A Marca da Corrupção

James Woods plays a hit man named Cleve, who contacts a successful true crime author & former cop Dennis Meechum(played by Brian Dennehy) who got his start after he was the sole survivor of a deadly holdup at the police evidence department years earlier. Cleve wants Dennis to write his life story, which he feels is most interesting, and as a way to get back at his former employer, a powerful corporation he helped build. Meechum is intrigued but also skeptical, so Cleve takes him on a tour of his past, both with his parents and also his "assignments". Dennis learns that Cleve has a deeper connection to him than he realizes, and that some powerful forces don't want this proposed book published...

Little-seen thriller is quite well done, with fine acting by the leads, and efficient direction and story. Almost goes wrong toward the end with the expected violent finale, but is still exciting enough to compensate, with the well-plotted story unfolding most effectively.

Worth catching on DVD.

People rush over themselves to praise Al Pacino and Robert De Niro so much that some other great actors who made an impact in the 1970s get overlooked. James Caan is one name that immediately springs to mind, and James Woods is another. Both have appeared in some sub-standard stuff over the years (as have Pacino and De Niro for that matter), but at their best they were/are as good as anybody working today. Twenty years ago Woods starred in one of my all time favourite movies David Cronenberg's stunning 'Videodrome'. He'd already been around for years getting solid character parts but I thought after 'Videodrome', and subsequently co-starring with De Niro in Sergio Leone's 'Once Upon A Time In America', he was going to be recognized as one of the greatest actors of his generation. Sadly for some reason this just didn't happen. Even so I highly recommend underrated 1980s Woods movies like 'Cop', 'The Boost' and this one, 'Best Seller', for some of his greatest performances. The movie itself occasionally gets a bit cheesy in an 80s kind of way, especially the synth score from Jay Ferguson, but overall it's a cut above a lot of similar movies from the period. Director John Flynn had previously made the seriously underrated revenge classic 'Rolling Thunder', and the movie was scripted by exploitation legend Larry Cohen ('Black Caesar', 'Q', 'Maniac Cop', 'The Stuff'). 'Best Seller' isn't quite as good as 'Rolling Thunder', but it's a must see because of Woods, who is just terrific. No-one can play intense like Woods with the possible exception of Christopher Walken. Brian Dennehy is also very good, and Paul Shenar (Sosa from 'Scarface') makes a great villain. Also keep an eye out for a blink and you'll miss it cameo by Seymour Cassel ('In The Soup') as a hired goon. I can't say that 'Best Seller' is one of the greatest thrillers I've ever seen, but it's definitely worth your time, and James Woods playing misunderstood psycho hitman Cleve is an experience not to be missed!

What looks like a b-grade buddy film (there were plenty around this time and usually looking to be humorous), is far from it. Director John Flynn's 'Best Seller', which was written by Larry Cohen (who makes a crackerjack combination), is actually a stark, stinging and darkly witty and violent crime caper with an out-the-shadow concept. Novel writing (mainly the sharp exchanges and character inserts) and its zesty tempo couldn't be faulted. Even with its talky core, Flynn keeps it gustily hard-boiled and rancorous with its occasional action sequences and lean suspense. Knowing that it heavily relies on the performances to be successful, Flynn sets-up the film around the pairing of James Woods and Brian Denneby. Woods effortlessly vivid and unbalanced performance frighteningly commands attention and Denneby is sensationally rock-steady. The two worked off each other impeccably and build a sympathetic, but also conflicting edge that never feels forced. Cohen's biting script illustrates and develops quite a stimulating, random and unusual relationship between the two. While his usual social commentary (quite a familiar one) and plot devices playing second fiddle to the complex arrangement. The rest of the support cast don't quite have the same impression, but Paul Shenar and Victoria Tennant are good in their roles. The weak points would have to be that of Jay Ferguson's ugly sounding synthesiser score and a mishandled conclusion. A solidly rewarding crime thriller drilled home by two tremendous lead performances.

Best Seller is directed by John Flynn and written by Larry Cohen. It stars James Woods, Brian Dennehy and Victoria Tennant. Music is by Jay Ferguson and cinematography by Fred Murphy.

Cop Dennis Meechum (Dennehy) survives being shot during a robbery at the police evidence storage and writes a well received book about the events. Years later he's widowed, raising his daughter on his own and suffering from writers block as he tries to write another novel. Into his life comes Cleve (Woods), a mysterious man who saves Meechum's life and announces that he is a paid assassin and wishes Meechum to write a book about his work for a top name in industry......

Only in America Dennis.

It's a lovely hook is this, a cop and a killer paired together, their relationship explored via an uneasy buddy buddy formula, where the fruits of their partnership will bring very differing rewards. Along with the crackerjack turns from Dennehy (lovable burn-out) and Woods (cold-blooded calm), it's the smart screenplay from Cohen that makes Best Seller worthy of a rental at least. How it is going to pan out always keeps one interested in the tale, while there's clearly some snarky observations on America's lust for capital gain. Violence flits in and out to add some bloody pulp to proceedings, but ultimately it's the dialogue, the suspicious mood crafted by Flynn and characterisations that give the film its vitality.

Released in the same year as Lethal Weapon, it appears that Best Seller got lost in the slip-stream of that higher octane fuelled picture (in fact Dennehy gets to say the same "too old for this" line that Glover trademarked in Lethal Weapon). It's not on a par with Donner's movie, and it's far from perfect; the ending is a bit tamer than we would perhaps like and Paul Shenar's villain is a standard suit job, but there's good craft here on the page and on both sides of the camera. 7/10

6. BEST-SELLER (action, 1987) In 1972, Policeman Meechum (Brian Dennehy) survives an armed robbery, which in turn inspires him to write a book about his ordeal. It becomes a best seller. Years later he meets Cliff (James Woods), a mysterious loner who saves his life. Cliff knows many personal things about Meechum's life and tells him that he can provide him with another assured best seller. In order for Meechum to believe him, Cliff takes him on a tour of his previous work as a hit-man. An uneasy alliance is formed, as Cliff's darkest secrets reveal his own.

Critique: There are many reasons to like Best-Seller. It has a good, entertaining premise (a rogue assassin on the loose), the moody cinematography (another Adam Greenberg job), and displays a strong performance from the always reliable Brain Dennehy. But best of all, it has what I consider to be James Woods' best role to date.

This capriciously underrated 1-time character-actor has given excellent performances in many films including: the sleazy TV-producer in David Cronenberg's interesting, albeit obscured masterpiece 'Videodrome' (1983), his red-neck southerner in 'The Onion Field' (1979-his breakthrough film), and in Oliver Stone's sadly neglected 'Salvador' (1986- for which he received an Academy Nominee).

In most of his films, Woods has specialized in playing low-life has-beens, who have few redeeming qualities. The only fault I saw in his earlier roles was immaturity, and the lack thereof of making his characters work. In Best-Seller, he plays it cool. The character of Cliff knows what he wants and how to get it, and proves himself worthy of Meechum's respect. What better actor to give us a tour through the life of a criminal, hit-man, sleaze-ball, all-nice guy?

QUOTES: Cliff: "Will power is what distinguishes the amateur from the professional. Do you have it Dennis? Will power?..Let's hope so."