Nada em Comum

Someone mentioned about last night, which they also hated, well its the opposite for me. I was around the ages of the main characters when both these came out and liked both of them. In this movie, you sorta see the early goofy (but very Funny) Tom Hanks doing his transition to the more serious Hanks as the movie goes on. And pretty much was his last real comedy role. Hanks does his usual funny shtick and it works well. And Gleason is great, and sad as an aging ex great sales rep, trying to hang on to his cust. as a changing world leaves him without a place. And the divorce of Hanks Parents thrown in sorta makes this a bittersweet comedy. Overall, its a good movie.

The film begins with a barrage of wit from Tom Hanks as an adman whose business is creativity. And indeed why should he not be witty? But then we meet his father, who is on his way to dying the death of a salesman, and his father is just as brilliantly witty. The lines just aren't lines that ordinary people could come up with. Everyone is a little too quick with the comedy, and when the comedy pauses, everyone is a little too quick to come up with the deep but gracefully phrased emotional revelations. And yet the movie is long; though most of the large cast of characters is quite undeveloped, still the script has a mighty load of relationships: Hanks with his father, Hanks with his mother (not so much), Hanks with two different girlfriends, the father with the mother, Hanks with his boss, and Hanks with the big client. The big client is perhaps the worst: the stereotype of the big blowhard who is charmed when you call him a big blowhard to his face.

I think there were two movies here: the one about the workplace, with a little subplot about the father; and the one about the father, with a little subplot about the workplace. I suspect, with no huge evidence, that someone had an emotional investment in not leaving material out. Some of the details have the ring of autobiography.

Several big talents appear in the movie: not only Jackie Gleason, Tom Hanks, and Eva Marie Saint but also Hector Elizondo and, in a tiny role, Dan Castellaneta. Nobody does anything here that he hasn't done better elsewhere, but still it's good to see them all.

David Basner (Tom Hanks) is a lovable cocky successful Chicago ad exec who just got promoted returning from vacation. He wants his boss Charlie Gargas (Hector Elizondo) to make him partner. Then his mother (Eva Marie Saint) leaves his father (Jackie Gleason). He must shuttle between his stubborn crass father, and his mother who is happy with her new found freedom. Donna Mildred Martin (Bess Armstrong) is his best friend and high school sweethearts. He is trying to land a big airline account and uses his charm on the owner Andrew Woolridge (Barry Corbin). He sleeps with the media director Cheryl Ann Wayne (Sela Ward) who turns out to be Woolridge's daughter. His father does nothing but complains and is struggling. Then he gets fired from his salesman job.

This movie tries too hard to be jokey. Director Garry Marshall is allowing Hanks to clown around a little too much. The broad comedy doesn't quite fit seeing how he's suppose to be a professional sweet talking the client. He is playing strictly as a wild creative ad exec who jokes around. The broad jokes don't fit either when the movie tries to move into more serious territories. The serious stuff has a bit more heft and that's due to genius of Jackie Gleason. He and Hanks have pretty good chemistry. I also have a minor problem with the over-use of montages to drive the story forward. It's lazy writing.

This is the movie that convinced me that Tom Hanks would go on one day to be an Oscar winning actor. In his last screen appearance, "the great one" Jackie Gleason is perfect as the father who becomes a thorn in his son's side. With his career in the advertising business going very well, Hanks is forced to care for his seriously ill father when he can as his parents (Oscar winner Eva Marie Saint is his mother) go through a divorce after 35 years together.

There are some hilarious jabs at some of the immoral politics contained within the corporate world. Bess Armstrong, Sela Ward and Hector Elizondo are all excellent in supporting roles.

NOTHING IN COMMON was a smart and sentimental comedy drama that offered a pre-Oscar'ed Tom Hanks one of his best earlier roles. Hanks plays David Basner, an advertising executive whose lightning-quick advancement at his company becomes hampered when has to start taking care of his father (Jackie Gleason, in his final film role)who has become completely helpless after his wife (Eva Maria Saint) has left him. This comedy takes some pointed and effective jabs at the advertising industry and still manages to be a warm family story as well. Hanks beautifully walks a fine line between comedy and drama in one of his better and nearly forgotten performances. Gleason is abrasive as the dad, but Saint is lovely as the mom. Sela Ward, Bess Armstrong, and Barry Corbin are also effective in supporting roles and the ending has been known to produce a few tears. An intelligent and heartwarming look at the choices that we sometimes have to make regarding career and family.