Poltergeist II: O Outro Lado

I have seen this sequel to "Poltergeist" many times and have always enjoyed it as much as I did the first movie. You will find that most people who dislike this sequel do so for the simple fact that it's a "SEQUEL" to the original 1982 "Steven Spielberg" produced hit (surprise surprise!) and "Spielberg" was nowhere in sight this time around (so what!), not everybody cares about whether a big director is involved with a movie/sequel or not including myself.

The sequel is written & produced by "Mark Victor" & "Michael Grais" who co-wrote the original with "Steven Spielberg" and follows the doomed Freeling family four years after the original classic left off...

I have always regarded "Poltergeist II" as a worthy follow up with it's flaws (which it is) and can still not understand how this movie made it's way from a running time of "130" minutes down to a mere "91".

Its obviously down to MGM rushing the movie's production and ordering pathetic cuts. Some of this movie's editing is really poor and it's a shame because the movie is actually pretty good and only really falls apart at the end when you can see how bad a hack job this movie really received. They should have dropped "The Other Side" from the title because you only get to see it in the movie for about 2 minutes and what you do get to see is a rushed not-finished mess of a finale.

The Poltergeist franchise should have been sold to UNIVERSAL (The company "Steven Spielberg" first approached about the original). They would have given this movie the justice it deserved. As for the third movie "I really don't care" nothing could have saved the third movie from being bad". Even with it's problems, I still loved the character's from the first movie, the plot was on the right track and introduced us to one of the most memorable villains in horror sequel history, the evil "Reverend Kane" brilliantly portrayed by "Julian Beck", and while not being as productive as the original, the special effects held up too.

Wrapping everything up, this movie is a decent sequel and has the advantage of retaining most of the original cast from the first movie (minus "Dominique Dunne" who was murdered by her boyfriend shortly after filming the first movie) and there are some really good classic moments in this sequel, one being... "The Vomit Creature!"...check your Tequila for strange worms swimming around in it next time!.

7/10

The magic from the first one was definitely missing but this was watchable. I always cringe when a movie portrays a Native American and their spiritual ways. It just seems stereotypical anymore. There was a lot of it in this movie. The ending was kind of quick and silly.

How these kids haven't lost their minds yet is beyond me.

Definitely a lot worse sequels to hit movies out there.

Being a big fan of the original 'Poltergeist', it's fun to see the Freelings reunited (aside from Dominique Dunne, of course, who was murdered soon after filming 'Poltergeist') in this flawed but fun sequel to the original classic.

The film introduces some interesting concepts to the Poltergeist mythos, particularly a great final performance from Julian Beck as the very creepy Reverend Kane (Beck died soon after filming due to stomach cancer - no, not the so called 'poltergeist curse' - Beck was fully aware of his condition whilst working on the movie).

Despite another great performance from little Heather O'Rourke and professional performances from the rest of the cast (albeit not as inspired or memorable as their performances in the original), the film ultimately lacks the heart, warmth and quality of the original.

As a viewer, you can't help but come away with the feeling that if a little more time, money and love had been bestowed on the production this could have been a better film.

Still, there are some memorable moments and genuine spine-tingles in this sequel.

Despite the rushed feeling to some parts of the production, for it's nostalgic revisiting of the family Freeling, the Kane character, the few memorable 'horror' moments and last but not least, the fantastic follow-up soundtrack by the great Jerry Goldsmith, I rate this film 7/10.

This sequel was okay at the theater when I saw it, but it wasn't great. Kind of an average film that adds plot points that really are a bit weak. We find out in this one that it was not necessarily the fact the little community was sitting on an old cemetery that was the problem in the first one, but rather that the house was over some burial ground of a cult. There is also this really old man that is a bit creepy wandering around looking for Carol Anne and the Freeling clan. I just think they wanted to add a more physical enemy, someone you could focus on. The family is now living with grandma, but strange stuff starts happening again. For some reason they want Carol Anne. An Indian guy comes to their aid and gives them advice and there are a series of happenings, but this one just isn't as good as the first one as it is very slow in places. The ending was just plain lame and only makes this one worse than it is. As not good as this is though, the next Poltergeist makes this one look a lot better. Some good scenes here and there, but ultimately this one disappoints. Though there is that memorable scene with the worm.

JAWS 2; HALLOWEEN II; THE RAGE: CARRIE 2—all of them horror film sequels that I can only label as "curiously frustrating", in that there's enough in them to like, but just as much to be skittish about. This is also true of POLTERGEIST II: THE OTHER SIDE, the 1986 sequel to the highly acclaimed and highly successful 1982 Steven Spielberg co-produced/co-written horror film classic that Tobe Hooper (of THE Texas CHAINSAW MASSACRE fame) directed, and which ranks with THE SHINING as one of the few true horror classics of the 1980s.

The film picks up one year after the events of the original, as the Frelengs, led by Craig T. Nelson and JoBeth Williams, have now moved off to a desert suburb of Phoenix, Arizona while trying to get a new start, living with Williams' mother (Geraldine Fitzgerald). Nelson is having a rough go of it trying to be a vacuum salesman; he had been in real estate, but the Cuesta Verde incident left him out in the cold. When Fitzgerald passes on, however, it lets open the door for some literal ghosts of the Frelengs' past to haunt them. They become terrorized all over again; and this time, getting in contact with both the famous medium Tangina Barrons (Zelda Rubinstein) and an Indian (Will Sampson) well versed in the supernatural, they figure out why. Back in the 19th century, a group of White settlers were confronted by Indian warriors in what was to become the Cuesta Verde Estates, resulting in a horrific Sand Creek-type massacre that resulted in a mass graveyard that Nelson's former employers had built Cuesta Verde over. The spirits of those survivors, including especially a deranged preacher named Kane (Julian Beck), have come back to snatch O'Rourke and to lead them to the Light because they are still not at rest, but they seem to have no intention of bringing her back. Rubinstein and Sampson insist that the Frelengs must return to Cuesta Verde to confront Kane and his minions by entering the Other Side, that netherworld between life and death that Williams and O'Rourke crossed in the original. In between, though, they are confronted with a whole host of horrific things, including a "Vomit Creature", and a supernatural chainsaw that threatens to tear Nelson's station wagon apart as they head out for Cuesta Verde.

Unlike a lot of horror films, POLTERGEIST II maintains a good solid position of having five of the principals from the original film (Dominique Dunne, however, had been killed in real life shortly after the original film had been released), plus the solid special effects work of Richard Edlund, who had worked on the original. What POLTERGEIST II lacks, however, is the effective and incisive direction of Hooper and both his and Spielberg's understanding of the genre and of family. Mark Victor and Michael Grais, though they co-wrote the original's screenplay with Spielberg, somehow fail to grasp those concepts of the original; and Gibson, who directed the 1980 film BREAKING GLASS and later did 1993's WHAT'S LOVE GOT TO DO WITH IT, is not really in Hooper's, let alone Spielberg's, league. The mayhem may very well have been accelerated from the original, but that doesn't necessarily mean it's better.

Two additions, however, do work quite well. Sampson, a real-life Native American who starred in films like ONE FLEW OVER THE CUCKOO'S NEST and THE OUTLAW JOSEY WALES, is extremely good as the Indian shaman who, along with Rubinstein, assists the Frelengs in their confrontation with the ghosts. And Beck is incredibly grisly and frightening as the deranged preacher out to permanently possess O'Rourke; he comes off as a supernatural version of Robert Mitchum's role in the 1955 classic NIGHT OF THE HUNTER.

The most welcome return on POLTERGEIST II, besides Edlund's special effects, is Jerry Goldsmith's intense orchestral score. These things do keep this film from being just another Hollywood exploitational sequel. But what is there is still strangely empty; and that, in the end, is due to the absence of both Spielberg and Hooper in the basic involvement of things.