No início da Terceira Guerra Mundial, um homem procura uma maneira de restaurar a paz no mundo e descobre que deve dar algo em troca.No início da Terceira Guerra Mundial, um homem procura uma maneira de restaurar a paz no mundo e descobre que deve dar algo em troca.No início da Terceira Guerra Mundial, um homem procura uma maneira de restaurar a paz no mundo e descobre que deve dar algo em troca.
- Direção
- Roteirista
- Artistas
- Ganhou 1 prêmio BAFTA
- 9 vitórias e 3 indicações no total
Guðrún Gísladóttir
- Maria
- (as Guðrún S. Gísladóttir)
Avaliações em destaque
It is difficult to find words expressive enough for Tarkovsky's final--and perhaps greatest--work. One could briefly explain some of the plot, but that would mean nothing. This is a film that speaks of terror, of faith, and above all, of binding promises. An intellectual, living in a remote and beautiful cottage is celebrating his birthday with friends and family--when war is announced. Promises of life, and of death are the main premise of the film, and one cannot walk away from it. This is the sort of film that terrifies, ensnares, and draws you in, so that no matter what the moment, you cannot rip yourself away. Filmed with supreme skill and incredible beauty (every separate shot is breathtaking), this is a film that forces you to look at your life, your premises, and your entire evaluation of existence.
The question of liking or disliking this film is unimportant. Undoubtedly there will be people who will dislike it. But the one thing that is indeed impossible, is to remain indifferent to it.
The question of liking or disliking this film is unimportant. Undoubtedly there will be people who will dislike it. But the one thing that is indeed impossible, is to remain indifferent to it.
This is a mind-blowing film that is very hard to say something about but I will try my best:
First of all I would like to write something about the cinematography.Sven Nykvist is of course one of the best cinematographer´s of all times and this film is so fantastic beautifully filmed.I must say that I got lost in the film sometimes and did not understood what was going on but still I tried.The best in the film is before the "war" has started.A very dark allegory over the society.
I think it´s good-but still very though and hard to understand-and I recommend it but only for people who can see this sort of things.I actually got a bit depressed of this film.
It´s very hard to describe "The Sacrifice" and I have tried my best but you must see it for yourself to understand and maybe appreciate it.
First of all I would like to write something about the cinematography.Sven Nykvist is of course one of the best cinematographer´s of all times and this film is so fantastic beautifully filmed.I must say that I got lost in the film sometimes and did not understood what was going on but still I tried.The best in the film is before the "war" has started.A very dark allegory over the society.
I think it´s good-but still very though and hard to understand-and I recommend it but only for people who can see this sort of things.I actually got a bit depressed of this film.
It´s very hard to describe "The Sacrifice" and I have tried my best but you must see it for yourself to understand and maybe appreciate it.
This is a spare and haunting work that weaves its spell slowly yet powerfully. Every shot is framed with loving care, and Tarkovsky allows the camera to remain fixed on a scene as events unfold. It's perhaps the most beautifully photographed film I've ever seen. There's very little music during the course of the movie, yet subtle, mysterious sounds contribute to an overall feeling of mystery and foreboding. The acting and dialogue are no doubt greatly influenced by the work of Bergman. Perhaps the film is a kind of homage to him.
This is definitely not a popcorn movie, nor one to see on a first date. I recommend you see it when you're not distracted or impatient - when you can be fully present and mindful as events develop at an unhurried, organic, human pace. The cumulative effect is devastating, yet somehow wonderfully cathartic.
This is definitely not a popcorn movie, nor one to see on a first date. I recommend you see it when you're not distracted or impatient - when you can be fully present and mindful as events develop at an unhurried, organic, human pace. The cumulative effect is devastating, yet somehow wonderfully cathartic.
Andrei Tarkovsky was without a doubt one of the genuine artist working in the cinema. With films such as "Andrei Rublev", "Solaris", "Mirror", Stalker" and "Nostalghia", Tarkovsky enriched the world with powerful works for art. "Sacrifice" was his final film, made while Tarkovsky was dying of cancer. The story concerns an elderly academic who lives with his family in a rural part of Sweden. When he learns that about an imminent nuclear war, he makes a desperate pact with God. The film is astonishingly beautiful, like all Tarkovsky's films. Images of nature, water and fire feature prominently, as does the shifting from colour images to black and white.
It is important to remember that Tarkovsky is not a very accessible film-maker, and his films make great demands on viewer's patience and attention, but if you are willing to make the effort you will be rewarded by an unforgettable experience.
It is important to remember that Tarkovsky is not a very accessible film-maker, and his films make great demands on viewer's patience and attention, but if you are willing to make the effort you will be rewarded by an unforgettable experience.
Behold, a torrential spew of superlatives; "Sacrifice captivates the heart." "Sacrifice stirs the soul" "Sacrifice devastates as well as it rehabilitates"....you get my drift...
An almost mythic blend of haunting imagery, rich audio cues and astounding performances, this masterwork of introspection spins a sublime poem on the conundrums of faith, unconditional love, the nature of reality and the very meaning of sacrifice. I cannot help but be moved me truly, madly, deeply.
By the time a boy rests by a lonesome tree, I realized few films will come close to injecting me with such revelatory euphoria. The Sacrifice shall be as close a religious epiphany as this "sinner" is ever gonna get. Sigh...
An almost mythic blend of haunting imagery, rich audio cues and astounding performances, this masterwork of introspection spins a sublime poem on the conundrums of faith, unconditional love, the nature of reality and the very meaning of sacrifice. I cannot help but be moved me truly, madly, deeply.
By the time a boy rests by a lonesome tree, I realized few films will come close to injecting me with such revelatory euphoria. The Sacrifice shall be as close a religious epiphany as this "sinner" is ever gonna get. Sigh...
Você sabia?
- CuriosidadesThe cottage that is set on fire in the final scenes was specifically rigged to burn out within about eight minutes. Despite objections from director of photography Sven Nykvist, director Andrei Tarkovsky insisted that only one camera be used. During the first take, as the cottage burnt down, the film jammed in the camera, and the crew could not reload it in time. Therefore, the house had to be reconstructed at great expense over two weeks, and burnt a second time, but with two cameras this time. The shot ends abruptly after almost 7 minutes because the camera had run through the entire reel. Cast and crew broke down in tears after the take was completed.
- Cenas durante ou pós-créditosJust before the film ends (in Swedish): "This film is dedicated to my son Andriosha - with hope and confidence. Andrei Tarkovskij"
- ConexõesEdited into Melancolia de Moscou (1990)
- Trilhas sonorasMatthäus-Passion: Erbarme Dich
Music by Johann Sebastian Bach
Conducted by Wolfgang Gönnenwein
Sung by Julia Hamari
EMI-Electrola GmbH LC 0233
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- Faturamento bruto nos EUA e Canadá
- US$ 222.564
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.696
- 22 de out. de 2017
- Faturamento bruto mundial
- US$ 318.139
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