Espírito Assassino

80s horror films are remembered fondly for being fun and over-the-top, but most were fairly unoriginal, gratuitous and campy. Witchboard is special because its not a sequel or a ripoff of anything, isn't made for horny teens or punk rock sadists and it has a genuine interest in the scary subject matter - the occult. Director/writer Kevin S. Tenney would explore demonic possession with more fun and splatter with "Night of the Demons" years later on a bigger budget, but Witchboard is a good preface as its more believable, emotional and mature. I wish it was more exciting at parts but this is an independent horror film with limited means. Anyway its a good contribution to the horror genre for its time and it holds up better than many others.

This is a surprisingly competent horror movie, and it is certainly better than most other films of the same genre. That having been said, since very few horror films work for me, it should come as no shock that I found this one to be nothing more than an average movie. It did generally keep me entertained, and there were some clever moments in this film, but the momentum did not last all the way until the end, and so I'd say that it falls a little short of being "good".

This is one of those movies that proves that you don't need a huge budget to make a quality horror film, or any film for that matter, but we are talking horror here. I had read many years ago that this film was made for less than a million dollars and even in 1985 that is chump change. But this film is so pure with it's suspence that you would think it was done by a major Hollywood studio with a ten million dollar budget.

When a witchboard is discovered it is at first played for fun. But then it becomes an obsession and it takes over the life of the woman that talks to it. A spirit named David is a little boy that may or may not be the spirit that is possessing the Witchboard and sometimes he is nice and other times he is down right nasty. There is also a great horror villains name in this film, Mal Veder, almost sounds like Darth Vader's distant cousin doesn't it?

What Witchboard does so well is it pays attention to detail and it pays attention to what made some of the great horror movies did. And what this manages to do is treat the camera like it is his best friend. The camera lurks mysteriously behind it's actors and beside them and above them and everywhere else. And what this does is it gives you the illusion that there is someone or something there, and that is the beauty of this film, you don't know if it really is someone or something there. This is great homage to some of the greats like Carpenter and Hitchcock.

Witchboard is a great 80's horror film and I like it for the fact that it is much more concerned with atmosphere than stupid blood and guts and unneccesary gore. 90's horror should watch films like this and use the same techniques to scare us. Blair Witch may have watched this but films like the Haunting and I Know.... and Idle Hands sure didn't.

This isn't Shakespeare, but as far as Ouija board movies go, it was decent. You get some kills (not gory enough) some boobs, some 80's hair and fashion, and a whole lot of homoerotic tension between the two leads (unintentional). But it adds up to a quick moving, decent little cheesy horror movie. Not amazing, but not the worst thing you can see.

A woman (Tawny Kitaen) finds an interest in her friend Brandon's Ouija Board when he brings the occult tool by her party.

This was the beginning for much of the crew. Writer-director Kevin Tenney had never written or directed before, Kenney's college friend Gerald Geoffray had never produced before, nor had executive producer Walter Josten. Indeed, much of this came out of Tenney's film school classes.

Tawny Kitaen was cast because guys in the office were "drooling" during casting when they saw her. Tenney had actually favored another actress, but went with Kitaen because of this perceived charisma. (This casting also was a lucky break, because between filming and release, Kitaen blew up thanks to her infamous Whitesnake videos.) As a side note, O. J. Simpson was dating Kitaen at the time and would visit the set with his red-dyed poodle.

While not the greatest of the 1980s horror films, one has to admit this still holds up well. In some ways, it is more amusing now (2014) than it ever was originally because of all the 1980s hair and clothing. For example, just look at Zarabeth (Kathleen Wilhoite)... that is some weird 1980s style.

But really, this is something of a modern classic because what other horror film really captures the danger of the Ouija? None come to mind for me, and it seems like such an obvious choice... well played Kevin Tenney for going with this.

The Scream Factory disc contains a wealth of bonus features, including two audio commentaries. One of them features Tenney, Gerald Geoffray and Walter Josten, and is excellent, featuring many fine stories, including how much craft services loves doughnuts.