Adicionar um enredo no seu idiomaLeo Fong plays a private investigator who is in search of a young girl kidnapped by a religious cult. Destined to save her, he teams up with a Vietnam vet, a pro-boxing champ and a former co... Ler tudoLeo Fong plays a private investigator who is in search of a young girl kidnapped by a religious cult. Destined to save her, he teams up with a Vietnam vet, a pro-boxing champ and a former cop to save her...Leo Fong plays a private investigator who is in search of a young girl kidnapped by a religious cult. Destined to save her, he teams up with a Vietnam vet, a pro-boxing champ and a former cop to save her...
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like others here, i bought this movie for $3. And yes, the acting is awful, it is low budget, the case has nothing to do with the movie, and the soundtrack appears to consist of one song. However, it is one of the funniest movies i have ever seen. Does the fact that it is not intentionally funny cancel that out? Does hilariously bad choreography equate to a bad movie? or story lines that don't make sense - such as yanakunda calling Karma "my daughter, my wife". This movie gets funnier every time i watch it. The script at times is ridiculous - and that makes it very quotable. its also a great movie to watch when you are drunk. So, in terms of film making, this movie is right down there with the worst, so i could easily give this a poor score like others before me have. But i watch movies to be entertained. and if this movie is so bad that its entertaining for every minute that it lasts, then it is a good movie. If it gets better every time i see it, then it is a great movie. and this movie has proved to be far more entertaining than most of the "best" movies ever made, so i give it a 10.
some scenes to watch for: all driving scenes, the pointless church scene (he drove to a church and crashed his car just to say 2 words to a guy), the car and chainsaw scene, the puppy scene (totally random and unexplained), i could go on forever
some scenes to watch for: all driving scenes, the pointless church scene (he drove to a church and crashed his car just to say 2 words to a guy), the car and chainsaw scene, the puppy scene (totally random and unexplained), i could go on forever
Even for a cheap action film this was bad. Bad acting, bad writing, unrealistic action scenes. There was no plot, no story, and ridiculous dialogue. The action scenes looked laughably bad. This is a film to avoid.
Low Blow, the piece d'resistance for legendary Hollywood heavyweight, actor/director/screenwriter and cinematographer Leo Fong, sees Fong reprise his crowd pleasing role as ex-cop Joe Wong. In this installment, Wong is commissioned by capitalist tycoon (Troy Donahue in a standout performance) to rescue his daughter from a dangerous and mind warping cult. Set in the seedy underbelly of the outer areas of San Francisco, Wong must use all his guile as a street smart private investigator to penetrate the fortress of cult leader Yarakunda's compound and rescue the life of the movie's young heroine. A life held desperately in the balance, it is truly a race against time. Realising the limitations of a one man attack, Wong brings together a crack force of street fighting soldiers of fortune, much in the style of Hannibal's A-Team, with the promise great rewards. Wong and his salty mercenaries set in place a sophisticated plan that can't possibly fail. But is it too late?
It is set against this seedy and powerful background that Fong sets about fully exploring the socio-economic imbalance and segregation in modern society, as well as the resultant effect on the innate human need for inclusion and interpersonal relations. Fong craftily using extreme physical violence as a metaphor for self-actualisation and positive external affirmations of inter-conceptual self discipline. In so doing, he demonstrates that while verbalisation of interpersonal conflict can be at times a useful tool in the subtle art of open ended dispute resolution focused dialogue, where concepts cannot be expressed using excessive and unnecessary force they are often not worthy of expressing at all. Further, in so doing, Fong furnishes the viewer with a useful forum for discussing the usefulness of ruthless and relentless violence in their own lives. In light of the currently repressive attitude of society toward aggression and hostility, in presenting this film, Fong bravely champions the cause of antagonism not only as a form of potentially hilarious entertainment, but as a most useful tool to be utilised in everyone's day to day existence.
And in closing, while this movie contains vast offerings for a wide range of cultures, creeds and beliefs, is true to say that the underlying message of this film, as it should be, is that the deadliest weapon is still your fist.
Fong we can only say thankyou, thankyou, thankyou.
It is set against this seedy and powerful background that Fong sets about fully exploring the socio-economic imbalance and segregation in modern society, as well as the resultant effect on the innate human need for inclusion and interpersonal relations. Fong craftily using extreme physical violence as a metaphor for self-actualisation and positive external affirmations of inter-conceptual self discipline. In so doing, he demonstrates that while verbalisation of interpersonal conflict can be at times a useful tool in the subtle art of open ended dispute resolution focused dialogue, where concepts cannot be expressed using excessive and unnecessary force they are often not worthy of expressing at all. Further, in so doing, Fong furnishes the viewer with a useful forum for discussing the usefulness of ruthless and relentless violence in their own lives. In light of the currently repressive attitude of society toward aggression and hostility, in presenting this film, Fong bravely champions the cause of antagonism not only as a form of potentially hilarious entertainment, but as a most useful tool to be utilised in everyone's day to day existence.
And in closing, while this movie contains vast offerings for a wide range of cultures, creeds and beliefs, is true to say that the underlying message of this film, as it should be, is that the deadliest weapon is still your fist.
Fong we can only say thankyou, thankyou, thankyou.
A pretty good cast here with ... Leo Fong , Cameron Mitchell , Stack Pierce , Akosua Busia , Troy Donaghue , Diane Stevenett and I think that Hope Holliday plays a small part as a Head Mistress of a school.
Four of these actors incl Leo Fong are from the other movie Kill Point ! Cameron Mitchell (High Chapparel 1960's TV Western) as Yarakunda is just plain weird. Akosua Busia (Colour Purple) as the sadistic Karma , is weird as well but SO gorgeous it isn't funny. Diane Stevenett as Joe Wong's secretary Diane is really cute and plays her part fairly well. Stack Pierce as Corky , as always is mean looking deadly and certainly comes up well , as well as can be expected. I'm sure though that his part in the movie has a different name , possibly "Duke". Anyway he throws some good punches. He is a first rate actor !
I suppose that you can't expect any Oscar award winning from Leo Fong , but never the less I have seen worse actors. Actually Leo Fong isn't too bad as an actor and even though he's never had the coaching I'd bet he's got more ability than Arnie and JCVD. He can be quite funny at times and has his moments and you realize that you get a liking for the guy.
I suppose that he's a little mechanical , but you can see the breaks where he lightens up every so often.
The movie is a bit better than mediocre and has some good action scenes. Leo Fong is quite a good martial artist and even though you don't see all of the acrobatics and technical trickery etc ... you get some realistic scenes. Fong as you can see is a pretty strong guy and for his age he does well. The best action part is in the building where Fong takes on a couple of guys an does them over. The part on the stair case is good !
All in all I quite enjoyed the movie and his part as Joe Wong. And what a rough scruffy PI he is. You sort of get the impression that as soon as he'd make the money from a case he'd spend it on whatever before the bills etc.
I own this on DVD now but I saw it a couple of years back and then I recalled seeing it sometime in the late 80's . I thought that the actor was MA Expert and board breaker Pu Gill Gwon , the author of "The New Forms of Tae Kwon Do" Anyway its not Pu Gill Kwoon or Pu Gill Gwon , Its Leo Fong an I'm glad that I have the movie as I'll watch it again.
Four of these actors incl Leo Fong are from the other movie Kill Point ! Cameron Mitchell (High Chapparel 1960's TV Western) as Yarakunda is just plain weird. Akosua Busia (Colour Purple) as the sadistic Karma , is weird as well but SO gorgeous it isn't funny. Diane Stevenett as Joe Wong's secretary Diane is really cute and plays her part fairly well. Stack Pierce as Corky , as always is mean looking deadly and certainly comes up well , as well as can be expected. I'm sure though that his part in the movie has a different name , possibly "Duke". Anyway he throws some good punches. He is a first rate actor !
I suppose that you can't expect any Oscar award winning from Leo Fong , but never the less I have seen worse actors. Actually Leo Fong isn't too bad as an actor and even though he's never had the coaching I'd bet he's got more ability than Arnie and JCVD. He can be quite funny at times and has his moments and you realize that you get a liking for the guy.
I suppose that he's a little mechanical , but you can see the breaks where he lightens up every so often.
The movie is a bit better than mediocre and has some good action scenes. Leo Fong is quite a good martial artist and even though you don't see all of the acrobatics and technical trickery etc ... you get some realistic scenes. Fong as you can see is a pretty strong guy and for his age he does well. The best action part is in the building where Fong takes on a couple of guys an does them over. The part on the stair case is good !
All in all I quite enjoyed the movie and his part as Joe Wong. And what a rough scruffy PI he is. You sort of get the impression that as soon as he'd make the money from a case he'd spend it on whatever before the bills etc.
I own this on DVD now but I saw it a couple of years back and then I recalled seeing it sometime in the late 80's . I thought that the actor was MA Expert and board breaker Pu Gill Gwon , the author of "The New Forms of Tae Kwon Do" Anyway its not Pu Gill Kwoon or Pu Gill Gwon , Its Leo Fong an I'm glad that I have the movie as I'll watch it again.
Private dick Leo Fong is hired by millionaire Troy Donahue to rescue his runaway heiress daughter from Cameron Mitchell's pan-theistic "Universal Enlightenment" cult. Mitchell calls himself "Yarakunda", has a pentagram on his cheek, a red dot on his forehead, a cross around his neck, wears big Jim Jones sunglasses, dresses like a druid and hardly ever stands up during the entire film, so you know he means business, or possibly wasn't paid enough to actually act. Oh yes, and he's also blind, which means his Godly visions are more better than yours, so there. But Fong means business too! The sign on his office door reads: "Joe Wong, Private Investigator, Bounty Hunting, Conflict Management, Kung-Fu Fighting Lessons and World Headquarters of the Wei Kuen Do Association". (and yes, that's supposed to be funny) When he's not blasting away scumbags at his local deli ("Hey, forget the ham sandwich!"), taking down redneck purse snatchers, or deflating stereotypes about Chinese food and Asian drivers in Big American Cars, he's rounding up a motley team of specialists to aid him on the rescue mission by staging a tough man contest that attracts ninjas, kung-fu masters, Hispanic knife-fighters, black boxers, redneck purse snatchers and a female bodybuilder in red panties. Really. Frank Harris' direction here is a very slight improvement over his work on KILLPOINT, but it's Fong's screenplay that saves the day, using popular contempo action/buddy movie clichés to buttress his rather loopy main story. The puzzler here is real-life Ghanian princess Akosua Busia, who squanders the goodwill she engendered in Steven Spielberg's THE COLOR PURPLE by appearing here as Mitchell's conniving, sadistic daughter-slash-wife. Fortunately, her career would survive. One the plus side, Fong kicks Billy Blanks' ass, puts his foot THROUGH another man's head, and cuts the roof off a Mercedes-Benz hiding three goons who apparently can't find the door handles during the several minutes it takes Fong to run around the car cutting the roof supports. Hilarious stuff!
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- CuriosidadesDiscussed on The Best of the Worst series by Red Letter Media.
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- How long is Low Blow?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Deadly Weapon - Ein Mann für Gerechtigkeit
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 63.860
- Fim de semana de estreia nos EUA e Canadá
- US$ 63.860
- 27 de abr. de 1986
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