O Will Graham retorna ao serviço para perseguir um sassassinochamado "The Tooth Fairy.O Will Graham retorna ao serviço para perseguir um sassassinochamado "The Tooth Fairy.O Will Graham retorna ao serviço para perseguir um sassassinochamado "The Tooth Fairy.
- Prêmios
- 1 vitória e 1 indicação no total
Dan Butler
- Jimmy Price
- (as Dan E. Butler)
Alexandra Neil
- Eileen
- (as Alex Neil)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
How many times have we heard "The film isn't as good as the book"? Let's face it. What film IS?! Red Dragon was a masterpiece and so is Manhunter.
To appreciate that there are two issues. Firstly, the film was created in 1986. It's stylised and looks slightly dated. The soundtrack is excellent but again very 1980's. Secondly, Red Dragon was not an easy book to write a screenplay for. There is way too much information that made the book so enthralling to squeeze in to 2 hours.
The cinematography, in particular the clever use of light and colours, is breathtaking. The choice of locations was also very deliberate. The scene where Will is running out of the building after speaking to Hannibal Lecter. They chose a building with a long spiral ramp down. The ramp is white, clinical. Running down the ramp is like those dreams where the bad man is chasing you and you can't get away. Will runs his heart out but doesn't get very far.
I agree that Cox plays a different Lecter but then the book wasn't about Lecter. There was some mention made but Lecter in this film is very much a Cameo appearance. The way in which Will goes about catching the killer is every bit as clever as Starling's methods, if not more so. In addition, we are treated to the thoughts, the inner monologue, the frustration and triumph of a hunter.
Make no mistake, if you expect an up-to-date movie as good in every respect as the book, you'll be disappointed. If you're sensible and expect nothing more than 2 hours quality entertainment you'll enjoy this one.
To appreciate that there are two issues. Firstly, the film was created in 1986. It's stylised and looks slightly dated. The soundtrack is excellent but again very 1980's. Secondly, Red Dragon was not an easy book to write a screenplay for. There is way too much information that made the book so enthralling to squeeze in to 2 hours.
The cinematography, in particular the clever use of light and colours, is breathtaking. The choice of locations was also very deliberate. The scene where Will is running out of the building after speaking to Hannibal Lecter. They chose a building with a long spiral ramp down. The ramp is white, clinical. Running down the ramp is like those dreams where the bad man is chasing you and you can't get away. Will runs his heart out but doesn't get very far.
I agree that Cox plays a different Lecter but then the book wasn't about Lecter. There was some mention made but Lecter in this film is very much a Cameo appearance. The way in which Will goes about catching the killer is every bit as clever as Starling's methods, if not more so. In addition, we are treated to the thoughts, the inner monologue, the frustration and triumph of a hunter.
Make no mistake, if you expect an up-to-date movie as good in every respect as the book, you'll be disappointed. If you're sensible and expect nothing more than 2 hours quality entertainment you'll enjoy this one.
This will no doubt elicit howls of outrage, but I have always thought that Mr. Cox's portrayal of Hannibal Lector to be far superior to that of Mr Hopkins'. Mr Cox portrays Lector as someone coldly intellectual, almost reptilian and inhuman, while Mr Hopkins gives a performance that always brings to mind that of Ernest Thesiger as Dr. Pretorius in Bride of Frankenstein". Mind you, I really enjoy Ernest Thesiger as Dr. Pretorius; I'm just saying that the charming, witty and OH! so urbane serial killer has been done to death, and had been even when "Silence Of The Lambs" came out. Rent this video if you want to see how it's supposed to be done.
I'm starting to think that I may be one of the only people who saw this film when it was originally theatrically released! Years after that, as a freshman in college, I was managing a video store when a woman came in looking for the recently released `Silence of the Lambs.' She said she knew William Petersen from childhood and told me that he was in THE first Hannibal the Cannibal movie. Having not read the novel or seen the movie for a while, I never related the two before that. But I specifically remembered `Manhunter' for its creepy killer, spectacular use of Iron Butterfly, and the strange & frightening notion (for then) of FBI profiling. These three details alone speak volumes for the film's acting, style and writing. The irony of forcing oneself to share the same maniacal thoughts as a killer in order to catch them is the stuff of nightmares. Since reconnecting with `Manhunter' back then, I've remained a constant fan of the film.
But the film suffers today in several ways. First off, any comparison to `Silence of the Lambs' is going to come up short. `Silence' is simply a better film a classic of the highest caliber that will continue to sustain itself with the passage of time. Those already acquainted with Jonathan Demme's world will probably have a hard time accepting `Manhunter.' But audiences should judge the film on its own merits, and recognize that unlike `Red Dragon' it was not designed to resemble an established world of a classic movie which is both a curse and an advantage for both films. I recently saw `Red Dragon,' by the way, and loved it. Walking out, I found myself asking whether I liked it better than `Manhunter.' These comparisons can get very silly because not only am I basing my impressions on a book, but also a previously filmed version and a closely related `sequel.' Best method: let each stand alone, THEN decide if either was successful. Both films succeed for similar and different reasons.
The approach of `Manhunter' is much more cold and observational than `Red Dragon.' This style (often concerned with widely symmetrical composition), like Kubrick's, can greatly benefit the story if used properly. I really liked it here. The neatness and sterility of the 80s décor also works perfectly in this format, providing a nice contrast to the horrors sometimes contained within its walls.
As for the music, it has not aged well. The synthesized stuff in the first hour is effective at times (especially when it's just a single, sustained note a la John Carpenter, or those bits that sound like `Blade Runner'), and the inclusion of In-a-Gadda-da-Vida is inspired, but the electronic balladry during Dolarhyde's romance is simply awful and detract from the scenes. Obviously, the danger of using such modern music is that it can become outdated and cheesy very quick. Is it just me, or does this especially seem true of 80s music? Given Michael Mann's career, he clearly wouldn't agree. I guess one never knows. The Tangerine Dream score for `Risky Business' or Phillip Glass' for `Thin Blue Line,' for example, still hold up remarkably well from this period.
The performances, however, are still wonderful. Petersen (whom I've heard didn't like the job he did) reaches just the right blend of seeming haunted, detached, morose, and as Dolarhyde describes him, purposeful. Dennis Farina, himself a former Chicago cop, exudes realistic authority as Jack Crawford. Tom Noonan obtains a disturbing childlike innocence and deliberation in his terror. And Brian Cox poor guy, will always be compared to Anthony Hopkins. It's unfair because he gives us a Lecter that is different, to be sure, but intelligent in a way that, to me, is more realistic, intriguing and ultimately frightening. Hopkins' Hannibal is so supremely horrible that he's practically supernatural at this point, not unlike Dracula or the Wolfman. I enjoy all of that too, but just on a different level.
8/10
But the film suffers today in several ways. First off, any comparison to `Silence of the Lambs' is going to come up short. `Silence' is simply a better film a classic of the highest caliber that will continue to sustain itself with the passage of time. Those already acquainted with Jonathan Demme's world will probably have a hard time accepting `Manhunter.' But audiences should judge the film on its own merits, and recognize that unlike `Red Dragon' it was not designed to resemble an established world of a classic movie which is both a curse and an advantage for both films. I recently saw `Red Dragon,' by the way, and loved it. Walking out, I found myself asking whether I liked it better than `Manhunter.' These comparisons can get very silly because not only am I basing my impressions on a book, but also a previously filmed version and a closely related `sequel.' Best method: let each stand alone, THEN decide if either was successful. Both films succeed for similar and different reasons.
The approach of `Manhunter' is much more cold and observational than `Red Dragon.' This style (often concerned with widely symmetrical composition), like Kubrick's, can greatly benefit the story if used properly. I really liked it here. The neatness and sterility of the 80s décor also works perfectly in this format, providing a nice contrast to the horrors sometimes contained within its walls.
As for the music, it has not aged well. The synthesized stuff in the first hour is effective at times (especially when it's just a single, sustained note a la John Carpenter, or those bits that sound like `Blade Runner'), and the inclusion of In-a-Gadda-da-Vida is inspired, but the electronic balladry during Dolarhyde's romance is simply awful and detract from the scenes. Obviously, the danger of using such modern music is that it can become outdated and cheesy very quick. Is it just me, or does this especially seem true of 80s music? Given Michael Mann's career, he clearly wouldn't agree. I guess one never knows. The Tangerine Dream score for `Risky Business' or Phillip Glass' for `Thin Blue Line,' for example, still hold up remarkably well from this period.
The performances, however, are still wonderful. Petersen (whom I've heard didn't like the job he did) reaches just the right blend of seeming haunted, detached, morose, and as Dolarhyde describes him, purposeful. Dennis Farina, himself a former Chicago cop, exudes realistic authority as Jack Crawford. Tom Noonan obtains a disturbing childlike innocence and deliberation in his terror. And Brian Cox poor guy, will always be compared to Anthony Hopkins. It's unfair because he gives us a Lecter that is different, to be sure, but intelligent in a way that, to me, is more realistic, intriguing and ultimately frightening. Hopkins' Hannibal is so supremely horrible that he's practically supernatural at this point, not unlike Dracula or the Wolfman. I enjoy all of that too, but just on a different level.
8/10
This film reminds me of a deglamorized verison of the Hannibal films. IMO it has a more realistic view to it. Instead of the likable and friendly Ed Norton, we have the moody and intense William Petersen playing Will Graham. Brian Cox's Hannibal is just as clever as Anthony Hopkins' but not as charismatic. Thus, that makes him more realistic, instead of superhuman, like the character later becomes. Instead of a spooky dark basement prison as in Slience or Hannibal, we have an austure white cell. Ralph Fiennes' Dolarhyde is quiet to the point of being a mute and almost semi retarded almost. I can't see how the girl would be attacted to him (even if she is blind). Tom Noonhan's Dolarhyde is more amible and friendly. He actually speaks in a friendly voice, at times even being a normal person. Even the ending is more realistic. Instead of having a supspense full thilling end, it ends rather anti-climaticly...but thus is life.
Besides the fact that it was released without much hoopla in 1986, and that it was recently remade(the same exact movie except for the end) as Red Dragon, Manhunter is undoubtedly the most overlooked movie of the past 20 years. The plot is tremendous, Mann's direction is outstanding, and the acting(especially Noonan) is equally amazing. What Mann realized while making this film is that a thriller was not just meant to shock and disgust the audience but to develop the characters carefully so that there is an even greater sense of anticipation for the climax of the movie than there otherwise would be. Recent thrillers are clearly lacking in the character development that made movies like Manhunter and Silence of the Lambs so good. Its a shame that Red Dragon had to be made, since it is basically a strait ripoff of Manhunter except for a different ending which is much worse than the original and way too predictable. Anyone who thinks Red Dragon was a good movie should watch Manhunter and compare the two. If you try this you'll see that there is no comparison. Tom Noonan's performance alone is worth the watch.
Você sabia?
- CuriosidadesWhen the production could not get permission to film on board a commercial airplane, writer and director Michael Mann booked his actors, actresses, and crew onto a twilight flight from Chicago to Florida, where the production was relocating anyway. A stripped-down camera, lighting and sound equipment were taken on board as carry-on luggage. Pilots and flight attendants were appeased with gifts of movie crew jackets.
- Erros de gravaçãoThe movie implies that Will Graham uses a Charter Arms Bulldog .44 special pistol. If this were true, then Will could not shoot Francis Dollarhyde six times. A Charter Arms Bulldog only holds five rounds. Graham actually shoots the gun seven times, but two of the shots are repeated; the first and second shot that we see are actually the same one, as are the six and seventh. Thus, he only actually fires five bullets, which is the number that the gun can hold.
- Citações
Will Graham: I know that I'm not smarter than you.
Dr. Hannibal Lecktor: Then how did you catch me?
Will Graham: You had disadvantages.
Dr. Hannibal Lecktor: What disadvantages?
Will Graham: You're insane.
- Versões alternativasThe Hannibal Lecter Collection released by MGM in 2007, which also features O Silêncio dos Inocentes (1991) and Hannibal (2001), contains the authentic Theatrical Cut of the film.
- ConexõesFeatured in The Prime Movers: Strong As I Am (1986)
- Trilhas sonorasGraham's Theme
Created, Performed and Composed by Michel Rubini
Composed by Michel Rubini on the Synclavier Digital Music System
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Dragão Vermelho
- Locações de filme
- High Museum of Art - 1280 Peachtree Street, Atlanta, Geórgia, EUA(Lecktor's prison exteriors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 8.620.929
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.204.400
- 17 de ago. de 1986
- Faturamento bruto mundial
- US$ 8.624.009
- Tempo de duração2 horas
- Cor
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What was the official certification given to Caçador de Assassinos (1986) in Japan?
Responda