AVALIAÇÃO DA IMDb
6,9/10
60 mil
SUA AVALIAÇÃO
Ao emigrar para os Estados Unidos, um jovem russo se separa da sua família. Ele precisa encontrá-los enquanto tenta sobreviver em um novo país.Ao emigrar para os Estados Unidos, um jovem russo se separa da sua família. Ele precisa encontrá-los enquanto tenta sobreviver em um novo país.Ao emigrar para os Estados Unidos, um jovem russo se separa da sua família. Ele precisa encontrá-los enquanto tenta sobreviver em um novo país.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 6 vitórias e 7 indicações no total
Dom DeLuise
- Tiger
- (narração)
Christopher Plummer
- Henri
- (narração)
Erica Yohn
- Mama Mousekewitz
- (narração)
Nehemiah Persoff
- Papa Mousekewitz
- (narração)
Amy Green
- Tanya Mousekewitz
- (narração)
Phillip Glasser
- Fievel Mousekewitz
- (narração)
John Finnegan
- Warren T. Rat
- (narração)
Pat Musick
- Tony Toponi
- (narração)
Cathianne Blore
- Bridget
- (narração)
Neil Ross
- Honest John
- (narração)
Madeline Kahn
- Gussie Mausheimer
- (narração)
Betsy Cathcart
- Tanya Mousekewitz
- (canto)
- (não creditado)
Johnny Guarnieri
- Italian Singer Mouse
- (narração)
- (não creditado)
Warren Hays
- Irish Singer Mouse
- (narração)
- (não creditado)
T. Daniel Hofstedt
- No Cats in America Chorus
- (narração)
- (não creditado)
Avaliações em destaque
"An American Tail" was Don Bluth's second animated feature since leaving Disney, and, in my opinion, it is his best. It's got the most heart out of all of his movies. It's got the Oscar-nominated song "Somewhere Out There" and the main character of Fievel. This character just warms my heart and I can easily feel for him. Don Bluth has made only three very good animated features: this movie, "The Secret of NIMH", and "The Land Before Time". But "An American Tail" tops them both. No matter how predictable or sentimental the story is, I always get caught up in it. The sequel was good, but it was more like a fast-paced western comedy with some one-liners and such sight gags. The original is the better film in my opinion. Only complaint: one too many chase scenes with Fievel and other mice running from cats.
Not only is An American Tail easily one of the best animated features ever made, but it proves to be leaps beyond the efforts of recent Disney movies by refusing to be constricted to an all-too-familiar formula. This movie does not stay within the cozy, comfortable guidelines that Disney adheres to in order to make money. Instead, it tells a truly unique tale, one not borrowed from any other source, and one overflowing with artistic wonder and originality.
The characters you will see here are not stock, not pulled from the typical Disney hat. The story is not a chuckle-a-minute, lowbrow attempt to take the easy way out in pandering to children. The main character, Fievel, suffers real hardships and tragedy, and stares into the despair of his own soul before the movie is finished. This, of course, makes the ending that much more satisfying, an infinitely more significant and authentic moment than any cardboard cut-out Disney plot.
If you want to see what animation was meant to be as an art form, if you want to feel the power and emotion that can truly be reaped from this under-appreciated and over-commercialized medium, look no further than An American Tail.
The characters you will see here are not stock, not pulled from the typical Disney hat. The story is not a chuckle-a-minute, lowbrow attempt to take the easy way out in pandering to children. The main character, Fievel, suffers real hardships and tragedy, and stares into the despair of his own soul before the movie is finished. This, of course, makes the ending that much more satisfying, an infinitely more significant and authentic moment than any cardboard cut-out Disney plot.
If you want to see what animation was meant to be as an art form, if you want to feel the power and emotion that can truly be reaped from this under-appreciated and over-commercialized medium, look no further than An American Tail.
Don't take me wrong: although An American Tail is a wonderful film, the old Disney classics are not the ones I'm talking about in the summary. I'm talking about the over-commercialized crap we get these days. Don Bluth's second animated feature is again about mice, like Secret of NIMH. I think NIMH was better, though not by much. The songs are pretty good, although not like some Disney songs. The animation, however, is simply gorgeous. I can't believe people dismiss it as poorly animated just because the colors aren't bright! The colors are dark and moody, as they should be, An American Tail--nor any of Bluth's films--were ever supposed to look like Rayman. If you want to see Bluth with bright colors, glance at some cheery scenes from A Troll in Central Park. I find the way Fievel and his family miss each other by inches frustrating, though. In fact, I was surprised Fievel and Tanya couldn't hear each other as they sang "Somewhere Out There". A simply beautiful film, a must for anyone who looks for variation in the field of animation, but infuriating for anyone who thinks the scope of animation should be restricted to Disney.
As a non-American who has heard so often of The American Dream, I saw this movie as a celebration of that dream. The flight of the poor and oppressed (and Jewish?) from Europe to the proposed Land of Freedom and Wealth (There are no cats in America and the streets are paved with cheese?) to find more poverty and oppression (workhouses, cats and workhouse tout Warren T. Rat), but with the opportunity to do something about it that they did not have in the old country.
The song "Somewhere Out There" is quite perfectly matched with Fyvel and his family searching for each other, and the version heard in the movie is rather more expressive than the released single.
It is not necessarily fun for the whole family. Children will find it fun. Adults will find it interesting, not so much in fun as in pride and awareness, at least if they are Americans .
The song "Somewhere Out There" is quite perfectly matched with Fyvel and his family searching for each other, and the version heard in the movie is rather more expressive than the released single.
It is not necessarily fun for the whole family. Children will find it fun. Adults will find it interesting, not so much in fun as in pride and awareness, at least if they are Americans .
In my opinion, this is an excellent movie for all ages that will warm your heart! When Fievel (voice of Phillip Glasser) got lost, I wanted to cry. Although some of the characters were diabolical, I liked everybody. Well, it's hard to say which character was my favorite. The music was good, especially "Somewhere Out There, "A Duo," and "No Cats In America." In addition to the music being good everyone was cast perfectly, and the direction was flawless. In conclusion, I highly recommend this very touching movie for all ages that will warm your heart to anyone who hasn't seen it. You're in for a real treat and a good time, so go to the video store, rent it or buy it, kick back with someone close to you, and watch it.
Você sabia?
- CuriosidadesFievel was the name of Steven Spielberg's grandfather.
- Erros de gravaçãoIn the cat's lair Tiger mentions to Fievel that he is a fan of broccoli. The film is set in the 1885-1886 time frame. Both broccoli and cauliflower were unknown in the United States then. In fact, both vegetables were not commercially grown in the United States until Italian immigrants started commercially growing both vegetables in California in the 1920s.
- Citações
Honest John: [At the wake of Mickey O'Hare] Poor lad. So young. He never had a chance to vote. Well, he'll vote from now on. I'll make sure of that.
[Writes Mickey's name on a notebook under "Ghost Votes"]
- Cenas durante ou pós-créditosThe first half of the end credits feature period engravings of what New York City looked like in the 1880s.
- Versões alternativasThe 2006 DVD release includes a remastered 5.1 soundtrack, both in Dolby Digital and DTS. It also has some dialogue changes compared to the original, most noticeably: Extra dialogue that was recorded but never used, and different voices for the orphans towards the end of the film (adults instead of kids - these are actually the original voices, which were replaced by children after the scene was animated).
- ConexõesEdited from A Ratinha Valente (1982)
- Trilhas sonorasThere Are No Cats in America
Music by James Horner and Barry Mann
Lyrics by Cynthia Weil
Performed by Nehemiah Persoff, Johnny Guarnieri, and Warren Hays
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Fievel e o Novo Mundo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 47.483.002
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.234.446
- 23 de nov. de 1986
- Faturamento bruto mundial
- US$ 84.542.002
- Tempo de duração1 hora 20 minutos
- Cor
- Mixagem de som
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