E Deus Criou a Mulher

Roger Vadim's remake of his own film opens with a ridiculous jail break from what appears to be a soccer mum in a mullet and tracksuit and leads to a number of other embarrassing sequences that are at least saved with an early nude scene from Rebecca DeMornay. The moment is quickly ruined by a music sequence or however else Vadim over idealises his leading lady. It turns out this scene indicates DeMornay's desire to escape from prison and pursue her realistic dream of being a famous rock and roll star. The whole experience starts getting humorous when DeMornay is sent back to prison and arranges to marry a young carpenter to beat parole on the advice of Frank Langella, a candidate running for governor of New Mexico that ran into DeMornay during her failed escape from prison. Despite the obvious predictability of the love triangle that film will pursue the film is redeemed from plenty of comedic moments thanks to the strong performances from DeMornay and a whole cast of unknown actors. It turns out irresponsible screw ups are a great source of comedy. However, plenty of embarrassing moments continue to show up in the film including a cringe worthy disrobing of some random actress who rocked up to work in granny panties and a nauseating navel gazing Langella. It is pretty depressing seeing how easily the men in this film can be led just because someone is attractive regardless what a terrible human being said person is. I think the film is meant to be a farce, it's all very light hearted with some tacky New Romantic 80s pop thrown in.

...or at least gorgeous. I only watched the movie to see her. Did I say she was really beautiful and amazing? Otherwise, the movie was frightful. It was not a good way to lose an hour and a half of my life. Rambling, pointless and poorly developed, this story did not need to be told. A remake of a bad Bardot movie. Shame on the director.

In New Mexico, the prisoner Robin Shea (Rebecca De Mornay) has an intercourse with the simple carpenter Billy Moran (Vincent Spano) and in order to get her probation, she proposes him US$ 5,000.00 to get married with her for one year. Billy accepts, expecting to have sex with her, but she does not include this type of service in their deal. Meanwhile, she uses and is used by a powerful politician, James Tiernan (Frank Langela), who is trying to be elected the next governor of New Mexico. What a corny movie is this "And God Created the Woman"! The story is quite ridiculous and the flick is worthwhile only due to the sexy body of Rebecca De Mornay, always naked or half naked. My vote is five.

Title (Brazil): "E Deus Criou a Mulher" ("And God Created the Woman")

I couldn't stop laughing, this could easily become a cult classic for it's over the top writing, acting, music, everything. There were some hotter erotic scenes that were probably the only reason anyone ever watched the entire film. So predictable and ridiculous that it's one chuckle after another, so I guess I enjoyed it a little, but most likely not for the same reasons the film was made.

Apparently I need to write 10 lines of text to be considered a full review, I thought I summed it up in 2 sentences. This movie has no direction, it wants to be too many things and ends up nowhere. My only comment on De Mornay is that although she had her moments, on stage and being sultry, it seems to me she has about as much talent as most strippers.

This film is basically a failed attempt at anything, and a disgrace to the original.

Roger Vadim's 1956 film 'And God Created Woman' created the sensation that was Brigitte Bardot with its then shocking portrayal of a woman who would use her sexuality to get what she wanted or on a whim with equal abandon. Thirty years later, a parallel portrait of feminine caprice had little impact on movie-goers jaded by 70s excesses. The film itself is moreover less visually interesting than the earlier one, replacing the splendor of the Cote d'Azure with the drabness of the American southwest. In place of a woman as tropical orchid, we get a cactus flower. The plot moves forward in arbitrary jumps that make little sense. Somebody needs to remind Vadim that capriciousness and randomness are not synonyms. Add in that the male leads seem to be sleepwalking through the movie and there is little here to like. And the urban cool of Rebecca deMornay does nothing to evoke the energetic spunkiness of Bardot in the original. Avoid.