Do Além

Its been a while since I saw this, but I fondly remember it as being one of the wildest and most entertaining horror films of the 80s. I liked it even more than Re-Animator, partly because there is something more intriguing about parallel dimensions and the connection to schizophrenia, than Re-Animators simple (though still entertaining ) "dead come back to life"-scenario. Some of the outlandish effects seem to be influenced by Dali, bodies in a constant state transformation and re-evaluation. It is mind-boggling that it is still so hard to get a hold of on DVD, I only watched a British VHS copy years ago which had some cuts and I still long to see the original unrated version. The score, by Richard Band, is also impressively aggressive and atmospheric. Would somebody please just release it on DVD! They just don't make them like this anymore.

Scientists create a resonator to stimulate the pineal gland (sixth sense), and open up a door to a parallel (and hostile) universe. Based on a story by H. P. Lovecraft.

I first saw this film a few years ago (maybe 2009) at a film festival in Chicago, but it apparently did not stick with me well. I neither wrote a review at the time (which is a rarity) nor did I remember much beyond the very skeleton of a plot when I revisited it again (2013). Perhaps because, sadly, it is not among the better films out there.

This is the sort of movie a horror fan wants to love: based on Lovecraft, directed by Stuart Gordon, starring Jeffrey Combs, Barbara Crampton and Ken Foree. Even the producers are noteworthy -- Brian Yuzna and the Band family when they were till in their prime. The opening credits are a veritable horror hall of fame. And seeing Combs interact with Foree is timeless fun and entertainment.

John Carl Buechler's effects need to be praised. They have been compared to Rob Bottin's "The Thing", which I think is fair. But Buechler often gets the short shrift, perhaps considered inferior to Bottin, Robert Hall, John Vulich, KNB and others... look at these effects and tell me he is not among the greatest effects artists out there. Ted Sorel, not typically associated with horror, did extremely well, too, and should be recognized -- horror fans can also check him out in "Basket Case 2".

But the film leaves something to be desired. While the concept of opening another dimension is very cool (and classic Lovecraft), and the focus on the pineal gland is a good way to address that (as one character remarks, the gland has been a metaphysical mystery at least since the days of Descartes), it seems like screenwriter Dennis Paoli did not adequately find the right way to adapt a seven-page story into an 85-minute film.

The film remains strong for the first half, but after that the audience (or at least me) grows weary, wondering how many times the group can return to the attic, or how many times a machine can be destroyed and still work. And then the story spirals off in a very strange direction, as if it suddenly picked up another script to get directions from. If this could have been condensed to 60 minutes, it probably would be a masterpiece, but instead it sort of lingers as Stuart Gordon's red-headed stepchild.

So, in short, die-hard horror fans are going to love (or at least enjoy) this film, seeing their favorite stars on screen (sort of a sequel to "Re-Animator" -- with three cast members, a director, producers, writers and even Miskatonic University returning). For the rest of the viewing public, this is not going to be a top pick...

From the team that brought us the horror classic; Re-Animator comes From Beyond; a tale of a mad scientist and his search for the ultimate pleasure.

Like Re-Animator, From Beyond is based on a story by the fantastic horror writer H.P. Lovecraft. The acting here comes courtesy of two of Re-Animator's best actors; Jeffrey Combs, a man that is well known in the world of B-Movie, and Barbara Crampton; the scream queen that we all remember from the infamous 'head' sequence in Re-Animator. There is also a role in this movie for Ken Foree, whom horror fans will instantly recognize from the classic film, Dawn of the Dead. I didn't know he was in this movie, so it was a nice surprise for me. From Beyond is also brought to the screen by the same team that brought Re-Animator to the screen; Stuart Gordon in the director's chair and Brian Yuzna producing. With a group of people as accomplished in the horror genre as this fine bunch, what could possibly go wrong?

The plot of this movie is good because it very much plunges into the unknown, and as well all know; it is that which makes horror frightening. This movie is also made good by the fact that once the horror starts, it doesn't stop and that's always a good thing for a horror movie as nobody likes waiting for the next horror sequence to turn up. The team of Gordon and Yuzna obviously knows that relentlessness makes a good horror movie as it is evident in all horror movies that they have worked on, together or separately. The idea behind it is also an original one, as ever with H.P. Lovecraft and it leaves a lot open for creativity, which is capitalized upon very well by Stuart Gordon with his interesting and effective creatures that are brought into the film as a result of the scientist's foray into 'the beyond'. The story, it could be said, is unrealistic, which is true of most horror films. However, the way it is brought to life seems realistic and as there is some explanation to the point of the machine and that which it does, so the audience can somewhat believe it; much to the film's credit.

In the 80's, horror reached a new point; gone was the creativity of the 60's and 70's, and a new area of over the top and extremely gory horror was opened up. From Beyond very much capitalizes on this 'new wave', but unlike a lot of the 80's films that did, From Beyond manages to pull it off so it is both interesting and creative and therefore it is a cut above the majority of other 80's films of the same ilk. From Beyond is not a masterpiece, but it is very good and fans of the horror genre will certainly find something to like about it. Recommended.

Based on a Lovecraft story, this shows the danger of seeing and knowing too much. Campy horror director Stuart Gordon has Jeff Combs working on a machine (the Resonator !) that can help us to "see" other dimensions. When they turn on the machine, it brings monsters into this dimension. when the Doctor Pretorious is killed by his own experiment, Crawfod is locked up as a nut job. Barbara Crampton is Dr. McMichaels, trying to get to the bottom of his case. and of course Gordon puts his own wife Carolyn in here as another doctor. So they take Crawford back to the scene, and for some unknown reason, they think turning it back on is a good idea. Keep the kids away. Language, violence and nudity. S&M. a little something for everyone. and the weird thing is, they keep talking about the pineal gland, which really does control our sleep rhythms by controlling our melatonin level. and on some web pages, there are the discussions of flouride in our water supply. This "results" in the blocking of our ability to see the alternate planes. which is what this whole film is about! actually slightly based on "shakey science". who knew? it's all silly and campy and cheap and cheesy. but you'll have a fun time watching. not for the weak of heart.

There's Jeffrey Combs doing his bit! "The Resonator, it's working! We know that, 'cos weird worms pop out of the air and try to eat your face! Love a doctor called Pretorius complete with mad laugh! Acting dialled up to 11 - "I want to see more than any man has ever seen!" Lovely makeup and gore effects - only Gordon does Lovecraft like this and has so much fun doing it - but it just gets silly as they totally lose it at the end!