My Chauffeur

Quite possibly the best film ever made! Okay, maybe i'm exaggerating but it's a really fun film filled with wacky characters and that distinct LA 80's feel.

What sets this film apart is the dynamic lead performance by Deborah Foreman (where have you gone, Debbie?) In terms of comic timing and just being so damn adorable she rivals Katherine Hepburn in Bringing Up Baby (a film which My Chauffeur most resembles)

David Baierd's direction keeps things brisk and light yet there are demented touches here and there which give the film a unique off-balanced vibe.

Check this film out if you can and expect a pleasant surprise. I'll re-watch it again and again and have a blast each and every time.

The lovely lady was one of the brightest stars of the 1980s, bringing an irresistible presence to such other favourites as "Valley Girl", "April Fool's Day", and "Waxwork". Here she shines as Casey Meadows, a kooky free spirit hired by a limousine company. Unfortunately, she's not welcomed with open arms as the place is staffed almost exclusively by miserable, stuffy chauvinists. They do everything that they can to discourage her, including giving her the problem clients, such as an outrageous rock star. However, Casey finds that her most problematic client will be Battle (Sam Jones of the 1980 "Flash Gordon" movie), whose identity is going to come as a surprise to her. "My Chauffeur" is certainly very likable stuff. It goes far on the charms of Foreman, and while it gets very silly at times, it's nice that writer / director David Beaird gives it such a screwy quality, while toning down the kind of raunchiness to be found in many other comedies of the period. (That said, it's still an utter riot to see a drunken Jones run around nearly naked!) Among the memorable sequences are the extended episode with Penn & Teller (making their feature film debut) as Teller plays a sheik and Penn a fast talking con man, and the episode where the nutty rock singer Catfight (Leland Crooke) robs a "blue lady" (Diana Bellamy) of her panties as part of an ongoing game with his background singers. And Casey and Battle bicker a lot on their way to falling in love. The movie is very much of its time, with a catchy pop soundtrack as accompaniment. The supporting cast is very solid, with Howard Hesseman, Julius Harris, Laurie Main, and John O'Leary as some of the sour old chauvinist pigs; veterans Sean McClory, as O'Brien, and E.G. Marshall, as Witherspoon, are particularly endearing and effective. The pacing drags in places, but overall this is a very hard movie not to like, creating some good vibes for a pleasant enough 98 minutes. Seven out of 10.

One of several 80s comedies that reminds me of the old screwball classics of the 30s and 40s updated to the modern day with nudity and swearing. Deborah Foreman is a likable lead who gets good support from vets like Sean McClory, E.G. Marshall, and Howard Hesseman. Penn and Teller are less obnoxious than usual in their film debuts. Sam Jones plays arguably the most divisive character for modern viewers. I won't say why; you'll figure it out. Perhaps the most memorable part of the movie for many is the crazy rocker Catfight, played by Leland Crooke. He has the movie's most memorable line ("I want them panties!"). He was actually the one part of this I remembered in the thirty plus years or so gap between viewings. Nice soundtrack of songs by the band The Wigs. Never heard of them before but they did good work here. There's also a lovely violin piece that's used frequently. It almost seems out of place for a comedy but it really elevates the film.

I saw this movie as a kid many times on VHS. Then it seemed to vanish from my mind for decades until I rediscovered it. This is a real hidden gem for people of my generation and the younger set that still has a sense of humor. It's a fun movie that would probably be considered offensive to today's audience. But then again what isn't?

A woman is hired as a chauffeur for a limousine company. Her appointment causes all manner of perturbation and despair in the chauvinistic environs of this male-only club. Much to her male colleagues annoyance, she pretty much immediately makes a good impression with their clients though and gets involved with a relationship with a hard-nosed businessman who hires her as a driver. As is the way of these films, they start out getting on very badly but as time progresses a love affair emerges and the businessman learns from the error of his ways.

This 80's effort is overall pretty good fun. It's hardly going to blow your mind with its originality or anything though, as it is in essence a formulaic romantic comedy. But it has a very likable performance from Deborah Foreman underpinning it. She elevates the material up a notch or two. Appearing alongside her is Sam J. Jones, surely best known for his starring role in the earlier movie Flash Gordon (1980). There is also the first cinematic appearance of Penn and Teller, as a couple of oddballs who Foreman picks up latterly in the story. And we also have some very 80's music performed by the never popular new wave band, The Wigs. All-in-all, this is not bad for a low budget 80's comedy, it's corny but gets by on a reasonable amount of charm.

This is a light-hearted, cute movie about a girl whose father works in a snobby, stuffy chauffeur company. Things quickly change as she joins, turns the company inside out, and falls in love with one of the customers.

Okay, so it's not THE best movie, but most people should like it. I give it a B+. It's got some good jokes, one-liners and a reasonable plot.