Sinal de Perigo

This very underrated film happens to be one of my favorite thriller/horror films of the 80's. This film is so stylish that even the blood spatter that follows is done tastefully and not gory. A virus turns biologists into zombie-like humans, but they don't want to eat your brains and you don't turn into a zombie when bitten. They do, however, want to kill the living, hence the zombie referral, although it is by no means a zombie film. The cast is incredibly good and convincing, and the make-up effects are equally good. Interesting fact about director Hall Barwood is that this was his only film project as director. After this, he ventured into video games.

Hal Barwood directed this thriller that stars Sam Waterston as Utah sheriff Cal Morse, who is forced to deal with the accidental contamination that has occurred at a research facility dealing with toxins. The military arrives to control things, but the families of the employees trapped inside the sealed-off containment area want answers, and threaten to batter down the doors to rescue them, which would be most unwise, as the released toxin has turned them into psychotic killers, except Cal's pregnant girlfriend Joanie(played by Kathleen Quinlan). Cal and a scientist(played by Jeffrey De Munn) must infiltrate the facility, to find a cure... Marginal film at least doesn't go overboard into Zombie clichés(thank goodness!), but despite the fine cast, it just misses, becoming a bit too predictable and unimaginative, though is certainly watchable enough for what it is.

I don't know if Zombie purists would call it a zombie film but this nice little picture stands the test of time to tonight's DVD viewing. I enjoyed almost all of it but the ending could have been better. The film makes some big comments on genetic engineering and the government/ corporation relationships regarding this. I would google this subject out and you will find some stories just as scary as this film!

Some real scares there. I like how the film doesn't make me cringe like many sci-fi/horror films of the period but actually impressed me. A hidden gem. Highly competent film that sustains almost to the end. The film involves some zombie concepts but doesn't follow the formula quite like the other films in that genre.

Great cast and the direction is restrained. The film stands the test of time so source it out.

I recently saw a preview for Resident Evil, the latest sci-fi/gore opus from Event Horizon director Paul Anderson. (Not to be confused with Paul Thomas Anderson). It looks like a big budget, explosive version of Warning Sign, a strange little horror movie I remember watching in the '80s. The plot of the 1985 film involves a deadly serum leaking inside a bio-chemical plant in rural Utah. The plant is sealed off--no one can get in or get out. What happens inside is best described as Night of the Living Dead meets the Andromeda Strain. All in all, not a bad horror film, and the actors (Sam Waterston, Kathleen Quinlan--both Oscar nominees, but alas, not for Warning Sign) manage to keep straight faces. The film has an "Alien" feel to it, and is quite stylish to boot. More than anything, the film has a good, somewhat believable premise for a horror story. But the execution is just so odd. Scientists becoming zombies or monsters has been done before, and the atmospheric first half of the movie is somewhat ruined by the over-the-top, borderline campy second half. We'll see soon enough whether Anderson's version of the idea is successful, although judging from the ads, I seriously doubt it.

This wasn't a bad film for its time. The cast is especially good. Sam Waterston and Jeffery Demunn play very well off each other and Kathleen Quinlen is a criminally underused actress, so it is always nice to see her.

The plot line has echoes of George Romero's earlier paen to paranoia and bio warfare spills 'The Crazies'. This film also pre-figures Resident Evil and 28 Days Later but played on a much smaller scale. Watching a film shot in the mid 1980's now serves as a reminder of just how bombastic and over-the-top most current films have become.

A modest effort but entertaining nonetheless.