O Pássaro Sangrento

Four films might be too little to judge, but I think Michele Soavi is the best Italian horror director since Mario Bava. Regarding several aspects, his visions and attitude surpass those of praised directors like Lamberto Bava, Umberto Lenzi and even Dario Argento. Stagefright has got a simple plot (much simpler that those in Soavi's later movies) but that makes it all the more accessible and enjoyable. The plot involves an escaped lunatic who stumbles into a theater where a group is rehearsing an artistic play. The mentally weak man, unable to separate reality from his own demented imagination, considers himself to be at home and violently begins to annihilate cast and crew. Even though the premise is perfect for sinking low in gore slashing, Soavi prefers to focus on creating tense situations and making you feel one with the characters and – as a result of this – petrified as well. The stylishly filmed sets and efficient scenery makes it feel like you're watching a more sophisticated version of Bava's "Demons". This is exactly what makes him such a brilliant director! Give him little and he still manages to deliver a fully equipped horror film. Call me nuts, but I think there are directors who actually have the talent to make violence look like art…and Soavi definitely is one of them. Stagefright has a terrific musical score and a few familiar faces in the cast. Most memorable appearance unquestionably is made by Giovanni Lombardo Radice. This Italian cult actor appears in multiple gore highlights and practically always comes to a horrible end… Stagefright comes with the highest possible recommendation. In case you dug this film, you're ready for Soavi's "the Sect" and "Dellamorte Dellamore".

'Stage Fright' is an impressive directorial debut from Dario Argento collaborator Michele Soavi. Like most Italian horror the plot, characters and dialogue are nothing to write home about, the movie is really an excuse for some inventive and visually striking murders. Soavi shows he has learnt a lot stylistically from Argento, and I actually enjoyed this more than many of the latters post 'Tenebre' efforts. Soavi manages to give a refreshing twist on the often tired slasher genre, which is no mean feat, and something that hasn't been able to be achieved in the post-'Scream' slasher revival. While I liked 'Stage Fright', and recommend it, Soavi found his true voice later on with the superb zombie movie 'Dellamorte Dellamore', and the profoundly weird Satanic thriller 'The Sect' (co-written with his mentor Argento). 'Stage Fright' is above average but doesn't compare to the originality of those two.

We have all seen Stagefright before; it's a predictable typical slasher with an unconvincing killer and young pretty people being axed off though this hasn't been done by Michele Soavi. The most noteworthy elements of the film are the camera-work, cinematography, score and it's violent, brutal deaths which are ranked by horror fanatics as some of the most vicious kills in the slasher sub-genre. It isn't a movie to be taken seriously and a massive 1980's cheese-fest which is what makes it so fantastic.

First off, what Stagefright fails at is classic slasher rules; drugs, sex and language which is all absent from this movie. However I don't think the Guide to Making a Slasher Handbook was Soavi's inspiration as this is, after all, a directional debut. This isn't another Friday the 13th and it isn't another Sleepaway Camp – this is a Michele Soavi movie loaded with outrageous, loopy visuals, bizarre dialogue, bad acting and savage murders. When Soavi came out to the film industry as "Argento's protégé" he really meet expectations and Stagefright along with later films such as The Church and Cemetery Man go to prove it. Yes it does not have naked bodies, the characters are not drug inducing menaces and there is a lack of foul language but so what – this is far better than a lot of other slashers that came out in the 80's because it is just so fun and we can thank Soavi's style for that.

Whilst the movie is completely silly it's still entertaining, especially for the eyes. The visuals are completely wonderful with cinematography exposing colour through the lens in a flamboyant fashion, especially when all the characters in the film are wearing such eccentric clothes. The camera-work is professionally solid and stands out, the panning is soft, the stills are (not always) very still and it's the style of camera-work one would assume would come from Argento's protégé. The score is 1980's cheese but it works a wonder and it fits well in a movie such as Stagefright, it's also a hoot to listen to as you watch a woman being torn in half from the waist down.

I will not spoil the deaths in this review. There are some really nasty eye opening kills in this movie which are illogical, nonsensical and completely derivative but that's Italian Horror for you, and as a matter of fact – that's the movies for you. If someone is into violent slashers then this is perhaps the film you've been looking for though the movie isn't overflowing with gore and eye cringing kills which can be a letdown for gore fanatics.

Stagefright is typically predictable like one would find in any slasher, but it offers something quite unique – it's artistic cinematic elements are fantastic, the music is a thrill ride to listen to, it's easy to watch, the characters are all wearing eccentric 80's fashion like you'd expect from a metropolis stage performer in that era and its environment is at least not a camp, beach, cemetery, small town, or anything you've seen one hundred times before in a film which requires the protagonist to take of their clothes. Stagefright is another run of the mill slasher, but it is Michele Soavi's run of the mill slasher and that is what makes it unique. It's cheese but it isn't like this movie is taking itself serious, so sit back and enjoy this reminder of what Italian slashers were like in the 1980's.

I recently acquired Italian horror director Michele Soavis Cemetery Man which was released recently for the first time on DVD. I had seen it before, but somehow now it became one of my favorite horror films. It has a style, beauty and grace that many horror films seem to miss nowadays. So naturally I set my eyes on seeing all of Michele Soavis horror films. I had already seen two of them The Church and Cemetery Man, and The Sect isn't out on DVD so I decided to see his only other movie on DVD which is Stagefright. This was Michele Soavis directorial debut, so I didn't really know what to expect. A flawed film made by an at the time rookie? A promising film with glimpses of greatness here and there?

The story is about this group of actors that are putting up a play. They have very little time to practice some of the dance moves and songs so they are all under a lot of pressure. A psycho killer finds his way to the theater and locks everybody inside with absolutely no way out. Then he begins to systematically kill all the actors on the play in some really gruesome ways.

Well its no secret that Soavi was Argentos pupil and I think that out of all of Soavis horror films that I have seen Stagefright is the one in which this is most evident. There's the killers point of view, some strange and interesting camera angles and even an animal themed killer. But thats not a bad thing in my book because eventually Soavi found his own voice and style as evidenced by his last horror film Cemetery Man. Still, Stagefright has a great style and look. What I love the most about Soavis films is that they deal with all these horrible killings, yet the film has a class and a finesse about it that kind of elevates the sleaziness of the slasher genre to a high that it rarely reaches.

Don't get me wrong here, this movie may be artsy and classy, but its still very very much a slasher film. There's some truly brutal deaths here! After the movie sets up its premise the ball gets rolling really fast! Thats one of the things I liked the most about this movie it had a fast pace and wasn't boring in the least! Once the killer puts on that cool as hell Owls Head mask on his noggin things get really gory and interesting. From people being cut in half with chainsaws (great scene man!) to some cool decapitations this movie had me cheering for more! So slasher fans and fiends, you wont be disappointed!

Another excellent thing about this movie was that it wasn't an incoherent mess. I've seen a lot of Lucio Fulci films, a lot of Dario Argento films and a few other Italian directors and they all suffer from the same illness. They cant seem to bring together a story and tell it in a coherent understandable fashion. Not so with Soavis Stagefright. I was surprised at how smoothly the story flowed and I was surprised that I was actually understanding it without any extreme effort. In a sense I would say that Soavi took everything that Argento and Fulci did wrong and did it right. He learned from their mistakes and therefore he is a better filmmaker for it. He is the next step in the evolutionary ladder as far as Italian Horror goes. This might also be why Soavi is heralded as the savior of Italian Horror by many a horror connoisseurs.

So in conclusion, Stagefright is a solidly well directed slasher. One that showed promise for what is one of horrordoms best directors,even though his body of work is comprised of only four movies. I hope Soavi wakes up from that dream soon and delivers us with something as good or better then what he has already done. Soavi you the man! Rating: 5 out of 5

While rehearsing a musical play in a theater, the dancer Alicia (Barbara Cupisti) twists her ankle and the costume designer Betty (Ulrike Schwerk) drives her to a nearby hospital. However, the place is a mental institution but a doctor treats Alicia's ankle. They return to the theater but the dangerous psychopath Irving Wallace (Clain Parker) escapes hidden in Betty's car. He kills Betty outside the theater and Alicia finds her body. They summon the police and the director Peter (David Brandon) decides to promote the play using the press and supported by the producer Ferrari (Piero Vida). He rewrites the screenplay and casts six actors and actresses to immediately rehearse to the opening night, promising additional payment. He asks the actress Corinne (Lori Parrel) to lock the theater and hide the keys. But Irving Wallace has sneaked in the theater and starts a crime spree. Will anyone survive the serial-killer?

"Deliria", a.k.a. "StageFright: Aquarius", is a claustrophobic Italian giallo by Michele Soavi. The direction keeps the tension until the last moment. The screenplay is very well written without the usual flaws that we find in this genre. The performances are good and supported by great cinematography and use of lighting. My vote is six.

Title (Brazil): "O Pássaro Sangrento" ("The Bloody Bird")

Note: On 05 Jun 2022, I saw this film again.