A Guerra dos Donos do Amanhã

It's the year 1999 and the violence in schools is virtually now unstoppable with many gangs contributing to the war zone look. To control this problem in a Settle High school, a principal gets help from the board of Government Educational defence and three disguised androids are sent there. They are no ordinary robots that are just there to teach, but they have strong disciplinary actions to keep these savage students at bay. Although soon the punishment that these androids hand out becomes brutal and they decide to terminate the main problem by playing games on the students.

Director Mark L. Lester returns here to provide us with a sequel to his cult classic "Class Of 84". This really isn't a direct sequel and it's not up to scratch with the first. The original is basically far superior in every way. Though, that's not saying it's worthless, because it's not. Trashy, incredibly dumb and over-the-top, but it surely was an entertaining B-grade Sci-fi. Even if the characters and plot seem to lose out to the violence and special effects. They are executed very well by fusing together plentiful action and chaos. Just like the first it doesn't shy away from graphic violence, but the realistic and exploitive touch of the first is lost on this occasion. While, the special effects are very well conceived in this low-budget production. The robot designs were crafted with great detail and skill. Another notable thing that makes this worth a peek is that of the cast. What a stellar line-up it does boast. You got Malcolm McDowell, Stacy Keach, Pam Grier, John P. Ryan, Patrick Kilpatrick and Joshua Millar appearing. Now the big question is how did these names get involved in the production? The characterizations are weak, but Grier, Ryan and Kilpatrick spice it up as the hell bent androids and Keach gives a deviously cheesy performance as the cynical Dr. Bob Forrest, the creator of these robots. The teenagers here are basically paper-thin and lack the menace. Bradley Gregg plays the hero, and that's a very wooden and unappealing one too.

The predictable premise is more concern about keeping the eyes entertained with explosions, gunfire and dazzling effects amongst an apocalyptic background. The satirical comments are there, but it just lacks the venom in the context and it doesn't have the hard ass poetry of the original. It takes a look into the future to see how the higher officials would cope with this problem and it shows the hypocritical reaction that now aggression is the best way to defeat this problem. Like others have mentioned it adds a pinch of "The Terminator", "Westworld" and "The Warriors" to the story's set-up and viola - you got "Class of 1999". The hammy dialog is bad and seems to be on pun overload; with something being mentioned every couple lines. Stacy Keach is the one that drums out the campy dialog beautifully, though. The humour too is terribly off the rocker. The soundtrack sticks with the punk scene and rock grunge, but it isn't so enforcing and catchy. Because of the budget it does have very grimy look that works in well with the flick. Director Lester constructed adequate suspense and paces the film rather smoothly, with enough neat flashes of gore in the mix. Overall, I was expecting something very weak, but hell this was one bone-rattling ride.

Maybe it's not as memorable, interactive and shocking as its great predecessor, but this kitsch sequel, which could possibly stand-alone. Hooks you right in because of the profound visuals and strong cast.

I hate the term guilty pleasure when it comes to discussion about movies. I mean if you like a film then why should you feel guilty about it? If you are sensible enough to know that a disregarded film is poor on production and story yet entertains you then that is all there is to it really. One such case for myself is with Class Of 1999, Mark L. Lester's loose sci-fi sequel to his own Class Of 1984. I really couldn't recommend this film to anyone with confidence, I just know that I love it, have done since I rented it out of curiosity on VHS many years ago.

The film basically is set in bad future Seattle where anarchy reins in our schools. So into the mix comes three robot teachers on a secretive trial basis, their form of discipline is tough but appears to be working. But things start to go wrong as the teachers start to revert to their battle droid beginnings and it all spirals out of control as they take on the might of the two warring gangs operating out of Kennedy High School.

Think of it as a mixture of Escape From New York and The Terminator and you will be in the same ball park. Tho for the record this is not even close to being as good as either of those movies. Lester's movie actually, in spite of its reviled reputation, comes with some good acting credentials. Malcolm McDowell, Stacy Keach and Pam Grier are the "name" actors, while Patrick Kilpatrick and the cool Bradley Gregg are familiar faces that have fun with the material. It's violent and sweary and full of cheesy dialogue, and naturally the sci-fi led effects are cheap and in keeping with the budget. It's the sort of film that now would go straight to DVD without so much as a blink of an eye. But once a fan of it, you are always a fan of it, because true love never dies.

Acquired taste? For sure. Coolly anarchic in a B movie way? Definitely. So "jump me in, jump me in now". 8/10

Recent teenage parolee Cody Culp returns to his anarchistic futuristic hood to find himself disgusted with his home life, alienated from his former gang(probably to his relief), and threatened by the school's newest bullies: three robotic teachers, implemented by the government to restore discipline, only consolation being his budding romance with the principal's daughter--perpetually gorgeous Tracy Lin. As always, whenever players take the material as seriously as these actors do, the potentially mediocre is propelled to a new level. The performance by vastly unappreciated and underused Bradley Gregg rivals that of the more experienced Ryan, Grier, and Kilpatrick(with McDowell typically good, but all too often idle).

I've always held that the reason there was and remains so much dissatisfaction with this movie is that too many people watched it with the wrong expectations. Preparing for some silliness and expecting some substandard effects is the starting point with one like this. Reason being: to get past the frequent implausibility is to put yourself in a position to recognize the uniqueness and innovation. Taking the deliberate cheese with a grain of salt, one can appreciate opportunities when it is earnest.

If anything truly hurts this movie, it's the boring pseudo-military battle scenes. They would have been wise to leave this stuff to the only films suited to do them properly--war films, but instead have introduced out-of-place time wasters in which neither side has evoked any sympathy anyway. That said, Class Of 1999 is still a shoulda-been camp classic not to be missed. Then again, should any movie featuring knockout Tracy Lin be missed?

I've got a soft spot for sci-fi films that have already passed their sell-by-date—those movies set in a year that is now history to you and I (even more-so if the year forms part of the film's title, like this one): I just love seeing how these cinematic predictions of the future differ from reality.

Class of 1999 is a classic example: according to this film, by the year 1999 gang culture will have reached such a level in the U.S. that certain areas—known as Free Fire Zones—will no longer be protected by the police. Kennedy High School, situated in one such lawless zone, becomes the testing ground for three experimental robot teachers (played by Patrick Kilpatrick, Pam Grier, and John P. Ryan), adapted from military battle droids by unscrupulous MegaTech head honcho Bob Forrest (Stacy Keach).

Recently released from prison, gang-banger Cody Culp (Bradley Gregg) intends to give up his criminal lifestyle, but when the droid teachers begin to revert back to their military programming, dealing with their unruly students using extreme force, he and his gang, the Blackhearts, join forces with their rivals, the Razorheads, to try and stop the killing.

According to director Mark L. Lester (who also directed the superior Class of 1984), late '90s fashion hasn't moved on much from the decade before, the film's youths sporting some truly nasty attire (worst offender being Joshua Jackson as Cody's brother Angel, who wears yellow leggings and matching tunic and has the cheek to tell Cody "Man, you got to think about your image"). Also exhibiting zero sign of taste: Stacy Keach as freaky albino Forrest, whose hairstyle is a cross between a mullet and a rattail, and who wears zombie contact lenses for no apparent reason (I thought he was an albino at first, but his 'tache is black).

This version of 1999 also sees the art of robotics advanced to a level where machines can pass for human, something clearly inspired by James Cameron's The Terminator. As the droid teachers battle Cody and his pals, they shed their skin to reveal powerful weapons, which takes the violence up a notch and allows for some pretty impressive animatronic effects and gloopy cyborg gore, Grier opening up her chest (complete with prosthetic tits), Ryan having his cranium blown off, and Kilpatrick's head reduced to half human, half robot (before having his noggin separated from his body via forklift truck!).

Gloriously daft, a little cheesy at times, a lot cheesy at others, and packed with cartoonish violence, Class of 1999 is great entertainment for fans of exploitative '80s schlock. The fact that its vision of the near future is so wrong is just the icing on the cake.

7.5 out of 10, rounded up to 8 for IMDb.

The setup: Robot teachers have been secretly placed in the schools where the students have run riot. The teachers do a good job of controlling the unruly youngsters, until they go too far and some students get suspicious.

The verdict: It is plagued by plot holes and inane dialog. Actually, the movie itself is nothing that special, but it has some good stuff. It is a pretty unnecessary film. If you are looking for a good movie with good acting this might not be for you. While this isn't a great film by any means, it is entertaining. It is difficult to watch and has no shortage of abuse and neglect.