As aventuras de um detective policial louco e tolo que está sempre à procura da solução mais violenta para qualquer problema.As aventuras de um detective policial louco e tolo que está sempre à procura da solução mais violenta para qualquer problema.As aventuras de um detective policial louco e tolo que está sempre à procura da solução mais violenta para qualquer problema.
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Ah, the comedies of the 1980s. The Cosby Show, Family Ties, Night Court. There are shows like those, classics indeed, for their own reasons, and then there is "Sledge Hammer!"
It's just a _bit_ different. Imagine if you will the ability of a show to consistently spoof movies, or whole genres of tv show/film, and consistently nail it dead on in a 30 minute time slot. That's the quality of writing the show had, but the execution is what made it work. The three leads had consistent timing and brutally funny comic delivery. David Rasche, as the lead, was a standout, often getting the most manic material, though Page and Martin made it truly a triple threat. On one of the shows, Martin's character takes on Hammer's personality, and she nails that stuff pretty well.
In short, Hammer is the ultimate send-up of the classic loose cannon police detective. Dirty Harry is a great inspiration, but there are other aspects that work their way in as well. A few of the shows sent up the film noir detective genre. While some have compared it to "Get Smart" or "Police Squad," the thing that amazed me about it was how it reminds me at times of British comedies like "Blackadder" or some of Monty Python's skits. It is great that send-ups this consistently good got on American TV. Especially as there was almost always another, more subtle layer of humor under the more over-the-top gags. The main running current of humor was the sending up (by exaggeration) of the ultra-violent tone the action genre had taken on at the time. Yet underneath the people involved managed to work in genuine warmth, sybtle moments of humor, and genuine emotion across the board.
The show only ran for two seasons, agaist stiff competition (Put in a timeslot for example, against CBS' "Dallas" and NBC's "Miami Vice.") If only there was a better timeslot.. and maybe more budget, though the show did quite well with what they had.
I saw this in it's initial ABC run, then a few years later when a local station in Philadelphia put it on in reruns. Some of it held up very well, especially when classic genres/films were "given tribute." Some of the 80s references date it, but it wasn't bad. In fact, it rocked. Plus I remember seeing the first run as a kid, and the scene with the bazooka in the first show hooked me. Hilarious. In short, although it struggled, it built a pretty strong following among fans, and that is the definition of a cult classic. Websites have sprung up in recent years, allowing fans to chat about this truly unique show. When they put this one together, they really did know what they were doing.
It's just a _bit_ different. Imagine if you will the ability of a show to consistently spoof movies, or whole genres of tv show/film, and consistently nail it dead on in a 30 minute time slot. That's the quality of writing the show had, but the execution is what made it work. The three leads had consistent timing and brutally funny comic delivery. David Rasche, as the lead, was a standout, often getting the most manic material, though Page and Martin made it truly a triple threat. On one of the shows, Martin's character takes on Hammer's personality, and she nails that stuff pretty well.
In short, Hammer is the ultimate send-up of the classic loose cannon police detective. Dirty Harry is a great inspiration, but there are other aspects that work their way in as well. A few of the shows sent up the film noir detective genre. While some have compared it to "Get Smart" or "Police Squad," the thing that amazed me about it was how it reminds me at times of British comedies like "Blackadder" or some of Monty Python's skits. It is great that send-ups this consistently good got on American TV. Especially as there was almost always another, more subtle layer of humor under the more over-the-top gags. The main running current of humor was the sending up (by exaggeration) of the ultra-violent tone the action genre had taken on at the time. Yet underneath the people involved managed to work in genuine warmth, sybtle moments of humor, and genuine emotion across the board.
The show only ran for two seasons, agaist stiff competition (Put in a timeslot for example, against CBS' "Dallas" and NBC's "Miami Vice.") If only there was a better timeslot.. and maybe more budget, though the show did quite well with what they had.
I saw this in it's initial ABC run, then a few years later when a local station in Philadelphia put it on in reruns. Some of it held up very well, especially when classic genres/films were "given tribute." Some of the 80s references date it, but it wasn't bad. In fact, it rocked. Plus I remember seeing the first run as a kid, and the scene with the bazooka in the first show hooked me. Hilarious. In short, although it struggled, it built a pretty strong following among fans, and that is the definition of a cult classic. Websites have sprung up in recent years, allowing fans to chat about this truly unique show. When they put this one together, they really did know what they were doing.
This show is a great parody of 70's and 80's police movies and TV shows. They manage to include all the staples of the genre. The out of control detective with a gun that's way too big and a silly catch phrase(Trust me, I know what I'm doing), a hot female partner for him and the angry black captain who is always screaming. Plus, most episodes are actually direct parodies of old movies and TV shows.Watch it.
A hidden gem from the eighties. In-jokes seemed to be the rage at ABC around the '86-87 and '87-88 seasons (Moonlighting, Growing Pains etc.) and this was no exception. A cool look, a lot of pop culture riffs, and an original in every way. How many other half hour sitcoms had action and adventure like this but still maintained a comic edge ? I rented four episodes from the video store ten years after the show went off the air and still found it funny. Like Miami Vice, the look of the show was very much of the time. Too bad it was scheduled opposite it on Friday nights.
Sledge Hammer was a comedy series that was a spoof of Dirty Harry. David Rasche (Sledge Hammer) was a overly violent, over-the-top detective who frequently talked and did everything with his gun. The charm of the show stems from his bone-headed clashes with Captain Trunk and partner Detective Doreau. Also his every attempt to solve problems with guns makes the show absolutely hilarious.
He doesn't like criminals, small children or babies. This NOT for the overly sensitive or politically correct types. This series was no where near the aforementioned attributes. The premise of the show was to show how silly violence could be in solving every problem that could possibly arise. Yes, it trivialized death. Yes, it dealt with guns in light-hearted way. Yes, there were random incidences of unnecessary violence. But that is where the humor is at. If you don't understand that statement, you'll never get this series so just walk away.
Though this series lasted two seasons, I am very pleased that Anchor Bay went ahead and obtain the rights to releasing both seasons on DVD. I've purchased the first one and am very pleased with the results.
There haven't been too many TV shows that have come across in my time that I really enjoyed, but I did enjoy this one. It was different from all of the other stuff that is put on television. There has not been a comedy with this premise and format since Sledge Hammer. I think that says a lot.
10 out of 10
He doesn't like criminals, small children or babies. This NOT for the overly sensitive or politically correct types. This series was no where near the aforementioned attributes. The premise of the show was to show how silly violence could be in solving every problem that could possibly arise. Yes, it trivialized death. Yes, it dealt with guns in light-hearted way. Yes, there were random incidences of unnecessary violence. But that is where the humor is at. If you don't understand that statement, you'll never get this series so just walk away.
Though this series lasted two seasons, I am very pleased that Anchor Bay went ahead and obtain the rights to releasing both seasons on DVD. I've purchased the first one and am very pleased with the results.
There haven't been too many TV shows that have come across in my time that I really enjoyed, but I did enjoy this one. It was different from all of the other stuff that is put on television. There has not been a comedy with this premise and format since Sledge Hammer. I think that says a lot.
10 out of 10
This is one of the greatest TV comedies that has ever been produced. Episodes like "All Shook Up" (the Elvis impersonators one) and "Hammeroid" (the Robocop spoof) will stay with me forever. Today's comedies can't hold a candle to this. It discovered irony and satire 10 years before the rest of America. "Trust me- I know what I'm doing!" should have been a catchprase for one of Ronald Reagan's campaigns, it summed up the spirit of an age that is no more, like this sublime show...<sob>
Você sabia?
- CuriosidadesAlan Spencer originally wrote the pilot script in 1976 as a parody of Perseguidor Implacável (1971) and its sequels. Every network rejected it, and executives questioned Spencer's mental health because of the exaggerated violence. Networks began showing an interest in Spencer's script after the success of Impacto Fulminante (1983).
- Citações
[repeated line]
Sledge Hammer: Trust me - I know what I'm doing!
- Cenas durante ou pós-créditosThe episode "Last of the Red Hot Vampires" ends with the dedication "In Memory of Mr. Blasko". Blasko was the real last name of Bela Lugosi.
- Versões alternativasAn alternate, unaired version of the pilot episode "Under the Gun" is available on the Season One DVD. It includes 10 minutes of additional footage, an alternate epilogue and completely different opening and ending theme music.
- ConexõesFeatured in Sledge Hammer: Go Ahead, Make Me Laugh! (2004)
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