AVALIAÇÃO DA IMDb
6,2/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaHercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produce... Ler tudoHercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produces another corpse.Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produces another corpse.
- Indicado para 1 Primetime Emmy
- 1 indicação no total
Pedro Armendáriz Jr.
- Col. Mateo
- (as Pedro Armendariz)
Ángeles González
- Housekeeper
- (as Angeles Gonzalez)
Claudia Guzmán
- Rosa
- (as Claudia Guzman)
Rodolfo Hernández
- Miguel
- (as Rodolfo Hernandez)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Murder In Three Acts certainly isn't terrible, but compared to Death On the Nile and Evil under The Sun, it has a certain blandness to it. That I can understand because it is a TV film, so would be limited in budget in comparison. There is some lavish scenery, costumes and locations, and the acting is good on the whole. Peter Ustinov certainly seems to be enjoying himself as the dapper detective, while Tony Curtis, Lisa Eichlorn and Emma Samms give able support. Jonathan Cecil is wonderfully naive as Hastings as well. However despite a good cast, and the lovely production values, the film does have a number of failings. One was the script, badly underdeveloped in places, and bore little resemblance to the book, which is brilliant by the way, I suggest you read it. There are numerous plot changes too, even characters's names were changed, Hermione Lytton Gore's name was changed to Jennifer for some obscure reason, and Bartholemew Strange's portrayal wasn't at all what I imagined. And I did think the murders were clumsily handled. However, there are a number of redeeming qualities, it is very entertaining and enjoyable, but isn't like the book. 7/10 Bethany Cox
This is a fine movie. Watching Peter Ustinov play Poirot is always a treat. The dialogue between him and Hastings provides adequate humor. And the Agatha Christie whodunit puzzle is fairly good.
The film suffers though when compared to two previous Ustinov films: "Death On The Nile", and "Evil Under The Sun", both of which were grand and stately big-budget theatrical productions. By contrast, "Murder In Three Acts" is a made-for-TV movie, and therefore seems small and cheap. The scenery, the music, and the casting cannot compete.
Further, the suspects in "Murder In Three Acts" seem too "normal"; there are no really eccentric characters. The women especially seem bland and undifferentiated.
Still, if you can avoid the temptation to compare this film to other Hercule Poirot films, as well as Christie's source novel, the movie "Murder In Three Acts" is still entertaining.
The film suffers though when compared to two previous Ustinov films: "Death On The Nile", and "Evil Under The Sun", both of which were grand and stately big-budget theatrical productions. By contrast, "Murder In Three Acts" is a made-for-TV movie, and therefore seems small and cheap. The scenery, the music, and the casting cannot compete.
Further, the suspects in "Murder In Three Acts" seem too "normal"; there are no really eccentric characters. The women especially seem bland and undifferentiated.
Still, if you can avoid the temptation to compare this film to other Hercule Poirot films, as well as Christie's source novel, the movie "Murder In Three Acts" is still entertaining.
Having read all of the Agatha Christie books, I have to say that David Suchet was the ultimate Hercule Poirot as written by Agatha Christie. But my favorite Poirot, having nothing whatsoever to do with either Poirot or what Ms. Christie wrote, is Peter Ustinov. It always reminds me of what someone once said about Zero Mostel in "Fiddler on the Roof" - "He's fabulous...but what he does has nothing to do with Fiddler." Ustinov is a sheer delight in every way - he's funny, he's charming, he's warm, he's relaxed - all things that, frankly, Agatha's Hercule just wasn't.
"Murder in Three Acts" is a slapped together TV movie without the usual star power except for Tony Curtis and several TV actors - the gorgeous Emma Samms, who was a big TV star in the '80s, Diana Muldaur, Concetta Tomei, Dana Elcar, Nicholas Pryor, and several others. The characters have been Americanized, and though set in Acapulco, aside from a few exterior shots, you don't get much atmosphere.
Though the story is very interesting (it is, after all, based on an Agatha Christie novel), the production has a certain blandness to it. You know there's a problem when Diana Muldaur announces that she and the Tony Curtis character did "Private Lives" together. Now, I happen to be very fond of Tony Curtis - I did research for his autobiography, he's on the cover of a book I wrote, I found him a very charming man - but come on, PRIVATE LIVES? With that New York accent? I don't think so. He does, however, look really fabulous, and if you watch the scenes in his house carefully, you'll catch some fantastic photos of him on the wall.
It's an okay way to pass the time, and the plot is intriguing, Tony's Tony, Emma's beautiful and sexy, Nicholas Pryor is funny, and Ustinov is - well, he's Poirot even if he's not what Dame Agatha had in mind.
"Murder in Three Acts" is a slapped together TV movie without the usual star power except for Tony Curtis and several TV actors - the gorgeous Emma Samms, who was a big TV star in the '80s, Diana Muldaur, Concetta Tomei, Dana Elcar, Nicholas Pryor, and several others. The characters have been Americanized, and though set in Acapulco, aside from a few exterior shots, you don't get much atmosphere.
Though the story is very interesting (it is, after all, based on an Agatha Christie novel), the production has a certain blandness to it. You know there's a problem when Diana Muldaur announces that she and the Tony Curtis character did "Private Lives" together. Now, I happen to be very fond of Tony Curtis - I did research for his autobiography, he's on the cover of a book I wrote, I found him a very charming man - but come on, PRIVATE LIVES? With that New York accent? I don't think so. He does, however, look really fabulous, and if you watch the scenes in his house carefully, you'll catch some fantastic photos of him on the wall.
It's an okay way to pass the time, and the plot is intriguing, Tony's Tony, Emma's beautiful and sexy, Nicholas Pryor is funny, and Ustinov is - well, he's Poirot even if he's not what Dame Agatha had in mind.
"Murder in Three Acts" starts off rather poorly: the updating of the action to the 80's takes some getting used to, Hastings is portrayed as too much of a buffoon, and even Peter Ustinov himself seems to be hamming it up a bit too much in his first scenes. However, he gets more serious later on, and his climactic verbal reconstruction of the crimes is as delightful as ever - I just love the way he emphasizes certain words. The plot itself is quite clever - it begins with an apparently motiveless murder that turns out to be part of a grander scheme. For a TV movie, "Murder in Three Acts" has rather high production values: the Acapulco locations are beautiful, the houses and the hotels are lavish. But the cast cannot compare with those of Ustinov's theatrical Poirot outings, and most of the characters are very poorly defined. Still, if you are a mystery fan, this one is just about worth having in your collection. (**1/2)
I cannot say the same about this film. Poirot dotters about...Hastings is a wimp! Quite frankly, the whole thing put me to sleep. Read the book instead.
Você sabia?
- CuriosidadesOriginally published under the title "Three Act Tragedy" in 1934.
- Erros de gravaçãoIn the end of the movie as Poirot is explaining how the police will prove the murderer crossed into Mexico from the US he states they can prove when he crossed the border by using his passport. At the time this movie was made Americans could enter Mexico without a passport. You only had to show proof of valid US citizenship (US driver's license, I. D. card, or birth certificate) and there was no record of you entering or leaving Mexico.
- Citações
Hercule Poirot: Porot is only on the side of one thing... and that is the truth.
- ConexõesFollowed by Encontro Marcado com a Morte (1988)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente