O agente 007 tem de impedir um industrial ambicioso que quer matar milhões de pessoas para ter o monopólio na indústria de microchips. De Paris a São Francisco, Bond não pára, mas o tempo é ... Ler tudoO agente 007 tem de impedir um industrial ambicioso que quer matar milhões de pessoas para ter o monopólio na indústria de microchips. De Paris a São Francisco, Bond não pára, mas o tempo é pouco e ele é um alvo em movimento.O agente 007 tem de impedir um industrial ambicioso que quer matar milhões de pessoas para ter o monopólio na indústria de microchips. De Paris a São Francisco, Bond não pára, mas o tempo é pouco e ele é um alvo em movimento.
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- 2 vitórias e 6 indicações no total
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Avaliações em destaque
Even though Flemming's material is long gone by this time the plot in this film actually holds together quite well. Actually, in a way the plot borrows on the plot of Goldfinger replacing Gold with sand. This does hold the film together quite well. The biggest problem with this film is Tanya Roberts, on my list the second worst Bond girl. Trouble is there is nothing good to balance her here & since her poor performance dominates the film, we are stuck with her here.
(In case your wondering, the worst Bond Girl of the entire series is Lynn-Holly Johnson. In FOR YOUR EYES ONLY, Lynn proved she can't act, & couldn't even be a believable skater even though in real life she is one. Carol Bouquet balances her off because she is one of the best Bond women ever, because without her, Lynn would have killed the series off for Moore sooner.) Christopher Walken is good as the heavy in this. Grace Jones does a good turn as "Mayday" also.
Roberts is the reason this ended Roger Moore's reign as 007. Maybe this is a good thing, but I wish they could re-shoot it with another better actress (not Johnson) because this film is good. The scenery is good, and the rest of the cast brings this off well. The stunts in this one are top notch too. This film grows on you when you watch it. There are times when Moore's advanced age shows up plainly though.
The story has Bond recovering a microchip from a Russian facility that mirrors one at a plant run by Max Zorin. Meaning that somehow the Russians have gotten a hold of one of these chips. James sets out to investigate Zorin at his horse staples as Zorin seems to also have an unnatural edge in the racing of horses as well. It is not too long before Zorin tries to off Bond and show himself as the bad guy and soon Bond must go to San Francisco where he must try to figure out what Zorin's plans are as Zorin seems to be plotting something large. Bond will be assisted by a lady that Zorin has been trying to pay off and intimidate and together they will find themselves in a cave that is laden with Zorin's men as they plan to do something insane to turn the world of computers and microchips decidedly in Zorin's favor.
Roger Moore was quite old by this time and it was time for him to relinquish the role of 007. That being said, he still did a great job as the one thing you can say about him is that unlike Sean Connery near the end of his run as Bond, Moore still seemed to have fun doing it. In fact, I would say had Moore started as Bond instead of Connery, he would likely have kept the role up to View To a Kill. Here his age is apparent, as he is older than Connery, so one knows that you're mainly getting stunt doubles, but they made it work. Christopher Walken is the main villain of the piece and he is crazy good. Probably one of the more psychotic Bond villains he relishes killing those who work for him and laughs as he faces death. Grace Jones is also in this film and like most of the villains henchmen, she is a formidable opponent. Patrick Mcnee also does a good job as the agent initially investigating Zorin's horses. Now for the main problem with the film, Tanya Roberts. She has the looks, but she just does not seem like a Bond girl to me. She is perhaps, my least favorite Bond girl besides Denise Richards in The World is Not Enough.
So, I think this film was a nice farewell for Roger Moore as Bond. I actually thought Octopussy was good too, but this one was just a better send off as it had less comedic elements than did that film. Like I stated above, that one was nearly a parody in areas. Roger Moore's age does show, but he still carries the film well as he faces off a very nice opponent in Zorin played by Walken. I did not enjoy this one as much when I was younger, but it has grown on me, it is just nice to see so many very well down practical special effects rather than mainly CGI ones that accompany nearly every film released these days. It is also interesting that this is the film that sort of brought snowboarding into the open and made it quite big, so Roger Moore's final Bond film did start something rather big and that is rather cool. So is this film not even Moore's best Bond movie, but a nice cool entry into the series and a nice farewell to probably the actor who enjoyed being Bond the most.
Upon seeing 'A View to a Kill' I instantly was prepared for the worst, and let me tell you this certainly is a bad Bond film. Moore is showing his obvious age, making the relations with his leading ladies undeniably awkward, to say the least. The plot is as simple as they come, and none of the actors are really given any chance with the dialogue they have been given. Moore has very few witty comments in this movie, and most of the other characters are cardboard cut outs.
One thing however manages to make this film better than Moonraker. This is the under-appreciated role of Max Zorin, played by the always wonderful Christopher Walken. I can say without a doubt in my mind that Walken is the single saving grace in this film, exhibiting everything any good Bond villain needs.
Exotic locations: Check! Unique henchmen/henchwoman: Check! Surrounded by beautiful girls: Check Cold and ruthless attitude: Double check! Heartless and chilling disregard for henchmen life: CHECK Walken, with a horrid script (every character in this movie is poorly written) is able to create one of the best Bond villains I've ever seen! The way he talks, the way he acts, everything he does showcases his undeniable talent. So for a movie like 'A View to a Kill' Walken's performance is like shifting through sewage and finding a large diamond ring.
It is because of Walken that I recommend this movie and give it a relatively good rating. Everything else about this film is really forgettable. You'd think a super-strong female henchwoman would make for a memorable moment in the franchise, but this is so poorly handled that she winds up as one of the most forgettable characters in the series, as opposed to one of the best.
Roger Moore, unfortunately, ends his career on Bond in perhaps his own worst performance, which is undeniably sad. It seems that all Bond actors seem to end their careers on the lowest of their films (Connery with 'Diamonds are Forever', Brosnan with 'Die Another Day', and though Dalton was a great Bond, I have to say 'License to Kill' was a weak film) but with those films it has always been more the scripts fault, as opposed to the actor's talent (all three tried their best with the material). Moore is just plain stiff in his last entry! The man seems to have totally lost interest in playing the character by this point.
I consider 1979's 'Moonraker' Moore's worst, but like 'Diamonds are Forever', and 'Die Another Day', Moonraker was more the fault of the script writers; not the Bond actor. In 'A View to a Kill' Moore really shows that he is no longer capable of playing the part, and that is the saddest part of the film (especially seeing Moore seducing girls much younger than himself, with his developing turkey neck becoming quite obvious). Walken makes the movie an enjoyable, B-grade action movie, but as for Bond, this is where it becomes an undeniable fact that Moore has overstayed his welcome as Agent 007.
Moore deserved a better ending, and the fact is that he just shouldn't have come back for this film. Octopussy may have actually been a decent departure, but Moore decided to try one last time and it really is the straw that breaks the Moore Bond's back. Enough was enough, and Moore failed to recognize when he should have cried "when!" I give this film a decent rating for the performance of Christopher Walken, but everything else is very low, and forgettable. Go and see it for Walken, but it is sad to see Moore's finally desperate breaths as he tries to keep the character going one last time.
It's Moore's final appearance as 007, and he is trying to prevent a psychotic business magnate, Max Zorin (Walken) from destroying Silicon Valley and cornering the world electronic market all for himself. To make matters worse, Zorin is not your average adversary, since he was born as the result of a Nazi doctor's scientific tamperings resulting in him being hyper-intelligent but also uncontrollably murderous. The mission takes Bond from Zorin's French chateau, to San Francisco, and ultimately to an abandoned mine close to Silicon Valley, where Zorin plans to detonate a bomb which will trigger a cataclysmic earthquake.
The set pieces are memorable, including a parachute pursuit from the Eiffel Tower, a fire engine chase around the hilly streets of San Francisco, and an airship crash on the Golden Gate bridge. Moore looks a bit old for the part, and his sexual humour bears a greater emphasis than usual of the "dirty old man" baggage. However, he still has an easy-going charisma and good comic timing. Walken makes for a good, supremely confident villain, and is well backed by the fearsome Grace Jones. However, Tanya Roberts Bond girl character is whining and screaming so much in this film that she eventually wears out her welcome. The theme song from Duran Duran is rather too '80s, but the instrumental music by John Barry is stirring and dramatic.
I'm not sure what all the disappointment is about. A View To A Kill is an above average Bond flick with plenty to keep you entertained.
Você sabia?
- CuriosidadesSir Roger Moore was 57 at the time of this film's release, making him the oldest actor to play James Bond, tied with David Niven in Casino Royale (1967). Moore was also the second-oldest, as he was 55 when 007 Contra Octopussy (1983) was released. The third-oldest are Moore, Sir Sean Connery, and Daniel Craig, who were all 53 when 007 - Somente para Seus Olhos (1981), 007 - Nunca Mais Outra Vez (1983), and 007 - Sem Tempo para Morrer (2021) were released, respectively.
- Erros de gravaçãoAs Bond and Stacey are climbing up the elevator shaft, the cables burn through and the elevator falls down the shaft. Elevators have braking systems that prevent them falling even in the event of loss of their supporting cables.
- Citações
[the morning after Bond sleeps with May Day]
Max Zorin: You slept well?
James Bond: A little restless but I got off eventually.
- Cenas durante ou pós-créditosOpening credits disclaimer "Neither the name 'Zorin' nor any other name or character in this film is meant to portray a real company or actual person" appears right before the gunbarrel opening sequence. It was added after producers discovered a real company run by a person named "Zoran."
- Versões alternativasA deleted scene presented on the DVD shows Bond being bailed out of a Paris jail by M following his taxi chase of May Day. The scene shows Bond collecting his personal effects, including the wristwatch with garrote wire from Moscou Contra 007 (1963), an ink pen filled with acid, and a cigarette lighter that's a flame thrower.
- ConexõesEdited into James Bond 007 & Renault 11 in 'A View to a Kill' (1985)
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- 007: En la mira de los asesinos
- Locações de filme
- Château de Chantilly, Chantilly, Oise, França(James Bond stays at Zorin's Estate)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 50.327.960
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.687.114
- 26 de mai. de 1985
- Faturamento bruto mundial
- US$ 50.337.730
- Tempo de duração2 horas 11 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1