AVALIAÇÃO DA IMDb
6,0/10
6,5 mil
SUA AVALIAÇÃO
Prestes a terminar o terceiro ano do segundo grau, Morgan se vê obrigado a mudar de estilo de vida passando a freqüentar os subúrbios da cidade onde vive, ao invés do clube de garotos ricos.Prestes a terminar o terceiro ano do segundo grau, Morgan se vê obrigado a mudar de estilo de vida passando a freqüentar os subúrbios da cidade onde vive, ao invés do clube de garotos ricos.Prestes a terminar o terceiro ano do segundo grau, Morgan se vê obrigado a mudar de estilo de vida passando a freqüentar os subúrbios da cidade onde vive, ao invés do clube de garotos ricos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Robert Downey Jr.
- Jimmy Parker
- (as Robert Downey)
Panchito Gómez
- Mickey
- (as Panchito Gomez)
Francis X. McCarthy
- Man at Bus Stop
- (as Frank McCarthy)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Robert Downey Jr. AND James Spader? This could be a total turkey and I'd still watch it.
The performance of both is excellent, but that's no surprise. You get to see the formation of some of their respective trademark mannerisms.
Overall: strange plot, seems to sit between genres, starts off as a sort of High School rom-com but quickly descends into a rough teen thriller, with two major and totally random music numbers in the first part, both of which are arse-numbingly boring and ludicrous.
Having said that - James Spader's singing is nice - he's got a good voice but nothing wow, which is why it's interesting that the filmmakers have included it, but it lends a touch of authenticity to a highly stylized 80s flick. The song is odd, unknown to me, but it served its plot purpose I suppose - I would have preferred something else but we can't have it all can we.
Side note: what a beautiful man (James Spader). As penetrating and mesmerizing as ever.
Moving onto the girl: she's good. Intriguing. Playing with the concept of the good/bad girl credibly. Her back story is convincing (and so is Spader's).
The "baddy" of the piece is suitably threatening - you do feel intimidated by the violence and his gang throughout, and I did hold my breath on a few occasions - in terms of the suspense and fight scenes - two thumbs up.
Interesting ending - they didn't go for any cheapshots but saw it through to the end.
All in all - I think it's a bit of a gem, if a bit of a mongrel one.
The performance of both is excellent, but that's no surprise. You get to see the formation of some of their respective trademark mannerisms.
Overall: strange plot, seems to sit between genres, starts off as a sort of High School rom-com but quickly descends into a rough teen thriller, with two major and totally random music numbers in the first part, both of which are arse-numbingly boring and ludicrous.
Having said that - James Spader's singing is nice - he's got a good voice but nothing wow, which is why it's interesting that the filmmakers have included it, but it lends a touch of authenticity to a highly stylized 80s flick. The song is odd, unknown to me, but it served its plot purpose I suppose - I would have preferred something else but we can't have it all can we.
Side note: what a beautiful man (James Spader). As penetrating and mesmerizing as ever.
Moving onto the girl: she's good. Intriguing. Playing with the concept of the good/bad girl credibly. Her back story is convincing (and so is Spader's).
The "baddy" of the piece is suitably threatening - you do feel intimidated by the violence and his gang throughout, and I did hold my breath on a few occasions - in terms of the suspense and fight scenes - two thumbs up.
Interesting ending - they didn't go for any cheapshots but saw it through to the end.
All in all - I think it's a bit of a gem, if a bit of a mongrel one.
Anyone interested in seeing what kind of films James Spader started his career with should begin with Tuff Turf. The New Kids would show a darker side of Spader, but that film also covers the same territory. The story deals with a spoiled brat troublemaker (Spader) whose family is forced to move to a seedy area of L.A. from Connecticut after they somehow lose all their money. Back where he comes from, you can tell Spader was the toughest and coolest kid in school, but the tougher kids from his new school quickly have him on the run. After breaking up an attempted mugging by the school's toughest gang, Spader gets his butt kicked and his property destroyed numerous times. To make things worse of course, Spader falls in love with the gang leader's girlfriend (Richards), and she has feelings for him, too. Needless to say, you don't mess around with a gang leader's woman! Even if you are James Spader.
The film, though full of clichés as ancient as Romeo and Juliet, starts off with definite promise. The opening scene where Spader stops the mugging is exceptional. It's well-paced,well- filmed, and the action blocked perfectly. Every step the gang members take across the street as they pull out their weapons is well-choreographed. The film shifts gears somewhat as we see Spader adjust to his new school the following day. We are introduced to Robert Downey Jr.'s character, and he always livens things up in any film. His character is a bit of an enigma, to be certain. He quickly befriends Spader, yet he seems to know the gang well enough to borrow the gang leader's Camaro and things like that. He also plays drums for a pretty cool punk band we are introduced to a while later.
The tone of the film is wildly inconsistent. The second half hour is bewilderingly bad. Spader, Downey, Richards, and another chick take the gang leader's car for a joyride to some posh locations where presumably Spader feels more at home. The group invades a country club in an excruciatingly bad scene which culminates with Spader playing the piano for his new love interest while she sits atop the instrument and looks embarrassed. Spader's singing performance sounds a lot like the first out-take of a James Blunt recording session before he's warmed up. In other words, it sucks. Things get worse as the group moves to a trendy dance club and Richards does some kind of dirty dance while the entire venue stops to check her out. Simply put, the scene is horrible.
The acting is good enough. Spader and Downey just pretty much be themselves. Richards is certainly worth risking your life over. She's pretty, and she's cool enough to have Motley Crue pictures all over her bedroom walls! Paul Mones, who plays the gang leader is charismatic, but ultimately kind of wimpy. He really isn't too intimidating without his homies, and none of them look that tough, (excuse me...TUFF) either. Some of the music is a great example of the early 80s punk scene in L.A.. That Jack Mack and the Heart Attack band from the club is pretty lame, to say the least! No wonder some guy bombed the 1996 Olympics while they were playing a show! The Verdict: 5 of 10 stars. Basically for James Spader fans, only.
The Hound.
The film, though full of clichés as ancient as Romeo and Juliet, starts off with definite promise. The opening scene where Spader stops the mugging is exceptional. It's well-paced,well- filmed, and the action blocked perfectly. Every step the gang members take across the street as they pull out their weapons is well-choreographed. The film shifts gears somewhat as we see Spader adjust to his new school the following day. We are introduced to Robert Downey Jr.'s character, and he always livens things up in any film. His character is a bit of an enigma, to be certain. He quickly befriends Spader, yet he seems to know the gang well enough to borrow the gang leader's Camaro and things like that. He also plays drums for a pretty cool punk band we are introduced to a while later.
The tone of the film is wildly inconsistent. The second half hour is bewilderingly bad. Spader, Downey, Richards, and another chick take the gang leader's car for a joyride to some posh locations where presumably Spader feels more at home. The group invades a country club in an excruciatingly bad scene which culminates with Spader playing the piano for his new love interest while she sits atop the instrument and looks embarrassed. Spader's singing performance sounds a lot like the first out-take of a James Blunt recording session before he's warmed up. In other words, it sucks. Things get worse as the group moves to a trendy dance club and Richards does some kind of dirty dance while the entire venue stops to check her out. Simply put, the scene is horrible.
The acting is good enough. Spader and Downey just pretty much be themselves. Richards is certainly worth risking your life over. She's pretty, and she's cool enough to have Motley Crue pictures all over her bedroom walls! Paul Mones, who plays the gang leader is charismatic, but ultimately kind of wimpy. He really isn't too intimidating without his homies, and none of them look that tough, (excuse me...TUFF) either. Some of the music is a great example of the early 80s punk scene in L.A.. That Jack Mack and the Heart Attack band from the club is pretty lame, to say the least! No wonder some guy bombed the 1996 Olympics while they were playing a show! The Verdict: 5 of 10 stars. Basically for James Spader fans, only.
The Hound.
This one is a real relic of the '80s--the hair! The shoulder pads! The sweaters folded casually over the shoulders! The movie cheerfully steals from "Rebel Without a Cause" and winks at "The Warriors" and "Footloose" as well. Kim Richards is somewhat miscast as a "tough" girl but gives a very game performance and looks gorgeous as always. James Spader also gives a sincere performance, which couldn't have been easy with some of these scenes (he is forced to serenade Kim Richards on the piano). The best scenes, IMO, are the country club montage (Olivia Barash blithely asking the rich girls "You do swallow, right?"), and when Richards and Spader finally hit it off at a club. How do we know this? Because Richards breaks into a perfectly choreographed (albeit spontaneous) dance number! Truly enjoyable if you just let yourself do so.
Tuff Turf brings back memories of watching movies on Select TV. This 80's cult hit is about a young rapscallion who's life is turned upside down when his upper class father hits financial trouble forcing his family to move out to the 'hood. James Spader slowly learns how to deal with street life whilst his family adjusts to dealing with people that are of "lower social class". Interesting film staring James Spader as the young punk rich kid, Matt Clark as his shell shocked father, Robert Downey Jr. as his high school buddy and Kim Richards (Escape To Witch Mountain) as his soon to be girlfriend. The only part of the movie that gave me the willies was when his older (more culturally refined) brother pays a visit, there's an oedipal conflict between the two (the scene where the older brother embraces his mom far too long and hugs her too close for comfort)that would have given Freud a thrill to try and psycho-analyzed.
Recommended for 80's fans.
Recommended for 80's fans.
Morgan Hiller (James Spader) is a new kid in high school. He makes enemies with the local gang...but the gang leader's girlfriend (Kim Richards) falls for him.
The plot is very predictable but this still is lots of fun to watch. I saw it in a theatre back on a freezing cold winters night in 1985. I was in college and just expected a stupid teen flick (that's what I was in the mood for). I was surprised to find myself really liking it. In terms of fashions, music and attitude it was great! It caught the 1980s head on. These kids talked and acted like high school kids (even though all of them were well over that age). It moved quickly, was well-directed and is full of energy. Most of the acting is very good especially by Richards and a then unknown Robert Downey Jr. Spader was a little bit too mannered for the role but he was OK.
This is no unsung masterpiece but I think it's a good strong 80s flick. I give it an 8.
The plot is very predictable but this still is lots of fun to watch. I saw it in a theatre back on a freezing cold winters night in 1985. I was in college and just expected a stupid teen flick (that's what I was in the mood for). I was surprised to find myself really liking it. In terms of fashions, music and attitude it was great! It caught the 1980s head on. These kids talked and acted like high school kids (even though all of them were well over that age). It moved quickly, was well-directed and is full of energy. Most of the acting is very good especially by Richards and a then unknown Robert Downey Jr. Spader was a little bit too mannered for the role but he was OK.
This is no unsung masterpiece but I think it's a good strong 80s flick. I give it an 8.
Você sabia?
- CuriosidadesFirst theatrical feature film in top billed role for actor James Spader,
- Erros de gravaçãoThe clock behind Jimmy reads 12:40 in the hallway. It's already been established that this is Morgan's first morning at school.
- Cenas durante ou pós-créditosDuring the end credits, we see Morgan, Frankie, Jimmy and Ronnie dancing and playing instruments with Jack Mack and the Heart Attack at Club 60's.
- Versões alternativasOn the home video version, the song "Breakin' the Rules" is performed by Jonathan Elias, instead of Lene Lovich, whose version is played in the theatrical release.
- ConexõesFeatured in The Cinema Snob: Children of the Corn (1984) (2023)
- Trilhas sonorasTuff Turf
Written by Jonathan Elias & Doug Hall
Performed by Southside Johnny Lyon (as Southside Johnny)
Published by Chilly D. Music and Music Design Publishing
Principais escolhas
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- How long is Tuff Turf?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Territorio rebelde
- Locações de filme
- 6223 Lankershim Boulevard, Los Angeles, Califórnia, EUA(Sandy's Char Burger)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 9.369.329
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.509.380
- 13 de jan. de 1985
- Faturamento bruto mundial
- US$ 9.369.329
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