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"Reform School Girls" is a deliciously exaggerated entry in the Women In Prison genre. It's all very campy material that the majority of the actors, to their credit, actually play quite straight. The winks start with the fact that its writer / director Tom DeSimone, had previously made another classic, "The Concrete Jungle". Here, DeSimone, cast, and crew clearly have a ball with the trashy 'n' flashy story. Linda Carol plays Jenny, a newcomer to a reform school named Pridemore Juvenile Facility, who mixes it up with both the overbearing head matron Edna (corpulent, big haired Pat Ast, who's an absolute riot) and swaggering top dog convict Charlie (punk rocker Wendy O. Williams, perfectly suited to the role). Also among the main cast is the B movie goddess Sybil Danning, adding to the in- joke tone of the movie seeing that she plays the ruthless warden here and had already played a convict in the earlier "Chained Heat". Ast, Williams, and Danning are a superb trio and make this fun to watch. Carol, by comparison, by playing a more or less decent person (although tough enough to try standing up to the antagonists), comes off as less entertaining. Ast delights in the over the top nature of Edna, setting a stuffed animal on fire and stomping the life out of a real one. DeSimone delivers enough shower scenes / nudity / sex, melodrama, and violence to keep fans content. The sometimes hilarious script features some choice and quotable dialogue. The soundtrack is absolutely kick ass, with Williams singing such ditties as the anthemic "It's My Life" and the title track. The supporting cast aren't slouches, either; Charlotte McGinnis is the concerned Dr. Norton, Sherri Stoner the young innocent Lisa, Denise Gordy the sassy Claudia, Laurie Schwartz the spunky Nicky, and two "Friday the 13th" franchise alumni, Tiffany Helm ("A New Beginning") and Darcy DeMoss ("Jason Lives") play Charlie's flunkies. The movie progresses agreeably through various sordid episodes before coming to a rousing conclusion. In any event, one element you have to appreciate about this sort of thing is the hotness factor of the inmates. It's not exactly boring at any moment, either. There are certainly no complaints from this viewer. Eight out of 10.

"Reform School Girls" (1986) is a highly entertaining, completely over the top, necessarily derivative contribution to the Women In Prison (WIP) subgenre. Featuring flamboyant performances by butterface favorite Wendy O. Williams (despite the fact that Wendy was 37 when she essayed this teenage role, and looked exactly the same as when she fronted for the Plasmatics), as well as Warhol veteran Pat Ast, the story here nevertheless centers around Linda Carol's Jennifer, who is sent to the "graybar hotel" after abetting her boyfriend in an armed robbery attempt. She immediately runs afoul of Wendy's Charlie Chambliss, the toughest chick in the "school" (the place really seems more like a prison than a school, it must be said), as well as Pat's grotesque head matron, Edna Dawson. The film dishes out all the familiar WIP set pieces, such as shower scenes, catfights, a prison break, several riots, and a very uptight warden, here portrayed by cult actress Sybil Danning, underutilized in this particular role. Entertaining as this whole spoof is, and despite the often very funny lines, I couldn't help thinking that the film that "Reform School Girls" seems to be mainly patterned after, the 1950 Eleanor Parker vehicle "Caged," is infinitely preferable in every department. The monstrous matron played by Hope Emerson in that earlier film makes even Edna's rants of "complete control" seem tame in comparison, and good as Linda Carol is, she's no Eleanor Parker! I suppose it all comes down to whether you're in the mood for an entertaining spoof or a more realistic--and thus more harrowing--WIP experience.

Set in a correctional facility for young female offenders, Reform School Girls is technically a Women in Prison movie, but don't expect anything too sleazy ala the films of Jess Franco—as far as the genre goes, this mid 80s effort from seasoned trash director Tom DeSimone is one of the lighter examples, designed to be fun rather than offensive.

While it does deliver most of the standard WIP ingredients—cat-fights, communal shower scenes, bull dykes, fragile first-timers, and physical abuse—it's all done in knowingly camp fashion with tongue firmly in cheek. The big-breasted women saunter round their dorm in sexy lingerie, the nastier inmates and members of staff are grotesque caricatures, the dialogue is deliberately tasteless ('I thought I smelled fish'), and the plot is about as cheesy as it could get.

Let's face it, any film which sees a scantily clad Wendy O. Williams, lead singer of punk/rock group The Plasmatics, stood atop a speeding bus on a collision course with a sadistic, overweight, shotgun toting head matron called Edna (a memorable performance from Pat Ast) was never intended to be taken all that seriously.

I found this film to be rather boring, though the shower scenes livened things up a bit. A few general comments:

Linda Carol actually did a fair job in the lead role, though her lack of experience was pretty obvious. At least she was the only one who wasn't chewing the scenery. Was she really 16? Seems to me that she was a bit young to be making exploitation films like this. She certainly had the body for it, though.

Wendy O. Williams is just sad in her role. As someone who actually saw the Plasmatics play and who still has three of their vinyl LPs, I can't help but wonder where she went wrong in her career. I believe that she was 37 when this film was made, but she looks like she is in her late-40s. Totally inappropriate casting. Plus, her accent/dialect/speech mannerisms are possibly more irritating than Fran Drescher's. On the other hand, I have to give her an A- for keeping in shape like she did. It's a shame that she ended up taking her own life, but there was always that underlying impression of her that told you she had been seriously damaged during her life.

You may also think that you will get to see some of Sybil Danning's assets, but, sadly, this is not the case. In fact, unless you have a uniform fetish, Danning is about as close to gender-neutral in this movie as you can get. Even Pat Ast exhibits some sexuality in this move...but not Sybil.

Finally, I was prepared for a little more skin than the movie actually showed. Based on other comments, it sounded as if the movie was 40% shower scenes. In reality, though the "girls" are pretty skimpily clad throughout the movie, the actual nude scenes are quite brief. Now, I'm not saying that the movie would have been better or worse with more nudity, but that I expected more based on what others had written. I think you actually get more nudity in "Starship Troopers".

Overall, this was an interesting movie and I was able to watch it all the way through, so I give it ** out of *****. With a few funnier scenes, it might have made it half a star higher.

"Don't just stand there, bring me something to wipe my shoe."

I had never seen a "women in cages" movie prior to seeing this, so I really had no idea what to expect. Which is good, because no expectations could have prepared me for this, anyway. Reform School Girls is lurid, sordid, exploitative, pure cheese, and yes, even entertaining. If you can handle the absurdity of it all, anyway.

The plot is paper thin (Othello, this is not). A young woman gets sent to a reform school/youth prison after a botched bank robbery, and tangles with the corrupt warden and head matron, as well as a gang of vicious girls. That's basically it. And there's lots of underwear. 

Basically, you probably already know if you like these kinds of movies, or you're a newbie like me. If you're unfamiliar with the genre, aren't easily offended, and have a fondness for campy/tongue-in-cheek absurdity, I suggest you try this out for the sheer novelty of it. I'll be seeing a few more, just to see if they can possibly get even more over-the-top than Reform School Girls.