AVALIAÇÃO DA IMDb
7,3/10
20 mil
SUA AVALIAÇÃO
Um homem recentemente solto da prisão consegue um emprego conduzindo uma garota de programa de cliente a cliente.Um homem recentemente solto da prisão consegue um emprego conduzindo uma garota de programa de cliente a cliente.Um homem recentemente solto da prisão consegue um emprego conduzindo uma garota de programa de cliente a cliente.
- Indicado a 1 Oscar
- 14 vitórias e 14 indicações no total
Joseph Karimbeik
- Raschid
- (as Hossein Karimbeik)
John R. Darling
- Hotel Security
- (as John Darling)
Raad Rawi
- Arab Servant
- (as Raad Raawi)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Mona Lisa" is a moving and memorable combination of the British crime film and the character study, produced by George Harrison's company Handmade Films, and serves as a showcase for some very impressive performances. Top billed Bob Hoskins, in particular, in his Best Actor Academy Award nominated performance, is the person we follow through a convincing depiction of the seamy underbelly of London, a land populated by pimps, prostitutes, and mobsters such as the nasty Mortwell, played by Michael Caine. Hoskins's George is a low level mob member getting out of prison after spending seven years there, emerging into a world unfamiliar to him. He's given the initially thankless task of acting as chauffeur for high class prostitute Simone, played by the lovely and amazing Cathy Tyson. But before very long, they start warming up to each other, and the balance of the movie charts their evolving relationship. Ultimately George decides to do Cathy a favour by finding a long lost acquaintance of hers, but this leads to less than ideal circumstances for all involved. Director Neil Jordan, who co-wrote the screenplay with David Leland, has created a compelling if deliberately paced drama that's much more character driven than action oriented, although there are some brief bursts of violence here and there. The film also has quite the sense of humour at times, much of it coming from the engaging Robbie Coltrane as George's good friend Thomas. Thomas likes to create art using plastic spaghetti (!), and there is a nice light touch brought to all scenes with Hoskins and Coltrane, which prevents this story from ever being too much of a downer, although for the most part "Mona Lisa" is grim and gritty stuff, with fairy tale and film noir elements emphasized. By the end, George realizes how much he's been manipulated by his femme fatale Simone. Jordan completely pulls us into this vivid environment, and gets nice supporting performances from Kate Hardie as Cathy, Zoe Nathenson as Jeannie, and Sammi Davis as May, as well as a sufficiently slimy portrayal by Clarke Peters ('The Wire') as vicious pimp Anderson. (Trivia note: look for Kenny Baker, always to be best known as R2-D2 in the "Star Wars" franchise, as a boardwalk busker.) Fine music by Michael Kamen is a plus, as well as soundtrack selections including Nat King Cole's performances of "When I Fall in Love" and the title tune. Worth seeing for fans of the crime film and of the cast & crew, "Mona Lisa" is potent entertainment. Eight out of 10.
This film is one of the best to have come out of Britain in the 1980's. Produced by Handmade Films, George Harrison's company, the film won several BAFTA awards and deservedly so. The film deals with an ex-con named George, played by Bob Hoskins who gives a fantastic performance, who is given a job by his old boss, Mortwell, as played by Michael Cain (another fantastic performance). George is now the chauffeur for a high-class prostitute and the story revolves around her educating him on the finer cuts of life with the result of him falling in love with her. It's a powerful film, showing the gritty side of the London underworld and it cannot go wrong with two of the best ever performances from the masters - Bob Hoskins and Michael Caine. These two men know how to play these roles. A true lesson for any actor.
Mona Lisa is a classic 80s low budget thriller that combines raw power with an emotional storyline resulting in an acting masterclass from a virtually faultless cast. Bob Hoskins is mesmerising from the very opening seconds of the film, playing lonely naive chancer George. He has just been released from prison after 7 years for taking the rap for a crime committed by local gangland boss Denny Mortwell (Michael Caine). Caine soon gets George back on the payroll, as an exclusive chauffeur for high class call girl Simone (Cathy Tyson). But George helplessly falls for Simone and gets sucked into her secret agenda for trawling London's seedy underworld - mainly prostitution. The film is a masterpiece from director Neil Jordan - easily his best work to date and has never been bettered - and the cast benefit greatly from an impeccable script. Jordan's ear for dialogue is never more evident than here - especially in Geroge's conversations with his only true friend Thomas (Robbie Coltrane). Anyone who thought Hoskins couldn't better his performance in The Long Good Friday in 1979 should take a look at this. He is simply astonishing and your eyes never leave a single scene he is in. But no review would be complete without paying tribute equally to the unearthed gem that is Cathy Tyson. Bearing in mind she was barely 20 when this movie was shot, she is incredible opposite Hoskins and whilst she has had more of a TV career since, it is surprising (and perhaps a shame) that she has never had perhaps the vehicle or opportunity to scale such heights again. However, Kate Hardie is also deserving of special mention as a fellow hooker, and her great portrayal in this movie has shamefully been totally overlooked over the years. Caine's cameo appearance is also menacingly good, and he plays the seedy villain with chilling ease. Throw in the great location work around London's Soho and Brighton, and a great tune from Genesis, and you get a presentation every bit as high class as Tyson's Simone is meant to be.
After seeing Hoskins in "The Long Good Friday", I was eager to catch another one of his highly celebrated performances. Filling in a similar role as an ex-con looking for work in 1980s London, I found his relationship with a call-girl to be highly effective in the character's exploration of a world he is simultaneously out of touch, but all too familiar with. It is a story that moves along leisurely, as he is soon employed by his employer's worker to find a vulnerable young girl on the streets, and it is here that the film offers a disparaging outlook on urban prostitution, through the annals of both high and low society. Hoskin's character becomes embroiled in an emotional investment beyond his control, and like any Noir protagonist, is very soon out of his league and receiving the short end of the stick.
The ending revelation is effective, but slightly underwhelming when one realizes that his journey was doomed from the beginning, but this kind of set up is to be expected from these sorts of tales. The character development and progression between lead actor and actress is simple, but highly effective.
The cinematography comes across as drab sometimes, but there are many beautiful moments in this film with some detailed choreography and impressive lighting of seedy, smoke filled interiors as Hoskins navigates the Londonian labyrinths.
The ending does feel slightly rushed, but there are so many great moments, and the film has a lot of untold backstory that gives its characters a lot of depth and very realistic insight into human longing. This is a great example of effective exposition that is relayed naturally and not a distraction or disservice to the film. A few choppy moments, but overall 'Mona Lisa' is more than the sum of its parts, and is an entertaining and atmospheric indie flick from Neil Jordan.
The ending revelation is effective, but slightly underwhelming when one realizes that his journey was doomed from the beginning, but this kind of set up is to be expected from these sorts of tales. The character development and progression between lead actor and actress is simple, but highly effective.
The cinematography comes across as drab sometimes, but there are many beautiful moments in this film with some detailed choreography and impressive lighting of seedy, smoke filled interiors as Hoskins navigates the Londonian labyrinths.
The ending does feel slightly rushed, but there are so many great moments, and the film has a lot of untold backstory that gives its characters a lot of depth and very realistic insight into human longing. This is a great example of effective exposition that is relayed naturally and not a distraction or disservice to the film. A few choppy moments, but overall 'Mona Lisa' is more than the sum of its parts, and is an entertaining and atmospheric indie flick from Neil Jordan.
After serving seven years in prison, the smalltime criminal George (Bob Hoskins) is released. He seeks out his daughter but his ex-wife does not allow him to talk to her. His friend Thomas (Robbie Coltrane) meets George and gives his Jaguar that he kept for him. George is impressed with the changing in the neighborhood while Thomas explains the new reality. George is hired by his former boss Mortwell (Michael Caine) to work as the driver and bodyguard of the high-class call girl Simone (Cathy Tyson). In the beginning, George is misfit for the position and does not get along with Simone; but gradually he befriends and falls in unrequited love with her. Simone looks for someone on the streets of the King's Cross district (red light district of London in the 80's) and soon she asks George to help her to find the prostitute Cathy (Kate Hardie). George is involved with the underworld of prostitution and is chased by the dangerous pimp Anderson (Clarke Peters). When he finds Cathy, he discovers the connection of Simone to her.
"Mona Lisa" is a melancholic love story in an environment of low-lives and losers in the underworld of London. The beginning of this movie is a drama entwined with romance and ends a thriller. The good-hearted George is a needy small-time criminal, naive in many moments that falls in love with the prostitute Simone. Bob Hoskins, Cathy Tyson and Michael Caine have magnificent performances. Nat King Cole´s song gives a touch of class to his great film. My vote is eight.
Title (Brazil): "Mona Lisa"
Note: On 17 July 2018 I saw this film again.
"Mona Lisa" is a melancholic love story in an environment of low-lives and losers in the underworld of London. The beginning of this movie is a drama entwined with romance and ends a thriller. The good-hearted George is a needy small-time criminal, naive in many moments that falls in love with the prostitute Simone. Bob Hoskins, Cathy Tyson and Michael Caine have magnificent performances. Nat King Cole´s song gives a touch of class to his great film. My vote is eight.
Title (Brazil): "Mona Lisa"
Note: On 17 July 2018 I saw this film again.
Você sabia?
- CuriosidadesMortwell's strip club is actually the famous Raymond RevueBar in London's Soho district. The giant prop hand Mortwell sits in was a famous element of the show, visible in a lot of promotional material for the club. At one point George walks past a poster for the Festival of Erotica, a real show at the RevueBar at the time.
- Erros de gravaçãoA camera shadow is visible on the racks of clothes when Simone and George go shopping.
- Cenas durante ou pós-créditosIn the credits at the end, "Richard Starkey, MBE" (i.e., Ringo Starr) is listed as "Special Production Assistant."
- ConexõesFeatured in At the Movies: Desert Hearts/Mona Lisa/Letter to Brezhnev (1986)
- Trilhas sonorasMona Lisa
by Jay Livingston and Ray Evans
Used by permission of Famous Music Corporation
Performed by Nat 'King' Cole
Original Sound Recording Owned and Controlled by Capitol Records, Inc.
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- How long is Mona Lisa?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 蒙娜麗莎
- Locações de filme
- Crystal Palace Road, East Dulwich, London, Greater London, Inglaterra, Reino Unido(where George is confronted by his daughter and wife)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.794.184
- Fim de semana de estreia nos EUA e Canadá
- US$ 99.361
- 15 de jun. de 1986
- Faturamento bruto mundial
- US$ 5.794.184
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