AVALIAÇÃO DA IMDb
5,7/10
9,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe Shelleys visit Lord Byron and compete to write a horror story.The Shelleys visit Lord Byron and compete to write a horror story.The Shelleys visit Lord Byron and compete to write a horror story.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
Chris Chappell
- Man in Armour
- (as Chris Chappel)
Cosey Fanni Tutti
- Shelley Fan
- (as Christine Newby)
Kim Tillesly
- Shelley Fan
- (as Kim Tillesley)
Ken Russell
- Tourist
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Despite it's uninspiring title, Ken Russell's "Gothic" is actually an intriguing, and uniquely inspiring piece of cinema. Mary Shelly's "Frankenstein" is one of the stories that has helped to shape horror cinema, and so the story behind it is guaranteed to interest horror fans. This film isn't exactly the story of how the story came to fruition; but rather a compilation of ideas surrounding "what could have happened" (but quite clearly didn't). The film takes influence from the enigmatic Lord Byron more than anything, and it's always him that springs to mind as we watch the small cast delve into their imaginations, culminating in an orgy of sex and violence. The story is simple, and focuses more on imagery and the ideas behind what is happening on screen. We follow Percy Shelly and his wife to be, Mary; along with her sister Claire, who travel to the self-exiled home of Lord Byron. While there, the four of them; along with Byron's biographer, decide to indulge in the art of making up ghost stories. However, the fun gets out of hand when the quintet begins to believe that they have actually created a monster.
The film has a very 'intellectual' flavour, but the fact is that there isn't a lot below the surface of this film. Gothic, to me at least, is a visual treat rather than food for thought - with Ken Russell's imagery providing more than any deep and complex substance. The imagery is stunning, and fits into the film very well. Russell's sets compliment the story excellently, and the atmosphere in which the film takes place is more important than the story itself. Lord Byron's house is almost a character within itself, and when combined with the actual characters; Russell has provided horror fans with a very surreal film indeed. The cast is excellent. Films with a small cast rely more on their actors, and this film certainly doesn't fall down in that respect. Gabriel Byrne leads the cast, and does an excellent job of holding the film together. Julian Sands, Natasha Richardson, Myriam Cyr and Timothy Spall, who all portray their characters excellently, join him. On the whole; I can easily see why people dislike this film; as it's somewhat messy, and doesn't adhere to common horror standards - but if you like your horror different, this is highly recommended.
The film has a very 'intellectual' flavour, but the fact is that there isn't a lot below the surface of this film. Gothic, to me at least, is a visual treat rather than food for thought - with Ken Russell's imagery providing more than any deep and complex substance. The imagery is stunning, and fits into the film very well. Russell's sets compliment the story excellently, and the atmosphere in which the film takes place is more important than the story itself. Lord Byron's house is almost a character within itself, and when combined with the actual characters; Russell has provided horror fans with a very surreal film indeed. The cast is excellent. Films with a small cast rely more on their actors, and this film certainly doesn't fall down in that respect. Gabriel Byrne leads the cast, and does an excellent job of holding the film together. Julian Sands, Natasha Richardson, Myriam Cyr and Timothy Spall, who all portray their characters excellently, join him. On the whole; I can easily see why people dislike this film; as it's somewhat messy, and doesn't adhere to common horror standards - but if you like your horror different, this is highly recommended.
Gothic, directed by Ken Russell, is a rather interesting film that deals with, among other things, the dark side of creativity and imagination. More specifically, it's about the night when Mary Shelley came up with the idea that she would later turn into the novel "Frankenstein." By and large, the performances are quite good, although I didn't really care for Julian Sands. However, the story was almost non-existent and ephemeral, existing merely to have a bunch of people go around saying stuffy lines and get scared out of their wits by creatures borne of their imaginations. Granted, some of these sequences and images were haunting and surreal, but it all added up to a lot of style with very little substance. As far as the score is concerned, I thought that the work Thomas Dolby did was impeccable as far as its musical quality, but some of the cues didn't really fit (to me) with this kind of period piece. The story takes place in the early 19th century, but a lot of the music sounded very 1980's with synthesizers and programmed drums. It's a score that I'd buy, but I'm not too sure that it completely fit the film. From a technical standpoint, I thought it was very well-made, i.e., it was well-lit and the shot composition was varied. There were also some Dutch angles that accentuated the disorienting feel the filmmakers seemed to be going for. Overall, if you're looking for a well-told story that has characters you care about and identify with, this might not be the best choice for you. However, if you like heavily stylized and surreal horror, this will probably suit your fancy.
I've only seen two of Ken Russell's films (Gothic and Lair of the White Worm), but if they are anything to go by, he is one of the best horror directors of all time. It is so nice to see someone going against the mould and not making predictable slasher films or Hollywood 'Sixth-Sense' style horror-thrillers.
It is about the weird night that Mary Shelly and her poet brother spent with Lord Byron, which supposedly inspired her to write Frankenstein.
It is filled with hallucionations and erotic weirdness which bridges it much closer to the work of David Lynch or Cronenberg than to the traditional horror film.
I absolutely loved this film and can't recommend it enough. Even if you hate it, you can't deny that it's an experience! 5/5
It is about the weird night that Mary Shelly and her poet brother spent with Lord Byron, which supposedly inspired her to write Frankenstein.
It is filled with hallucionations and erotic weirdness which bridges it much closer to the work of David Lynch or Cronenberg than to the traditional horror film.
I absolutely loved this film and can't recommend it enough. Even if you hate it, you can't deny that it's an experience! 5/5
On a dark and stormy night, in a remote, but lavish country estate, in an equally distant Victorian mansion there resides the charismatic, but often eccentric, Englishman, Lord Byron (Gabriel Byrne). Staged for an exercise in humanistic logic, scientific philosophy and creative writing, he gathers an odd assembly of thrill seeking Bohemian characters. Among the notables, are poet Percy Shelly, his author wife Mary, his personal physician, and of course their host, Lord Byron. Beginning with a blasphemous premise that they are imbued with the power to create life itself, Byron suggests they abandon their earthly inhibitions of morality and civil conviction and drink a concentrated draft of Laudium laced wine. The terrifying after effects manifest themselves in the literal passages later found in the poetic works of Percy Shelley or his wife's most famous novel Frankenstein. With a storm raging high above them, the group evokes sacred beliefs, sacrilegious rites and amoral concepts which create a frightening spectral atmosphere that nearly consumes them. Anyone seeking the foundation of the most popular Gothic monster ever created, should view this film. ****
Films like Gothic, directed by Ken Russell, will not be to most people's taste. Russell is noted for a skewed view of life with very twisted imagery, such as his invariable trademark snake that slithers around in all his films. In this particular film he has devised a story that touches on reality in an unreal way as he brings the famous night that Percy Shelly, Mary Shelly, he half-sister Claire, Lord Byron and Dr. John Polidori spent together that brought about two of the great horror stories of all time about as a result. Between debauchery and Opium laced nightmares this could have been very much what it was really like as this quintet of famous or rather infamous people got together and brought the birth of a new kind of literature, years before Edgar Allen Poe began his writing. Polidori's "The Vampyre" which for many years was attributed to Byron was the forerunner and inspiration for Bram Stoker's Dracula. Of course, Mary Shelly was to go on and write "Frankenstein." This is how it could have happened.
This feature is intense and not for everyone. Definitely not for young people. But a true intellectual's horror tale.
This feature is intense and not for everyone. Definitely not for young people. But a true intellectual's horror tale.
Você sabia?
- CuriosidadesThe painting that Mary Shelley sees on the wall, and that subsequently comes to life in her dream, is Henry Fuseli's "Nightmare."
- Erros de gravaçãoClaire Clairmont (Myriam Cyr) falls out of the rowboat in the opening scene, but just a few seconds later, as she's running with Percy toward the house, her clothes and hair are totally dry.
- Citações
[first lines]
Tour Guide: And there, ladies and gentlemen, on the other side of the lake we have the famous Villa Diodati where Lord Byron, greatest living English poet, resides in exile. Romantic, scholar, duelist, best-selling author of Childe Harold, he was forced to leave his native land after many scandals including incest and adultery with Lady Caroline Lamb. "Mad, bad and dangerous to know" she called him.
[the guide squeezes a lady's hand and points]
Tour Guide: Bedroom - top right.
- Versões alternativasAmerican versions contain a title-card before the credits. This title card contains Mary Shelley's quote from the foreword to Frankenstein where she discusses the night the movie centers around. A brief explanation is then provided mentioning that both Frankenstein and Dracula were born on that night.
- ConexõesFeatured in Siskel & Ebert & the Movies: Project X/Wild Thing/Heaven/Gothic (1987)
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- How long is Gothic?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 916.172
- Fim de semana de estreia nos EUA e Canadá
- US$ 32.061
- 12 de abr. de 1987
- Faturamento bruto mundial
- US$ 916.172
- Tempo de duração1 hora 27 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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