My Chauffeur

"My Chauffeur" is a charming and often overlooked comedy gem from the 1980s, and at its core is the talented Deborah Foreman, whose performance shines as brightly as the film itself. This quirky and lighthearted romantic comedy is the perfect vehicle for her talents, and it's a delightful trip down memory lane for fans of '80s cinema.

Foreman plays the role of Casey Meadows, a young woman who stumbles into a job as a chauffeur, navigating the eccentric world of her wealthy and often demanding clients. Her portrayal of Casey is a delightful blend of naivety and determination. Foreman infuses the character with a natural and endearing charm, making her instantly relatable and lovable. She brings a unique blend of innocence and tenacity to the character that is both humorous and heartwarming.

The film's premise, while seemingly simple, allows Foreman's comedic timing and charisma to shine. As Casey takes on the chauffeur role and encounters a host of zany characters and humorous situations, Foreman's impeccable delivery and infectious energy keep the audience engaged and amused throughout. Her interactions with her various passengers, including the stuffy but endearing Mr. Witherspoon and the mischievous old ladies, are a true comedic highlight.

The supporting cast complements Foreman's performance beautifully, adding depth to the humor and heart of the story. The script, while light-hearted and whimsical, is full of witty one-liners and clever humor, and the film strikes a perfect balance between comedy and romance. The pacing keeps the story moving, and the soundtrack featuring '80s pop hits adds to the nostalgic charm of the film.

"My Chauffeur" captures the essence of the 1980s, with its fashion, music, and humor, making it a time capsule of the era. For those who appreciate the era's cinematic offerings, this movie is a nostalgic treasure trove.

In conclusion, "My Chauffeur" is a delightful comedy that stands the test of time, largely thanks to the engaging and charismatic performance of Deborah Foreman. Her portrayal of Casey Meadows is a testament to her comedic talents, and her ability to infuse the character with both humor and heart is commendable. If you're in the mood for a lighthearted and amusing trip back to the '80s, this film, along with Deborah Foreman's shining performance, is an excellent choice. Buckle up for a fun ride with Casey, and you won't be disappointed!

Quite possibly the best film ever made! Okay, maybe i'm exaggerating but it's a really fun film filled with wacky characters and that distinct LA 80's feel.

What sets this film apart is the dynamic lead performance by Deborah Foreman (where have you gone, Debbie?) In terms of comic timing and just being so damn adorable she rivals Katherine Hepburn in Bringing Up Baby (a film which My Chauffeur most resembles)

David Baierd's direction keeps things brisk and light yet there are demented touches here and there which give the film a unique off-balanced vibe.

Check this film out if you can and expect a pleasant surprise. I'll re-watch it again and again and have a blast each and every time.

This is a light-hearted, cute movie about a girl whose father works in a snobby, stuffy chauffeur company. Things quickly change as she joins, turns the company inside out, and falls in love with one of the customers.

Okay, so it's not THE best movie, but most people should like it. I give it a B+. It's got some good jokes, one-liners and a reasonable plot.

The lovely lady was one of the brightest stars of the 1980s, bringing an irresistible presence to such other favourites as "Valley Girl", "April Fool's Day", and "Waxwork". Here she shines as Casey Meadows, a kooky free spirit hired by a limousine company. Unfortunately, she's not welcomed with open arms as the place is staffed almost exclusively by miserable, stuffy chauvinists. They do everything that they can to discourage her, including giving her the problem clients, such as an outrageous rock star. However, Casey finds that her most problematic client will be Battle (Sam Jones of the 1980 "Flash Gordon" movie), whose identity is going to come as a surprise to her. "My Chauffeur" is certainly very likable stuff. It goes far on the charms of Foreman, and while it gets very silly at times, it's nice that writer / director David Beaird gives it such a screwy quality, while toning down the kind of raunchiness to be found in many other comedies of the period. (That said, it's still an utter riot to see a drunken Jones run around nearly naked!) Among the memorable sequences are the extended episode with Penn & Teller (making their feature film debut) as Teller plays a sheik and Penn a fast talking con man, and the episode where the nutty rock singer Catfight (Leland Crooke) robs a "blue lady" (Diana Bellamy) of her panties as part of an ongoing game with his background singers. And Casey and Battle bicker a lot on their way to falling in love. The movie is very much of its time, with a catchy pop soundtrack as accompaniment. The supporting cast is very solid, with Howard Hesseman, Julius Harris, Laurie Main, and John O'Leary as some of the sour old chauvinist pigs; veterans Sean McClory, as O'Brien, and E.G. Marshall, as Witherspoon, are particularly endearing and effective. The pacing drags in places, but overall this is a very hard movie not to like, creating some good vibes for a pleasant enough 98 minutes. Seven out of 10.

Free-spirit, fast-talking Casey Meadows (Deborah Foreman) works as a lowly dishwasher. She receives a letter from wealthy benefactor Witherspoon (E.G. Marshall) hiring her as a new driver for Brentwood Limousine. Supervisor McBride (Howard Hesseman) is horrified by the change in the stuffy all-male operation. Ruthless business Battle (Sam J. Jones) is one of her clients and he gets dumped by his girlfriend.

This is a fun 80's flick. Deborah Foreman was an 80's IT girl. She is adorable doing this wide-eyed, open-hearted character. Penn and Teller do a memorable hustler and Arab sheikh combo. The drawback is mainly Sam Jones. He's not a good enough actor to dig deeper into his character but he's mostly fine. He needs to be a romantic lead but he's more of a linebacker or a villain henchman. The writing is passable for an 80's comedy. The material is elevated whenever Foreman gets to deliver a fun line.