Nada em Comum

Tom Hanks had been around for a few years before "Nothing in Common", but it was this film that really showed how great he could be as an actor. He stars as a high-class advertising executive whose life is turned upside down when his elderly parents (Jackie Gleason and Eva Marie Saint) get divorced. While Saint adjusts and becomes happy with her life, it seems that Gleason just becomes more angry. On top of this, his health quickly worsens. While Hanks is working with Barry Corbin and daughter Sela Ward on a big advertising deal, it seems that Gleason's diabetic condition is becoming a real problem. Gleason has basically upset everyone so much that everyone has given up on him and do not even know about his condition. Hanks proves to be the only one that Gleason can count on in the end. The relationship between Hanks and Gleason makes "Nothing in Common" a somewhat forgotten treasure from the 1980s. Tom Hanks proved that he could handle delicate material and even mix it with smart comedy. All the players are great as well. Along with all the aforementioned actors, Hector Elizondo and Bess Armstrong do good work as well. The screenplay is solid and the direction is focused throughout. 4 stars out of 5.

NOTHING IN COMMON (1986) ***1/2 Tom Hanks, Jackie Gleason, Hector Elizondo, Eva Marie Saint, Sela Ward, Bess Armstrong, Barry Corbin. Garry Marshall's winning serious comedy about ad exec Yuppie Hanks who faces the inevitable: caring for his at odds parents including separations, ageism and finally acceptance. Warm and slyly comic turn by Hanks with some great moments. Armstrong is adorable and Ward is sexy (just needed to state this for no other apparent reason). Best moment: Hanks telling off bullying client Corbin.

David Basner (Tom Hanks) is a lovable cocky successful Chicago ad exec who just got promoted returning from vacation. He wants his boss Charlie Gargas (Hector Elizondo) to make him partner. Then his mother (Eva Marie Saint) leaves his father (Jackie Gleason). He must shuttle between his stubborn crass father, and his mother who is happy with her new found freedom. Donna Mildred Martin (Bess Armstrong) is his best friend and high school sweethearts. He is trying to land a big airline account and uses his charm on the owner Andrew Woolridge (Barry Corbin). He sleeps with the media director Cheryl Ann Wayne (Sela Ward) who turns out to be Woolridge's daughter. His father does nothing but complains and is struggling. Then he gets fired from his salesman job.

This movie tries too hard to be jokey. Director Garry Marshall is allowing Hanks to clown around a little too much. The broad comedy doesn't quite fit seeing how he's suppose to be a professional sweet talking the client. He is playing strictly as a wild creative ad exec who jokes around. The broad jokes don't fit either when the movie tries to move into more serious territories. The serious stuff has a bit more heft and that's due to genius of Jackie Gleason. He and Hanks have pretty good chemistry. I also have a minor problem with the over-use of montages to drive the story forward. It's lazy writing.

This is the movie that convinced me that Tom Hanks would go on one day to be an Oscar winning actor. In his last screen appearance, "the great one" Jackie Gleason is perfect as the father who becomes a thorn in his son's side. With his career in the advertising business going very well, Hanks is forced to care for his seriously ill father when he can as his parents (Oscar winner Eva Marie Saint is his mother) go through a divorce after 35 years together.

There are some hilarious jabs at some of the immoral politics contained within the corporate world. Bess Armstrong, Sela Ward and Hector Elizondo are all excellent in supporting roles.

The story line is pretty straight forward, and the production was good, especially considering the 80's style of movie making. But Tom carries the movie, with his now-classic mix of rapier wit, sarcasm, and charming humor.

Tom play David Basner, a talented, slightly arrogant Chicago ad-exec whose parents just split after 50+ years of marriage. Though he has left "the nest" and views his parents as a necessary evil to be dealt with as little as possible, he finds himself providing ever-increasing support to each parent, all the while discovering the frailty and human side of each of them, and discovering what his priorities should be.

A definite watch