunning 'Videodrome'. He'd already been around for years getting solid character parts but I thought after 'Videodrome', and subsequently co-starring with De Niro in Sergio Leone's 'Once Upon A Time In America', he was going to be recognized as one of the greatest actors of his generation. Sadly for some reason this just didn't happen. Even so I highly recommend underrated 1980s Woods movies like 'Cop', 'The Boost' and this one, 'Best Seller', for some of his greatest performances. The movie itself occasionally gets a bit cheesy in an 80s kind of way, especially the synth score from Jay Ferguson, but overall it's a cut above a lot of similar movies from the period. Director John Flynn had previously made the seriously underrated revenge classic 'Rolling Thunder', and the movie was scripted by exploitation legend Larry Cohen ('Black Caesar', 'Q', 'Maniac Cop', 'The Stuff'). 'Best Seller' isn't quite as good as 'Rolling Thunder', but it's a must see because of Woods, who is just terrific. No-one can play intense like Woods with the possible exception of Christopher Walken. Brian Dennehy is also very good, and Paul Shenar (Sosa from 'Scarface') makes a great villain. Also keep an eye out for a blink and you'll miss it cameo by Seymour Cassel ('In The Soup') as a hired goon. I can't say that 'Best Seller' is one of the greatest thrillers I've ever seen, but it's definitely worth your time, and James Woods playing misunderstood psycho hitman Cleve is an experience not to be missed!
Brief Synopsis - A detective who wrote a best selling novel about a crime he helped foil is approached by a man who wants to be the focus of his next book since he claims to be a hitman who has killed hundreds for his boss.
My Take on it - This is yet another film that I recall really enjoying as a kid when I saw it numerous times on cable.
Unfortunately, it doesn't stand up so well nearly 30 years later.
The premise is actually a very good one, but the performances and script feel quite subdued.
I would have expected a story with this kind of premise to be more thrilling and exciting to watch, but instead it moves along at a pretty slow pace.
I have always been a fan of both Brian Dennehy and James Woods, but neither does enough here to grab our attention.
The premise of a writer living out the story of his next book isn't a new one and there are numerous films that have done this much better than they have managed to do here.
There are some scenes that feel quite 1980's which must have made it better back then,but couldn't carry over to now.
It was funny to see Alisson Balson who played Nancy Oleson from Little House on the Prairie featured here as Dennehey's daughter.
My Take on it - This is yet another film that I recall really enjoying as a kid when I saw it numerous times on cable.
Unfortunately, it doesn't stand up so well nearly 30 years later.
The premise is actually a very good one, but the performances and script feel quite subdued.
I would have expected a story with this kind of premise to be more thrilling and exciting to watch, but instead it moves along at a pretty slow pace.
I have always been a fan of both Brian Dennehy and James Woods, but neither does enough here to grab our attention.
The premise of a writer living out the story of his next book isn't a new one and there are numerous films that have done this much better than they have managed to do here.
There are some scenes that feel quite 1980's which must have made it better back then,but couldn't carry over to now.
It was funny to see Alisson Balson who played Nancy Oleson from Little House on the Prairie featured here as Dennehey's daughter.
I watched this because imdb users rated it well, and I wasn't disappointed. The casting of woods and brian dennehy is perfect which helps to make the story of an ex-hitman telling his story to cop-turned-author believable. Scenes at woods" boyhood home, and his parents also help; Woods" ex-hitman character is written and played as a real, multi-dimensional person, not as a stereotype.. The scene about the gift in the plane and his wanting to befriend dennehy, are quite touching.
Você sabia?
- CuriosidadesJames Woods had just quit smoking prior to filming. When it came time to shoot the cigarette on the palm scene, Woods suggested he take an already lit cigarette off of a patron--that way he wouldn't have to light and smoke a cigarette.
- Erros de gravaçãoWhile the robbery at the beginning of the movie was set in 1972, the robbers are driving a 1975-1978 Ford Econoline van.
- ConexõesReferenced in Saturday Night Live: James Woods/Don Henley (1989)
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- How long is Best Seller?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Palabras que matan
- Locações de filme
- Los Angeles City Hall - 200 North Spring Street, Downtown, Los Angeles, Califórnia, EUA(Interior and exterior shots. 1972 flashback robbery scenes- As Police Depository Building.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.278.150
- Fim de semana de estreia nos EUA e Canadá
- US$ 905.399
- 27 de set. de 1987
- Faturamento bruto mundial
- US$ 4.278.150
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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