Dança com Lobos

Many people regard a lot of films as "top class" but I always keep a little shelf in my mind for the films that I regard as the best films of all time - films that are simply timeless masterpieces. Welcome to the top of that shelf! There are certain criteria by which films are judged and greatness is only obtained when all the criteria are satisfied in full. Dances with Wolves is the greatest timeless masterpiece of cinema to date because it satisfies all these criteria: 1) Cinematography: the sweeping landscape photography of the Frontier combined with the subtle night-time photography earns top marks. Aside from Oscars for Cinematography and editing, it also won the ASC award for Outstanding achievement in Cinematography - as well as a host of other industry recognition awards. In short - the cinematography is breathtaking.

2) Sound/Score: the score is one of the best ever written. Again, awards rained from the sky for magical and moving score that combined seamlessly with the film/story.

3) Screenplay: The dialogue and plot is magnificent. The film does not fall into the common plot formulas found in other films that attempt to pass themselves off as epics. The story combines as both of celebration of life and a somber rumination of the history of mankind.

There are comical moments, dramatic moments and tear-jerking moments - that all make their entry (and exit) into the story with flawless timing.

4) The Acting: for all that has been said about Kevin Costner, this was the peak of his career and he played the role of John Dunbar to perfection. A relatively unknown band of actors gave magnificent, heart-felt and down-to-earth performances in support. It was actually refreshing to see an "EPIC" where the producers didn't feel the need to throw famous actors in with cameo roles to improve it marketability. As far as I was concerned, there were no weak links in the chain on the acting side of things. Kevin Costner certainly proved his worthiness as a director by getting the best out of the cast.

5) The ONLY film in history to.... Have an extended (director's cut) version that was better than the original. Due to concerns about the length of the film, Dances with Wolves was stripped back to three hours. Some complained that it was still too long, but I thought that the film was patient - it included good relevant detail but managed to keep the story moving at a good pace. The director's cut added an hour to the cinematic release and was, without a doubt, better than the original. It somehow added more intrigue to the story and included many sobering insights into the destruction of the American Indian race.

Over all, I regard it as the greatest most masterful epic of all time.

It's hard for me to believe this movie is not in the top 250 on IMBD all time list. Without question my favorite movie. We live in a strange world when Pulp Fiction ranks #18, and Dances with Wolves just misses the top 250. Maybe people thought the movie was too long. I thought it was too short if anything. I wish they would have gone on forever. What an incredible story. The way Costner continued to get closer and closer to the Indians way masterfuly done.

What the heck are people thinking! There are way too many Costner bashers on the internet. This was a revolutionary motion picture at its time, never has a story about the American indians ever been told with such emotion and grace. What a sham. For the record Costner is not that bad of an actor.

9/10

It's hard to think of blockbuster films that portray Native Americans as well as this one does. They are human beings here, with different personalities, intelligence, dignity, culture, and humor. The fact that a major Hollywood film had a good portion of its dialogue spoken in Lakota, subtitled in English, is fantastic. The portrayal of white cruelty, such as in the scene with rotting buffalo carcasses littering the prairie, invert the classic narrative, both in the genre of Westerns and in how history is often taught. The film identifies who the real savages were, and Kevin Costner should get a lot of credit for that.

The film is of epic length, and by no means perfect. I would have preferred it without the love story, and for more centering on the native characters. The soundtrack is also intrusive, and there were many instances where I found myself thinking that the scene would have played more effectively had it been set to minimal audio. As for the criticism that it uses the 'white savior' trope, I didn't see it that way - if anything, Costner's character is the one saved, both spiritually and then physically as he's about to be hanged for treason. It's much more about the beauty of coexistence and of respecting other cultures, and how tragic the historical genocide was.

The film is clearly a labor of love, and Costner took a lot of risks with it. The casting of Native actors quite honestly felt decades ahead of its time, and Graham Greene (Kicking Bird), Rodney A. Grant (Wind In His Hair), and Floyd Red Crow Westerman (Chief Ten Bears) are all wonderful. The cinematography on location mostly in South Dakota is simply stunning. However, what I love most about it is its heart, and how it shows simple appreciation for the Sioux people. "They were a people so eager to laugh, so devoted to family, so dedicated to each other. The only word that comes to mind is harmony," the main character says. Would love to see more films like this, and from a native perspective. 31 years later, it's long overdue, but give Costner credit for what he accomplished in 1990.

Dances With Wolves Is directed by Kevin Costner who also stars. It's adapted by Michael Blake from his own novel of the same name. Starring along side Costner are Graham Greene, Mary McDonnell & Rodney A. Grant. Dean Semler provides the cinematography & John Barry the musical score. Set during the American Civil War, the story tells how Lieutenant John Dunbar (Costner) goes to a military outpost on the American frontier, where confronted with alienation he befriends nature, the Lakota Indians and finds himself in the process.

"I had never known a people so eager to laugh, so devoted to family, so dedicated to each other. And the only word that came to mind was harmony"

The critics were rubbing their hands with glee, getting ready to tear Costner apart for what undoubtedly would be a failure. An epic Western movie made in 1990, had he not learnt from Heaven's Gate? It was long in production, and with only a $15/$22 million budget afforded it, word came that Costner had to put in $3 million of his own cash to aid production. It was beset with production delays as the problems mounted up with the weather, animal training and with action scenes taking up to three weeks to shoot, all contributing to the belief that it was doomed to failure. "Kevin's Gate" they cried, what's that? It's partially sub-titled too? Never work.

Dances With Wolves went on to make $424 million in Worldwide theatre tickets alone. Heaven knows what the total would be if we added the VHS & DVD returns as well! Come Academy Award time the film won 7 Oscars, including Best Picture (making it the first Western to win the prestigious award since Cimarron in 1931) & Best Director. It was also nominated in five other categories with Costner up for Best Actor, Graham Greene for Best Supporting Actor & Mary McDonnell for Best Supporting Actress. It was, all told, a personal, artistic and commercial triumph for Costner. One can see him post Oscar night sitting there on his porch sipping sour mash and flipping the finger at all those critics who willed him to fail.

Costner's movie is a simple tale, of that there is no arguing. But Dances With Wolves (the name given to Dunbar by the Sioux) is magnificently told, as enchanting a Western that has ever been made. It boasts everything needed to make a first class Oater. The story may be simple but it's rich on detail, the characters have real depth and it never sags, not even in its magnificent elongated directors cut that runs 236 minutes. The credit has to go to Costner, who in his debut as director lest we forget, has managed to blend everything together in the style of one of the old masters from the classic Western period. Every tonal avenue ventured down pays off handsome rewards, it all goes somewhere, awash with wistfulness, romanticism and elegiac poetry. The action sequences are expertly crafted, with a buffalo hunt particularly breath taking; no CGI here, the odd animatronic for a close encounter, but mainly the real deal, as are the wolves and the Lakota Sioux, too, who are played by Native Americans. Its humorous too, with its fun being intentional and aiding the flow of the friendships forming.

As most Western fans will tell you, a lyrical horse opera needs great location work and a score to match. Thankfully Dances With Wolves has both, as both Semler & Barry produce work that picked up the Golden Baldy on Oscar night. Lensed predominantly in South Dakota around the Black Hills & Badlands regions, Semler infuses the film with natural landscapes that send the frontier bursting thru the screen, his framing explains things better than words can in this environment. While Barry's score, lifting nicely from A View To A Kill at times, is suitably grand, deft in touch for the main theme and blood pumping for the buffalo hunt and the Pawnee attacks. Acting wise the award nominations received for Costner, Greene & McDonnell were richly deserved. The boys are quiet and undemonstrative, at one with the essence of the story and infusing it with a sincerity so lacking in many epics. Playing Stands With A Fist, a white woman raised by the Sioux after her family were slaughtered when she was a child, McDonnell has to reach different character levels as the story unfolds, and she delivers emotional depth on every level. No nomination for Grant, but his work is top dollar also, his latter scenes with Costner really nail the shift in tone.

There's some historical missteps that will no doubt annoy the purists, like I don't believe the Pawnee were the aggressors they are painted as here. While the central romance between Costner & McDonnell is delicate but not fully formed; tho it does improve in the directors cut. But it's hard to criticise little itches when such vision and ambition comes together as well as it does here. Structured with precision and showing respect for tradition, this is a movie about loving people for people lovers. And one can quite easily believe that some genre legends up in the sky were looking down and nodding approvingly. 10/10