Um Vagabundo na Alta Roda

When Nick Nolte was arrested for DUI in 2002 and they published his mug shot picture I thought it was Jerry Baskin. I first saw this film during it's initial theatrical release and found it very amusing. This is a re-telling of playwright René Fauchois' Boudu sauvé des eaux that was made into a film in 1932. In this story the rescued drowning man is played by Nick Nolte who is a down and out former actor who is homeless and had but one friend, his stray dog. He can't find his dog and wanders into the backyard of a Beverly Hills dysfunctional and affluent family where he plans to end it all by drowning in their swimming pool. Homeowner Richard Dreyfuss comes to the rescue and the homeless man, Jerry becomes a wanted and unwanted guest in their home. Bette Midler is Dreyfuss' wife, Tracy Nelson is the daughter, Evan Richards is the son, Elizabeth Pena is the maid and Little Richard is the next-door-neighbor. A fun situational comedy, the screenplay was written by Paul Mazursky and Leon Capetanos who collaborated on several films with Mazursky. Mazursky is a multi-talented director/writer/producer/actor who also appears in this film. He got wrote and produced I Love You Alice B. Toklis and then went on to big success as the director of Bob & Carol & Ted & Alice. In the 70's he had some other notable films that he directed including Harry and Tonto and An Unmarried Woman but his only film of note in the 80's was Moscow on the Hudson and after Down and Out in Beverly Hills directed only seven other films of little note and his writing creativity seems to have stalled to as he only wrote four more screenplays in the past 20 years. Cinematographer Donald Mcalpine is this film's photographer. He's had recent success with Chronicles of Narnia. Some of his other films include Mrs. Doubtfire, Predator, My Brilliant Career and Breaker Morant. Andy Summers of the rock band the Police provides the music score. The Talking Heads song Once in a Lifetime which was 6 years old was used as the theme song of the film and it suddenly became a charting single. This is a good film if you've never seen it and a good look back to the 80's. I would give it an 8.0 out of 10.

This isn't one of Mazursky's better, serious films but it is an awful lot of fun nevertheless and it stays in the memory. It's an American reworking of Renoir's "Boudu sauve des eaux" and in the role of the scampish tramp it has the great Nick Nolte who looks like a disheveled bear. He's the Boudu character rescued by Beverly Hills businessman Richard Dreyfuss who is as genial and as soft as a poached egg and who radiates goodness. He's the kind of man who feels he has to set the world to rights but isn't pushy enough to do it. That can't be said of his jiggly wife, Bette Midler, who is brash, lewd and who seems to be wearing dresses several sizes too small for her. Midler moves like a mini tornado and her performance has some of the energy of her stage shows. Between them, Nolte, Dreyfuss and Midler bring combined wit and intelligence to the material. They seem to be having a right old time and their pleasure is infectious. Mazursky keeps things on a low boil and lets his players have their rein. It's to our advantage.

Still funny upon seeing it the second time - 20 years after its first-run viewing. Every character is likable - Nolte, Dreyfuss and Midler in the starring roles, and every one of the primary co-star and the supporting cast.

Nolte is an outstanding actor, and this role and his harder-edged character in the great "North Dallas Forty," are among his very best. Many actors exhibit far different personalities off-screen than "on" ( e.g. Nicholson), or are downright goofy in real life (Cruise, Jolle, Affleck/Lopez, etc.). But I've never seen any whom I wish might be more like his on-screen persona than Nolte. The guy has charisma, believability, and is completely likable in every role.

Here, he staggers, pretty much literally, homeless, into the mansion of a Beverly Hills wealthy family as dysfunctional (although pleasantly so) as any on the planet.

Of course, his presence and "counsel" take care of all their neuroses - bringing a relaxed enjoyment of life to Dreyfuss, a reawakening of sexual delight in Midler, enjoyment (and relief from anorexia/bulimia) to the winsome daughter, direction to the frustrated adolescent son, happiness to the sexy Latino maid, and effecting a change in the family pooch to where he can now enjoy the pleasant life of a contented, happy pet.

The diversions and hi-jinks in the story are also pleasant - often these necessary components of a film can detract - and the equally necessary closing events lead to a pleasant rapprochement and a happy ending.

An excellent, "feel good" viewing experience.

One of the charms of Down and Out is it's "dated" quality. Paul Mazursky has a great talent for capturing an era in popular culture and some of his movies, such as Bob and Carol and Ted and Alice are incredible historical records of their times as well as durable entertainment. Down and Out jump-started Richard Dreyfuss' flagging career, as well as Bette Midler's as a movie actress and Little Richard as a popular singer. This is something modern audiences probably don't know, just a historical side note. Nick Nolte prepared for the part by actually living on the street and not bathing for a month. An actor who takes his parts seriously.

Another fun quality of Mazursky's films is that he puts his friends and family into his movies. Don Muhich, the dog psychiatrist, was Paul's psychotherapist in the '70s and has that role in two other Mazursky movies (B&C&T&A and Blume in Love)

Nick Nolte is "Down and Out in Beverly Hills," a 1986 film directed and co-written by Paul Mazursky and starring Richard Dreyfuss, Bette Midler, Elizabeth Pena, Little Richard, and Tracy Nelson.

Nolte is Jerry, a street person so low even his dog leaves him for a kind jogger. While searching for his dog, he stumbles onto the property of Dave and Barbara Whiteman - Whiteman is a clothes hanger king living the good life in Beverly Hills.

Filling his pockets with rocks, Jerry attempts suicide by diving into the Whiteman pool, but is saved and ultimately taken in by Dave. Jerry isn't particularly grateful - he wants Courvoisier instead of the alcohol offered him, and, given dinner, questions the meat on the turkey.

Dave, guilty about his wealth, bored with his life, and wanting to do some good, buys Jerry clothes and lets him live at the mansion. He even offers Jerry jobs, which Jerry doesn't accept.

Jerry's history is on the vague side - he speaks of doing the concert piano circuit, he is recognized in a restaurant by as a writer, maybe he did some acting...hard to know. Before long, he's taken over the entire household, becoming the only one in the house that the Whiteman's psychologically disturbed dog, Matisse, can tolerate.

Jerry becomes Barbara Whiteman's masseuse and the man who finds her G-spot, the lover of housekeeper Carmen (Pena) after Dave goes back to sleeping with Barbara, the man who gets the Whiteman's anorexic daughter (Nelson) to fall in love with him and start eating; and the man who convinces the androgynous Whiteman son to come out to his parents. Too late, Dave realizes he's Dr. Frankenstein, and Jerry is the monster.

This is an entertaining film with dark undertones and good performances, particularly from Nolte, Dreyfuss, Midler, Pena and Mike (Matisse the dog). Little Richard is a riot as a neighbor.

Nolte is in great shape here, as is Midler, who looks fantastic. The party scene toward the end of the film where Dreyfuss chases Nolte throughout the house and grounds is quite funny. The ending isn't the best, but it's a fun watch anyway.