AVALIAÇÃO DA IMDb
5,8/10
1,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idioma4 LA cops are fighting the war on drugs. Corrupt superiors manage to break up their team when one of them gets killed. The 3 quit LAPD and continue investigating.4 LA cops are fighting the war on drugs. Corrupt superiors manage to break up their team when one of them gets killed. The 3 quit LAPD and continue investigating.4 LA cops are fighting the war on drugs. Corrupt superiors manage to break up their team when one of them gets killed. The 3 quit LAPD and continue investigating.
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Avaliações em destaque
I was pleased with the cast of reputable players. The story is one of standing up for a cause, even if you are at personal risk in doing so. In a time where violence and pain are often in the movie forefront, this movie focuses on the old fashioned good cop. Although similar plots have been done repeatedly, these guys pull it off well. Kick back and enjoy. Dennehy is a master of taking over a movie.
This movie is about what you would expect just from the title and looking at the art on the DVD box. It's a bunch of expert, no nonsense drug cops who are in a war against drugs and there turns out to be corruption high up the ladder. So they have to fight against the odds to keep their war against crime going. Some surprisingly good acting by some decent actors like Dennehy and Pantoliano (spelling?), this one is worth watching if you get a chance.
"The Last Of The Finest" didn't do a great deal of business when it was first release, possibly because the studio tried to market it as an action movie (it really isn't), and Dennehy, best known for playing heavies, possibly didn't fit audience's idea of a hero. Actually, Dennehy is pretty good playing his atypical role, believable as a cop who is honest and tries to do the right thing. The supporting cast is also pretty good in their roles. But the central conflict, dealing with bad guys in high places trying to interfere with the conflicts in Central America, is pretty standard stuff. I think that if they had tried to make this more of an action-oriented movie, it would have played a lot better. It's not a bad movie, just somewhat flat as it is. You will find it more entertaining if you watch it on commercial TV, however, because the ludicrous dubbing to remove the extensive foul language is unintentionally funny.
My review was written in March 1990 after a Greenwich Village screening.
The Iran-contra affair becomes the plot device for a farfetched and preachy co film offering Brian Dennehy an interesting star turn. Commercial prospects are bleak for this oddball Orion message picture.
Originally titled "Street Legal", "The Last of the Finest" belongs in a rarely attempted brand of pastiche film, last seen in the Watergate comedy "Nasty Habits" in which nuns led by Glenda Jackson and Geraldine Page portrayed thinly disguised members of the Nixon administration.
"Finest" is less interesting because it's one step removed. The central characters are Dennehy and his band of dedicated cops who tumble upon a bunch of corrupt characters (who parallel the Iran-contra protagonists) while working on a drug bust.
Like characters for a Don Siegel action pic (especially "Charley Varrick"), Dennehy and his loyal men Joe Pantoliano, Jeff Fahey and Bill Paxton bristle at L. A. P. D. rules and are suspended when their task force becomes overly zealous in its fight against drug trafficking. Audience immediately tumbles to the fact that higher-ups are blocking their noble cause: it's a combination of police brass and feds, working on an elaborate scheme to trade drugs for arms to supply Central American freedom fighters.
In pic's silliest plot twist, Dennehy and company too easily rip off minor drug dealers to finance their own purchase of heavy weapons to stage a three-man war against the baddies (one of Dennehy's merry men is murdered early on, as a corny motivational device). Their victory against tall odds is phony and the film's symbolism goes over the top in a climax of the drug money exploding in its cesspool hideaway, covering the baddies in excrement.
Despite the deficiencies of a script that unwisely mixes tongue-in-cheek elements with soapbox messages, Scottish director John Mackenzie keeps the pic moving and enjoyable on a strictly thriller level. Its unsubtle references to Iran-contra are more fun for film historians than action fans, leading to an ending on tv identical in purpose to the rabble-rousing conclusion of Alex Cox' similarly preachy "Walker".
Dennehy is excellent in delivering a liberal message in the form of a free-thinking independent who's tired of the expediency and greed of a system riddled with phony patriots. Guy Boyd ably leads the gang of Machiavellian villains and Aussie thesp Deborra-Lee Furness makes a good impression as Dennehy's wife.
Former Rolling Stone Mick Taylor adds punch with his guitar solos.
The Iran-contra affair becomes the plot device for a farfetched and preachy co film offering Brian Dennehy an interesting star turn. Commercial prospects are bleak for this oddball Orion message picture.
Originally titled "Street Legal", "The Last of the Finest" belongs in a rarely attempted brand of pastiche film, last seen in the Watergate comedy "Nasty Habits" in which nuns led by Glenda Jackson and Geraldine Page portrayed thinly disguised members of the Nixon administration.
"Finest" is less interesting because it's one step removed. The central characters are Dennehy and his band of dedicated cops who tumble upon a bunch of corrupt characters (who parallel the Iran-contra protagonists) while working on a drug bust.
Like characters for a Don Siegel action pic (especially "Charley Varrick"), Dennehy and his loyal men Joe Pantoliano, Jeff Fahey and Bill Paxton bristle at L. A. P. D. rules and are suspended when their task force becomes overly zealous in its fight against drug trafficking. Audience immediately tumbles to the fact that higher-ups are blocking their noble cause: it's a combination of police brass and feds, working on an elaborate scheme to trade drugs for arms to supply Central American freedom fighters.
In pic's silliest plot twist, Dennehy and company too easily rip off minor drug dealers to finance their own purchase of heavy weapons to stage a three-man war against the baddies (one of Dennehy's merry men is murdered early on, as a corny motivational device). Their victory against tall odds is phony and the film's symbolism goes over the top in a climax of the drug money exploding in its cesspool hideaway, covering the baddies in excrement.
Despite the deficiencies of a script that unwisely mixes tongue-in-cheek elements with soapbox messages, Scottish director John Mackenzie keeps the pic moving and enjoyable on a strictly thriller level. Its unsubtle references to Iran-contra are more fun for film historians than action fans, leading to an ending on tv identical in purpose to the rabble-rousing conclusion of Alex Cox' similarly preachy "Walker".
Dennehy is excellent in delivering a liberal message in the form of a free-thinking independent who's tired of the expediency and greed of a system riddled with phony patriots. Guy Boyd ably leads the gang of Machiavellian villains and Aussie thesp Deborra-Lee Furness makes a good impression as Dennehy's wife.
Former Rolling Stone Mick Taylor adds punch with his guitar solos.
While I can't say "Last of the Finest" will go down as one of the most memorable films ever made, I am a bit surprised at how few reviews there are for it on this site since it is pretty decent for what it is. The movie is about a squad of four elite vice cops, who take their favorite past time of football just as seriously as do their job. They were formed to do the stuff that the ordinary cops couldn't. But when they start hitting brick walls after a failed drug bust, they begin to suspect that their superiors and possibly even some powerful players in the US government are involved in the drug trade in order to support some rebels fighting in Central America. So in order to find out the truth, they decide to resign and work outside the law. Admittedly this probably sounds similar to other films you might have seen. But the film manages to maintain it's own feel, manly due to the camaraderie and chemistry among the actors who play our heroes. You have the always enjoyable Brian Dennehy as the group's leader Frank, Joe Pantoliano as Wayne, Jeff Fahey as Ricky, and Brian Paxton as Hojo. All play their parts well and Brian Dennehy is able to shine as the one of the good guys instead of the usual heavies he's played through out his career.
And while the story may not be the most original ever written, it is one that has good dialog and also one that has an important message under the surface: Never, under any circumstances, trust your government, especially when they claim to be doing something for the common good! The film especially shows this at the very end in a sly, clever way. When you see it, you'll know what I mean. The movie does start out a little slow but at the same time you do get a chance to really know the characters and care about them. The movie also has some pretty decent villains in the form of Michael C. Gwynne as the Slimy Anthony Reece and Guy Boyd as Norringer. Like I mentioned earlier, the film seems to have gone under the radar. Perhaps it's because the market was already saturated with cop-buddy films at that time and the audience probably was getting tired of them by then. Still, if you should find yourself with nothing to do and are looking for a decent cop film, give "Last of the Finest" a chance.
And while the story may not be the most original ever written, it is one that has good dialog and also one that has an important message under the surface: Never, under any circumstances, trust your government, especially when they claim to be doing something for the common good! The film especially shows this at the very end in a sly, clever way. When you see it, you'll know what I mean. The movie does start out a little slow but at the same time you do get a chance to really know the characters and care about them. The movie also has some pretty decent villains in the form of Michael C. Gwynne as the Slimy Anthony Reece and Guy Boyd as Norringer. Like I mentioned earlier, the film seems to have gone under the radar. Perhaps it's because the market was already saturated with cop-buddy films at that time and the audience probably was getting tired of them by then. Still, if you should find yourself with nothing to do and are looking for a decent cop film, give "Last of the Finest" a chance.
Você sabia?
- CuriosidadesOne of a dozen films released by Orion Pictures in 1990. Many fans of the film believe that due to the quantity of product running through the studio's pipeline, that this film was lost in the shuffle and was not properly marketed or advertised.
- Erros de gravaçãoOne officer said he used a 700 mm lens on his Nikon F3, Nikon never made a 700 mm lens then.
- Citações
Wayne Gross: [to Ricky] I bet if you met your father he'd probably be Irish
- Trilhas sonorasIt's Not Unusual
Performed by Tom Jones
Courtesy of PolyGram Special Products, a division of PolyGram Records, Inc.
Words and Music by Gordon Mills and Les Reed
Published by MCA Music Publishing, a division of MCA Inc.
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- How long is The Last of the Finest?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.531.489
- Fim de semana de estreia nos EUA e Canadá
- US$ 551.876
- 11 de mar. de 1990
- Faturamento bruto mundial
- US$ 1.531.489
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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