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IMDbPro

Perigosamente Juntos

Título original: Legal Eagles
  • 1986
  • PG
  • 1 h 56 min
AVALIAÇÃO DA IMDb
6,0/10
13 mil
SUA AVALIAÇÃO
Daryl Hannah, Robert Redford, and Debra Winger in Perigosamente Juntos (1986)
Home Video Trailer from Universal Studios Home Entertainment
Reproduzir trailer0:31
1 vídeo
79 fotos
Comédia românticaComédiaCrimeRomance

Um promotor público de Nova York trabalha e flerta com sua adversária e o cliente artista excêntrico dela, que está sendo julgado por um assassinato que não cometeu.Um promotor público de Nova York trabalha e flerta com sua adversária e o cliente artista excêntrico dela, que está sendo julgado por um assassinato que não cometeu.Um promotor público de Nova York trabalha e flerta com sua adversária e o cliente artista excêntrico dela, que está sendo julgado por um assassinato que não cometeu.

  • Direção
    • Ivan Reitman
  • Roteiristas
    • Ivan Reitman
    • Jim Cash
    • Jack Epps Jr.
  • Artistas
    • Robert Redford
    • Debra Winger
    • Daryl Hannah
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    13 mil
    SUA AVALIAÇÃO
    • Direção
      • Ivan Reitman
    • Roteiristas
      • Ivan Reitman
      • Jim Cash
      • Jack Epps Jr.
    • Artistas
      • Robert Redford
      • Debra Winger
      • Daryl Hannah
    • 57Avaliações de usuários
    • 23Avaliações da crítica
    • 57Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos1

    Legal Eagles
    Trailer 0:31
    Legal Eagles

    Fotos79

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    Elenco principal71

    Editar
    Robert Redford
    Robert Redford
    • Tom Logan
    Debra Winger
    Debra Winger
    • Laura Kelly
    Daryl Hannah
    Daryl Hannah
    • Chelsea Deardon
    Brian Dennehy
    Brian Dennehy
    • Cavanaugh
    Terence Stamp
    Terence Stamp
    • Victor Taft
    Steven Hill
    Steven Hill
    • Bower
    David Clennon
    David Clennon
    • Blanchard
    John McMartin
    John McMartin
    • Forrester
    Jennifer Dundas
    Jennifer Dundas
    • Jennifer Logan
    • (as Jennie Dundas)
    Roscoe Lee Browne
    Roscoe Lee Browne
    • Judge Dawkins
    Christine Baranski
    Christine Baranski
    • Carol Freeman
    Sara Botsford
    Sara Botsford
    • Barbara
    David Hart
    David Hart
    • Marchek
    James Hurdle
    • Sebastian Dearden
    Gary Howard Klar
    Gary Howard Klar
    • Hit Man
    • (as Gary Klar)
    Christian Clemenson
    Christian Clemenson
    • Clerk
    Bart Burns
    Bart Burns
    • Judge #1
    Bruce French
    Bruce French
    • Reporter
    • Direção
      • Ivan Reitman
    • Roteiristas
      • Ivan Reitman
      • Jim Cash
      • Jack Epps Jr.
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários57

    6,012.7K
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    10

    Avaliações em destaque

    David-4733

    Worth a look see for those reminiscent of NYC 60s-80's

    With a stellar cast and mediocre plot, this movie is well executed and the acting skills of the leads raise the movie above it's material on paper. Redfor seems to be enjoying himself and the writers gave each character little human quirks that can't help but make you smile. In one seen, Redford, playing a lawyer is sharing an office with "Kelly" his new partner after he gets caught shaking the sheets with D. Hannahs character and he is moving from chair to chair in the small office finally stating, "I'm a pacer", someone who needs to walk back and forth in order to think clearly.

    There is an opening scene with a 60's party that has a Warhol feeling" to it that I enjoyed, as I grew up in those times. And while it plays only a small part in the movie, it brought back a flood of good memories for me. (Anyone remember "The Electric Circus?")

    D. Hannah gives a completely 80's reminiscent piece of performance art that is very pych. connected to the wounded character she plays, and if you wait for the credits, you find she played a big part in authoring the piece.

    Basically, its the types of movie that is not even in your top ten or twenty, yet you can't help but enjoying it each time you watch it, and you are pleased to see it on the schedule when it is. Kind of a "non-guilty guilty pleasure", I can't help but enjoy the cast, the full of holes plot and poor continuity, (the faux pas of timing and lighting are mentioned in other reviews.) Even Redford's little girl in the movie is one of those kids you have even and enjoy, but can't recall her name. there is an early character role played by Christine Baranski who either got some work done or simply learned how to use her assets better later in her career.

    Just watch with an excepting, open mind and you may not only enjoy it, but it may be a cult favorite at some point. *note-my wife is a wall st. attorney and absolutely hates the film as do many other lawyers we know. why? Who knows? Maybe they're strung too tight to let go and enjoy the simple ride.
    6moonspinner55

    Cast has fun with nonsensical plot

    As rival attorneys in New York City, Robert Redford and Debra Winger aren't exactly Tracy and Hepburn (he's too wishy-washy and callow, she's too flighty), but they do get to loosen up a bit from prior roles, creating an amusing give-and-take relationship while defending performance artist Daryl Hannah on murder charges. Plot is so haphazardly constructed that it was re-worked for the TV version and still nobody could figure it out. Redford and Winger get out of a bomb-laden warehouse just in the nick of time, but how they do it will have smart viewers crying foul. There are other problems, not to mention a strange, off-putting show put on by Hannah where she appears to go up in flames, but the charisma of the players is just enough to carry this heavy vehicle to a happy conclusion. The outtakes at the finale are charming, as is Rod Stewart's song "Love Touch". **1/2 from ****
    9bkoganbing

    Romance And Justice

    I really do love Legal Eagles, it's a film that hearkens back to the stuff that William Powell and Myrna Loy did at MGM. I can see a younger Tracy and Hepburn in this film as well.

    Robert Redford is the Jack McCoy of the New York County District Attorney's office and wouldn't you know it, Steven Hill plays the New York County DA here. Hill's thinking of hanging it up, but obviously as fans of Law and Order know, he eventually didn't. He's thinking of promoting Redford as his candidate to succeed him come the next election.

    But for budding politico Redford, his life gets real complicated when defense attorney Debra Winger and her client Darryl Hannah enter his life. Hannah is the daughter of a famed artist who was killed in a loft fire where she barely escaped from when she was about 6. Since then she's become something of a wild child.

    Hannah steals a picture from art dealer Terrence Stamp that she says is really hers. That starts a chain of events in which she's eventually accused of Stamp's murder. That same night Hannah decides she needs a little tender loving care and who better than the assistant district attorney to give it. The police bust her when she and Redford are in flagrato.

    After that Redford decides to see how the other half lives working with Debra Winger on Hannah's defense.

    What I liked about Legal Eagles is that it glided nicely from comedy to drama with little effort. The climax at Terrence Stamp's gallery was very well staged and Redford is being a most heroic lawyer.

    Also in the cast are Roscoe Lee Browne as the judge at Hannah's trial and Brian Dennehy as a most interesting investigator. It's one of Robert Redford's best films and it's got style and substance.

    With Redford, style is a given.
    7britishdominion

    High Concept, CAA-style!

    Ivan Reitman, fresh off the special effects high of "Ghostbusters" takes on romantic comedy that works in fits and starts in "LEGAL EAGLES".

    Robert Redford, with breezy style, is a NYC D.A. who prosecutes at whim. Enter Debra Winger, a scrappy lawyer so desperate, she once chose to put a dog on the stand to make her case. The two fall in love (or about as 80's as it gets - they become partners) in representing an airy client (Daryl Hannah) who may (or may not) have committed a major art fraud/crime.

    This is a time-capsule of a film... written by the guys who wrote "Top Gun" and "Dick Tracy", it's a big, over-packaged film that's both romantic comedy, star-vehicle, and glossy, synthetic who-done-it. All the Reitman glitz-and-polish is there (with big setpieces scattered throughout), and the movie is easy on the eyes, especially with Redford's easy, casual performance pulling the viewer along and Reitman's deft comedic touch.

    It was also a troubled production to be sure: Bill Murray was once considered for the Winger role, creating a love triangle that would have found Hannah torn between the Sundance Kid and Nick The Lounge Singer - but alas, Murray opted out. In interviews long since the film's release, Winger claims no desire ever to work with Reitman again.

    1986's "LEGAL EAGLES" is probably the textbook case of the all-powerful talent agency known as Creative Artists Agency packaging a Real Motion Picture - what industry wags call a "filmed-deal". But is Legal Eagles any good? Sure, I guess. It's competently directed, it makes great use of it's New York City art-world locales, it has a wonderful Elmer Bernstein score, great cinematography by the legendary Laszlo Kovacs and both Winger and Hannah make for delicious eye-candy when pared with Redford. Ultimately, it becomes systematic of what was askew in these "packages": the movie relies solely on the audience goodwill, fine craftsmanship and former successes of its primary players to carry the load. "LEGAL EAGLES" is by no means a failure, but wrapped in such a glossy serving, it's hard to really enjoy anymore than for its quick, empty calories.

    I have a soft spot for this film - it's great to see Redford on screen seeming to have such a spirited good time after an absence from movie comedy for a number of years - but after all is said and done, "LEGAL EAGLES" is as enjoyable as a Big Mac, albeit one served on a fine china dinner plate.

    PS - the TV version of this film has a curious, bizarre alternate ending which negates the whole court case!
    10indigitum

    Subtle in parts, lightweight and easy to watch

    You don't get actors like Redford and Winger anymore. The subtleties in their facial expressions, the humanness of their characters are evident in each move they make and each action. In a sense, there is no 'acting', since the storyline, the characters and the flow reach a natural confluence. The only character that makes me feel a bit uncomfortable is Daryl Hannah's Chelsea - the performance artist. Brian Dennehy is also a little underutilised, but the movie is really a swinger for both Winger and Redford who make their attraction and talent as attorneys believable.

    I've seen this movie about 5 times over the years and I never get sick of it. Though I know the plot, each time I find myself watching the actors rather than predicting the storyline. Its just great and really, so easy to watch and enjoy. There is humour, old fashioned romance, good IL' bad guys vs good guys, a bit of blood and gore and a lot of fine art thrown in. I highly recommend it!

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    Interesses relacionados

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      In the end credits, one can see that one of the works of art used in the film is from the collection of Cary Grant. As Grant would pass away the same year of the film's release, 1986, this would be one of his last screen credits.
    • Erros de gravação
      The bomb left by Taft in the warehouse has a digital countdown clock, yet it ticks as if it is a mechanical clock.
    • Citações

      Laura J. Kelly: Don't lose him.

      Tom Logan: I'm not going to lose him. Where is he?

    • Versões alternativas
      SPOILER: The syndicated broadcast version offers a considerably changed ending, in which the Daryl Hannah character goes from being innocent of murder to being guilty of one of the murders. (There are also differently edited versions of the Chelsea-is-guilty ending.)
    • Conexões
      Featured in Rod Stewart: Love Touch (1986)
    • Trilhas sonoras
      Love Touch
      Performed by Rod Stewart

      Written by Mike Chapman, Holly Knight and Gene Black

      Available exclusively on Warner Bros. Records

    Principais escolhas

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    Perguntas frequentes20

    • How long is Legal Eagles?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 20 de junho de 1986 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Peligrosamente juntos
    • Locações de filme
      • Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Universal Pictures
      • Mirage Enterprises
      • Northern Lights Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 40.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 49.851.591
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 8.043.360
      • 22 de jun. de 1986
    • Faturamento bruto mundial
      • US$ 93.151.591
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 56 min(116 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 2.35 : 1

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