Rita, Sue & Bob Nu

Someone has previously posted that this film is about class and social division which is certainly true and one of the many sub-texts of the screenplay. It interests me that reaction to this film also seems to be delineated along class lines and social division. When I've mentioned this film in passing to middle-class types they turn their noses up in horror and say this film is so 'depressing'. In contrast, to anyone from a hum-drum town anywhere in the British Isles (in my case Ireland) or inner city working class background, a mention of the film if they've seen it, brings on a laugh and smiles of recognition of shared experiences.

Hyper-realism may prevail in this film but there are many many reasons to watch it. The most important of which is to be reminded, if one needs reminding, what devastating changes took place during Thatcher's political reign during the 80's. The appalling errosion of social housing and services, and the introduction of the exploitative Youth Training Schemes which paid a pittance to participants. Overcrowded classrooms, and few opportunities to socialise meant teenagers had to make their own fun just like Rita and Sue.

To me no other film evokes the 80's like this film, it always brings me out in tears of laughter as I recognise the characters from my own life. Practically every girl in my home town dressed exactly like Rita and Sue, bare legged and white stillettoed. I can't remember any other film that captures the teenage mischieve-ness and innocence of 80's teenagers. That scene where they go to the museum with the other school girls and exiting onto a cobbled Yorkshire street Sue utters the immortal line: '..she called me a slag so I hit her!, after assaulting a virgin classmate, is a real hoot. For me the funniest scene is when Rita and Sue start giggling in embarassment as Bob and The Wife start having a barny after returning home after a night on the tiles. (N.B. if Rita and Sue have been hired as babysitters how come we never see the kid they're babysitting?)

This film is not depressing. The two main protagonists (Rita and Sue) are finding fun, excitement and adventure (isn't it better to be walking around in cow dung getting fresh air and a 'jump' from the middle class neighbour in a car than loitering around a dreary housing estate?) as an antidote to their hopeless circumstances. They don't feel anymore more victimised than Bob's wife. They maybe poor and working class; but they're getting bonked regularly unlike Bob's missus!

The performances are absolutely sterling, there are no false moves or corny lines. And Lesley Sharp is truly comical as she jumps on Bob's suit and calls him every name under the sun. For me the actor who shines most is Michelle Holmes, and I always love watching her whatever role she's playing ever since seeing her in this film.

I wish the bourgeois critics could put aside their own prejudices and snobberies and see this film for what it really is. A gritty realistic picture of 80's England and a precursor to the highly successful 'Full Monty'. It is also a great heart warming film for adults that was way ahead of its time when it was being made in the mid 80's. Every time I see it I laugh out loud - if you're ever feeling a bit down, watch this film! It will blow the cobwebs away completely, trust me!

As far as I'm concerned this is up there with 'Brief Encounter' as a classic British film. I'm serious!

.. talk like that and I'd get a belt .. hello 1980s how I've missed you. Before everyone gets up in arms about the smooth talking Bob and his two girls - these two girls at time of filming were both in their 20s!

This for me when I was watching back in 1987 was the closest we could get to porn. No internet porn. No adult channels. Only porn videos you could get from some dodgy fella at work. So this was it. We were having a gang bang. Having a born. A bit of a three some one the moors with the horn honking and smooth Bob telling you to shift your bum up whilst he prepared to go again with Rita.

Be prepared for some language no longer allowed now a days that was used to described the corner shop way back when and just take the film with a pinch of salt. Get stuck in there!

It's not Hugh Grant in some over priced London suburb falling in love with hilarious results, It's not angry young men fighting against an unfair class system, it's not about forbidden homosexual partnerships or a mixing of Indian and British culture. This film shows a snap shot of British working class life as it was (and still is in many cases!). The British film industry's Liberal Elite hate this kind of movie as it attempts to show real people. Not every working class person has a chip on there shoulder! It's packed full of swearing and sex and even a little bit of violence. If you are easily offended don't watch, but if you fancy a realistic Brit flick that doesn't have Hugh Grant in it, then see this.

This was an excellent low-budget film full of strong performances. Set in the North of England it follows two schoolgirls and a philandering husband on what appears to be a dirty and sleazy romp. But none of these people deserve their grim and loveless lives. None of them are "bad" and there are no victims. This is not so much a morality play as an immorality play. When Bob says that his wife doesn't understand him, he is right. The "seduction" scene in the back of his car is one of the best ever. With hindsight, it is impossible to tell who is being seduced.

Made for TV by FilmFour the camerawork reminds me of a soap opera. The scenes are largely drab and impoverished but Rita, Sue and Bob have fun ! When they are together the world seems a better place. The scene at the dance with the terrible 80's party band Black Lace is wonderful, they are having a such a great time and it is in such contrast to their grim reality.

The ending is wonderful.

This film really should be used in schools as a realistic portrayal of English life in the eighties.

There are some literally side splittingly funny scenes in this film. The most memorable are those of Sue's alcoholic Dad and his antics. I don't know if the director was meaning to show him as being really funny but some of the things he comes out with are absolutely brilliant.

My favourite moment is when Sue gets back from baby sitting the first time. His quote "cos there's nowt opp-en! That's how!" is brilliant.

Watch this film, it will make you laugh out loud.