Selva Viva

This is a very touching film, which has always fascinated me as I do have an interest in feral children. The film, based on David Kendall's novel 'Lazaro', revolves around young Lazaro, a child raised deep in the Amazonian jungle by his mother following the death of his priest father before he was born. Mother and son live a happy, idyllic life until gold-hunters enter their territory and end up murdering Lazaro's mother. Left to fend for himself, he is then taken in by the dolphins who live in the river and protect their human charge from predators as they would their own calves. Some years later, when Lazaro is about ten or so, he is then found and brought to the city where his father's mentor vows to care for him and make him civilised. But Lazaro is more intent in revenge when he sees the man who killed his mother...

The acting from Alessandro Rabelo, who plays Lazaro, and Ajay Naidu, who was cast in the role of Lazaro's best friend, was excellent. You can't help but grow attached to the boys and care for their plight. Charles Durning also gave a masterful performance as the priest who just wanted to do right by Lazaro; he had such a rapport with young Rabelo, leaving the audience convinced of the growing bond between the two. The haunting music only adds to the sense of mysticism and spirituality conjured up by the storyline of the film.

'Where the River Runs Black' really is a one of a kind and I highly recommend it to anyone just looking for something that bit different. It touches many issues, from the plight of rescuing feral children (is there a point where they should just be left alone?) to whether we have a right to seek vengeance when we are wronged to environmental issues (the cutting down of the rain forests). It's a film that stays with you forever.

"Where the River Runs Black" (1986 - 97 minutes), directed by Christopher Cain, is a beautiful adaptation for the cinema of the awarded novel "Lazaro", of David Kendall. The film mix religion and mysticism when tells the history of a boy created in the Amazonian forest that is taken to be educated in an orphanage. The tram starts when an American missionary, the idealistic priest Mahoney (the actor Peter Horton) - that works in the region where the waters of the River Amazon becomes black -, knows a mysterious and sensual woman. A child is born of this relation and Mahoney dies. The boy, Lazarus, is played by a 10 years old Brazilian boy, Alessandro Rabelo who carried out the film side by side to the experienced actor Charles Durning (priest O'Reilly). Educated in the forest, Lazarus develops a strange relation with the "botos" (dolphins of the Amazon River). Of the wonderful landscapes of the Amazonian forest to the dirty and hard urban scenes, the story of magical realism maintain its attraction due to the delirious photograph of Juan-Ruiz Anchia. Entirely filmed in Brazil, the film had the participation of some Brazilian technicians and actors as Marcos Flaksman, Chico Diaz and Ariel Coelho

I haven't seen this movie for years, but it has always "haunted" me, and I have never been able to forget it. I have frequently looked for it on DVD, hoping to see it pop up in stores or on Amazon, but it is apparently only available online as used VHS. I don't own it in any form, so I am wondering what the latest news is as to a future release on DVD.

Since I was very young, I have been a fan of jungle movies. Many of them have had shallow and silly plots, but this movie is about the human spirit's ability to survive. It is a beautiful story, and is visually stunning. It's right up there with "The Emerald Forest" which came out the same year.

One of my all time favorite "Jungle" movies.

I first heard about this movie when I was living down south and a friend of mine mentioned it to me. A local TV station at that time, late 1980s, was trying to have it blocked for some reason. I never did get to see it at that time. A year later, a girlfriend of mine at the time told me about the movie and how much she loved it, so I told her what had happened in that little town down south. She'd told me that was stupid the move was awesome and if I ever got the chance to see it. Two years later, back in New York, I came across the movie for sale in a video store and snatched it up thinking I had to see what all this was about.

I wasn't disappointed.

However, for a short while after viewing the movie the fist time around, I did keep an eye out for large snakes hanging out in trees whenever I went hiking or cannoning. . .

Lazaro, after loosing his father--look out for big snakes--and later his mother, lives alone in the jungle for a short while. The villagers down the river eventually come to call him the Dolphin Boy, because he's often seen swimming with dolphins and they even believe he can become one and swim away if in danger. Later Lazaro is caught by fisherman and taken to a church and that's when the story takes a twisting turn that I found very interesting and thoughtful. I did get a kick out of watching them try and give the Jungle Boy a hair cut or make him wear sneakers. And there is one scene where Lazaro wants to share a snack he caught with his new friend that I found both funny and touching.

For some reason this story touched something deep inside me and I've loved it ever since. Visually it was very pleasing with lush jungles and the contrasting open mine pits looking like gaping wounds in the Garden of Eden. The young actors (brothers) who play Lazaro are very convincing in their portrayal of a child of the rain forest, very well acted and believable, and as other's have pointed out, very stunning looking.

It'd be great if they made more movies like this one . . . But as someone has already mentioned, movies like this come along maybe once ever ten or so years.

I was fourteen years of age when I first saw this film. For me, the experience was magical. I didn't know what this film had that created an aura of mysteriousness and intrigue, but I remember seeing it again a few years later and looking everywhere to purchase a copy.

The young boy, Lazarus, has an affinity with the dolphins of the Amazon jungle and it is wonderfully captured in the screenplay. As young actors go, this boy is wonderful as Lazarus. His expressions are true to life and the scenes where he is brought from the wild to adapt to civilisation are naturally brought out. The scene where he is mischievous with his orphan friend under the water tap captures the magical experience of childhood.

The scene where his father rows quietly along the river makes you feel as if you're in the boat with him.

I think you need to watch this film two or three times to fully appreciate the story it is telling.